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Author: Keith D. Leonard Publisher: University of Virginia Press ISBN: 9780813925066 Category : Literary Criticism Languages : en Pages : 300
Book Description
In Fettered Genius, Keith D. Leonard identifies how African American poets' use and revision of traditional poetics constituted an antiracist political agency. Comparing this practice to the use of poetic mastery by the ancient Celtic bards to resist British imperialism, Leonard shows how traditional poetics enable African American poets to insert racial experience, racial protest, and African American culture into public discourse by making them features of validated artistic expression. As with the Celtic bards, these poets' artistry testified to their marginalized people's capacity for imagination and reason within and against the terms of the dominant culture. In an ambitious survey that moves from slavery to the cultural nationalism of the 1960s, Leonard examines numerous poets, placing each in the context of his or her time to demonstrate the antiracist meaning of their accomplishments. The book offers new insight on the conservatism of Phillis Wheatley, Paul Laurence Dunbar, and the genteel members of the Harlem Renaissance, how their rage for assimilation functioned to refute racist notions of difference and, paradoxically, to affirm a distinctive racial experience as valid material for poetry. Leonard also demonstrates how the more progressive and ethnically distinctive poetics of Langston Hughes, Sterling Brown, Gwendolyn Brooks, Robert Hayden, and Melvin B. Tolson share some of the same ambivalence about cultural achievement as those of the earlier poets. They also have in common the self-conscious pursuit of an affirmation of the African American self through the substitution of African American vernacular language and cultural forms for traditional poetic themes and forms. The evolution of these poetics parallels the emergence of notions of ethnic identity over racial identity and, indeed, in some ways even motivated this shift. Leonard recognizes poetic mastery as the African American bardic poet's most powerful claim of ethnic tradition and of social belonging and clarifies the full hybrid complexity of African American identity that makes possible this political self-assertion. The development that is traced in Fettered Genius illustrates nothing less than the defining artistic coherence and political significance of the African American poetic tradition.
Author: Keith D. Leonard Publisher: University of Virginia Press ISBN: 9780813925066 Category : Literary Criticism Languages : en Pages : 300
Book Description
In Fettered Genius, Keith D. Leonard identifies how African American poets' use and revision of traditional poetics constituted an antiracist political agency. Comparing this practice to the use of poetic mastery by the ancient Celtic bards to resist British imperialism, Leonard shows how traditional poetics enable African American poets to insert racial experience, racial protest, and African American culture into public discourse by making them features of validated artistic expression. As with the Celtic bards, these poets' artistry testified to their marginalized people's capacity for imagination and reason within and against the terms of the dominant culture. In an ambitious survey that moves from slavery to the cultural nationalism of the 1960s, Leonard examines numerous poets, placing each in the context of his or her time to demonstrate the antiracist meaning of their accomplishments. The book offers new insight on the conservatism of Phillis Wheatley, Paul Laurence Dunbar, and the genteel members of the Harlem Renaissance, how their rage for assimilation functioned to refute racist notions of difference and, paradoxically, to affirm a distinctive racial experience as valid material for poetry. Leonard also demonstrates how the more progressive and ethnically distinctive poetics of Langston Hughes, Sterling Brown, Gwendolyn Brooks, Robert Hayden, and Melvin B. Tolson share some of the same ambivalence about cultural achievement as those of the earlier poets. They also have in common the self-conscious pursuit of an affirmation of the African American self through the substitution of African American vernacular language and cultural forms for traditional poetic themes and forms. The evolution of these poetics parallels the emergence of notions of ethnic identity over racial identity and, indeed, in some ways even motivated this shift. Leonard recognizes poetic mastery as the African American bardic poet's most powerful claim of ethnic tradition and of social belonging and clarifies the full hybrid complexity of African American identity that makes possible this political self-assertion. The development that is traced in Fettered Genius illustrates nothing less than the defining artistic coherence and political significance of the African American poetic tradition.
Author: Matt Sandler Publisher: Verso Books ISBN: 1788735463 Category : Literary Criticism Languages : en Pages : 273
Book Description
The prophetic poetry of slavery and its abolition During the pitched battle over slavery in the United States, Black writers—enslaved and free—allied themselves with the cause of abolition and used their art to advocate for emancipation and to envision the end of slavery as a world-historical moment of possibility. These Black writers borrowed from the European tradition of Romanticism—lyric poetry, prophetic visions--to write, speak, and sing their hopes for what freedom might mean. At the same time, they voiced anxieties about the expansion of global capital and US imperial power in the aftermath of slavery. They also focused on the ramifications of slavery's sexual violence. Authors like Frances Ellen Watkins Harper, George Moses Horton, Albery Allson Whitman, and Joshua McCarter Simpson conceived the Civil War as a revolutionary upheaval on par with Europe's stormy Age of Revolutions. The Black Romantic Revolution proposes that the Black Romantics' cultural innovations have shaped Black radical culture to this day, from the blues and hip hop to Black nationalism and Black feminism. Their expressions of love and rage, grief and determination, dreams and nightmares, still echo into our present.
Author: Ryan Sharp Publisher: UNC Press Books ISBN: 1469680653 Category : Literary Criticism Languages : en Pages : 279
Book Description
The early twenty-first century has seen a sharp rise in Black US poets employing the mask of persona, often including and interrogating archival materials as they do so. While some have observed this rise and noted its connection to historical figures, Ryan Sharp explores it more deeply, as a project-based historical and poetic practice. Sharp examines its sustained use of historical persona and capacity for conjuring Black speakers as a countermeasure against the archival silencing and misrepresentation of Black voices and histories—a tactic he theorizes as poetic fabulation—through the poetry of Elizabeth Alexander, Cornelius Eady, Adrian Matejka, Patricia Smith, Natasha Trethewey, and Frank X Walker. This poetic practice is not only about looking back but about critically and creatively (re)imagining the past to expand the possibilities for Black presents and futures. Through his argument, Sharp demonstrates how the unique aesthetic and rhetorical license afforded to poetry, along with the interiority of persona, empowers such historically minded projects to be concurrently invested in the curation of Black narratives and identities.
Author: Rafael Torrubia Publisher: Bloomsbury Publishing ISBN: 178673088X Category : Social Science Languages : en Pages : 376
Book Description
While the history of the non-violent Civil Rights Movement, from Rosa Parks to Martin Luther King, is one of the great American stories of the twentieth century, the related Black Power movement has taken a more complex path through the nation's history. Formed by a multitude of individuals, the long history of the Black Power movement stretches before and beyond its political manifestations. Beginning with the folk-narratives told on the plantation, Black Power and the American People charts a course through the iconoclasm of the Harlem Renaissance, the battleground of the American campus, the struggle and skill of the Negro Leagues, the drama of the boxing ring, the killing fields of Vietnam and the cold concrete of the penitentiary, right up to the Black Lives Matter movement of the present day. Tracing these connected cultural expressions through time, Black Power and the American People explores the profound legacy of Black Power from its earliest roots to its most futuristic manifestations, its long history in American culture and its profound influence on the American imagination.
Author: Keith D. Leonard
Author: Keith D. Leonard
Author: Matt Sandler
Author: 
Author: Great Britain. Parliament. House of Commons
Author: Ryan Sharp
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Author: Harry Huntington Powers
Author: 
Author: Rafael Torrubia
Author: Harry Huntington Powers