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Author: Giovanni Boccaccio Publisher: University of Chicago Press ISBN: 9780226062761 Category : Fiction Languages : en Pages : 212
Book Description
A milestone in feminist literature, this marvelous European romance, narrated by a woman, is considered the first psychological novel in a modern language and a precursor of stream-of-consciousness fiction. Written by Giovanni Boccaccio between 1343 and 1345, The Elegy has never before been available in a complete or accurate English translation. Lady Fiammetta, the first-person narrator and protagonist, recounts how, although a married woman, she falls in love with a handsome young foreigner named Panfilo and, driven by irresistible passion, becomes his lover. Panfilo subsequently abandons Fiammetta and returns to his native land, where his elderly father is said to be dying. When he fails to keep his promise to return, Fiammetta, in what is the heart of the narrative, describes her longings, her anguish, and her despair. A host of contradictory sentiments drive her to desperation and to an unsuccessful suicide attempt. After a time, Fiammetta resumes her futile wait for Panfilo. She finally resolves to seek him out in his native land. Disguising her true intent from her husband, she secures his promise to help her in this undertaking. Addressing an exclusively female audience, Fiammetta warns them about the vicious ways of men. Her whole narrative, in fact, adds up to an indictment of men as both readers and lovers. Eliciting a remarkably wide range of responses from readers and critics, Fiammetta has been variously described as a pathetic victim of male cruelty; an irresponsible fool of a girl; a sophisticated, cunning, and wholly disingenuous female; and, finally, a genuinely modern woman. Whatever judgment we make of her, Fiammetta stands out among medieval women as an ardent and outspoken feminist.
Author: Giovanni Boccaccio Publisher: University of Chicago Press ISBN: 9780226062761 Category : Fiction Languages : en Pages : 212
Book Description
A milestone in feminist literature, this marvelous European romance, narrated by a woman, is considered the first psychological novel in a modern language and a precursor of stream-of-consciousness fiction. Written by Giovanni Boccaccio between 1343 and 1345, The Elegy has never before been available in a complete or accurate English translation. Lady Fiammetta, the first-person narrator and protagonist, recounts how, although a married woman, she falls in love with a handsome young foreigner named Panfilo and, driven by irresistible passion, becomes his lover. Panfilo subsequently abandons Fiammetta and returns to his native land, where his elderly father is said to be dying. When he fails to keep his promise to return, Fiammetta, in what is the heart of the narrative, describes her longings, her anguish, and her despair. A host of contradictory sentiments drive her to desperation and to an unsuccessful suicide attempt. After a time, Fiammetta resumes her futile wait for Panfilo. She finally resolves to seek him out in his native land. Disguising her true intent from her husband, she secures his promise to help her in this undertaking. Addressing an exclusively female audience, Fiammetta warns them about the vicious ways of men. Her whole narrative, in fact, adds up to an indictment of men as both readers and lovers. Eliciting a remarkably wide range of responses from readers and critics, Fiammetta has been variously described as a pathetic victim of male cruelty; an irresponsible fool of a girl; a sophisticated, cunning, and wholly disingenuous female; and, finally, a genuinely modern woman. Whatever judgment we make of her, Fiammetta stands out among medieval women as an ardent and outspoken feminist.
Author: Robert Ignatius Letellier Publisher: Cambridge Scholars Publishing ISBN: 1443820881 Category : Music Languages : en Pages : 165
Book Description
Aloysius Ludwig Minkus (1826–1917), famous for his ballets Don Quixote (1869) and La Bayadère (1877), was born in Bohemia, and grew up in the dance capital Vienna. He hoped to establish a reputation as a violinist and composer, and by 1853 had emigrated to St Petersburg where he became the conductor and solo violinist of the private orchestra of Prince Nikolai Yusupov. In 1861 he was appointed violin soloist and, a year later, conductor of the Moscow Bolshoi Orchestra. He began a happy collaboration with the great French choreographer Arthur Saint-Léon (1821–1870), who was a real friend and inspiration to Minkus, and more than anyone else, helped to launch his career as a theatrical composer, producing five works in association with him in St Petersburg and Paris. Minkus’s first ballet, the three-act Plamya lyubvi, ili Salamandra (The Flame of Love, or the Salamander, also called Fiammetta), was given its premiere on 13 February 1864 at the Bolshoi Kamenny Theater in St Petersburg (with Marfa Muravyeva in the leading role). The scenario and the choreography were by Saint-Léon, the most important dance master of the day in both Paris and Russia. Saint-Léon’s influence secured this work production in the French capital, and it was perhaps for this occasion that Minkus accompanied Saint-Léon to Paris to mount the work at the Académie Royale de Musique. Reduced to two acts, and re-christened Néméa, ou l’Amour vengé (with a scenario adapted by Henri Meilhac & Ludovic Halévy), the ballet was performed at the Paris Opéra on 11 July 1864, with considerable success (again with Marfa Muravyeva, and with Eugénie Fiocre as Cupid). It remained in the repertoire for seven years, attaining 53 performances by 1871. Théophile Gautier remarked on the atmospheric quality of Minkus’s music, its “haunting, dreamy quality.” Roqueplan singled out Saint-Léon's choreography for its “imagination and originality, his ability to handle masses.” Some of the Airs de Ballet were almost immediately published by Henri Hegel (1865), and are reproduced here. By now Minkus was becoming known internationally. So when five years later the Paris Opéra ordered a new grand ballet from Saint-Léon to a libretto by Charles Nuitter, Saint-Léon involved Minkus in the project, securing for him a hand in the composition of the first and fourth scenes of this new work, La Source. The other two scenes were entrusted to the young Léo Delibes, thirty at the time, who had drawn favourable attention to himself in the preparation of the ballet music for the première of Meyerbeer’s posthumous L’Africaine in 1865. The first performance of La Source on 12 November 1866 was great success for Delibes, whose bold and colourful composition was praised at the expense of Minkus’s subtler contribution. Saint-Léon immediately began planning another work with Nuitter and Delibes, and one which would crown the young French’s composer’s success with triumph, Coppélia. Saint-Léon nevertheless continued to work with Minkus, despite his busy engagements in Paris. The choreographer’s greatest ballet for Russia was his work with Cesare Pugni, Koniok-Gorbunok (The Little Humpbacked Horse) (1864), based on a Russian fairytale. He now tapped into the same folk material in a new work with Minkus, Zolotaya rybka (The Golden Fish), based on Alexander Pushkin’s Legend of the fisher and the little fish. On 20 November 1866, for the celebration of the Tsarevitch’s wedding, Saint-Léon oversaw the production of a one-act version of this new ballet, Le Poisson doré, at the Bolshoi Kamenny Theater in St Petersburg. The work was then developed as a three-act ballet for the same theater a year later (8 October 1867). Minkus’s music was very well received. As with La Source, it was carefully adapted in form and mood to the scenario, remarkable for its panache and beautiful writing for solo instruments (violin, flute, cello, cornet), and for reflecting the nature of the fairytale scenario in the appropriation of national folk styles (Polish, Kazak, Cossack). The score was considered worthy of full publication in piano reduction by the St Petersburg house of Stellowsky (c. 1870), and is reproduced here. The last collaboration between Minkus and Saint-Léon followed two years after that, a partial arrangement of La Source, given in St Petersburg as Liliya (Le Lys) in 1869.
Author: Giovanni Boccaccio Publisher: Delphi Classics ISBN: 1788779029 Category : Fiction Languages : en Pages : 333
Book Description
This eBook features the unabridged text of ‘The Elegy of Lady Fiammetta by Giovanni Boccaccio - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Collected Works of Giovanni Boccaccio’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Boccaccio includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Elegy of Lady Fiammetta by Giovanni Boccaccio - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Boccaccio’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
Author: Giovanni Boccaccio Publisher: DigiCat ISBN: Category : Fiction Languages : en Pages : 43
Book Description
DigiCat Publishing presents to you this special edition of "La Fiammetta" by Giovanni Boccaccio. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: Andreas Kluth Publisher: Penguin ISBN: 1101554193 Category : Business & Economics Languages : en Pages : 392
Book Description
A dynamic and exciting way to understand success and failure, through the life of Hannibal, one of history's greatest generals. The life of Hannibal, the Carthaginian general who crossed the Alps with his army in 218 B.C.E., is the stuff of legend. And the epic choices he and his opponents made-on the battlefield and elsewhere in life-offer lessons about responding to our victories and our defeats that are as relevant today as they were more than 2,000 years ago. A big new idea book inspired by ancient history, Hannibal and Me explores the truths behind triumph and disaster in our lives by examining the decisions made by Hannibal and others, including Albert Einstein, Eleanor Roosevelt, Steve Jobs, Ernest Shackleton, and Paul Cézanne-men and women who learned from their mistakes. By showing why some people overcome failure and others succumb to it, and why some fall victim to success while others thrive on it, Hannibal and Me demonstrates how to recognize the seeds of success within our own failures and the threats of failure hidden in our successes. The result is a page-turning adventure tale, a compelling human drama, and an insightful guide to understanding behavior. This is essential reading for anyone who seeks to transform misfortune into success at work, at home, and in life.
Author: Giovanni Boccaccio
Author: Giovanni Boccaccio
Author: William Wetmore Story
Author: Robert Ignatius Letellier
Author: Rachel Annand Taylor![Amorous Fiammetta. Wherein is Sette Downe a Catologue of All and Singuler Passions of Loue and Iealousie, Incident to an Enamored Yong Gentlewomen, with a Notable Caueat for All Women to Eschewe Deceitfull and Wicked Loue, by an Apparant Example of a Neapolitan Lady, Her Approued&long Liseries, and Wyth Many Sounde Dehortations from the Same. First Written in Italian by Master John Boccace ... And Now Done Into English by B. Giouano Del M. Temp. [i.e. Bartholomew Young of the Middle Temple]. With Notes in the Margine, and with a Table, Etc. B.L. PDF](https://books.google.com/books/content/images/frontcover/51ZpAAAAcAAJ?fife=w80-h100)
Author: Giovanni Boccaccio
Author: Giovanni Boccaccio
Author: Giovanni Boccaccio
Author: Rachel Annand Taylor
Author: Andreas Kluth
Author: Giovanni Boccaccio