Author: Jay McKean FisherPublisher: Mitchell Beazley
ISBN:
Category : Art
Languages : en
Pages : 136
Book Description
Félix Buhot, Peintre-graveur
Author: Jay McKean FisherPublisher: Mitchell Beazley
ISBN:
Category : Art
Languages : en
Pages : 136
Book Description
Félix Buhot (1847-1898).
Author: Félix Hilaire BuhotThe Rise of the Cult of Rembrandt
Author: Alison McQueenPublisher: Amsterdam University Press
ISBN: 9789053566244
Category : Art
Languages : en
Pages : 392
Book Description
Rembrandt's life and art had an almost mythic resonance in nineteenth-century France with artists, critics, and collectors alike using his artistic persona both as a benchmark and as justification for their own goals. This first in-depth study of the traditional critical reception of Rembrandt reveals the preoccupation with his perceived "authenticity," "naturalism," and "naiveté," demonstrating how the artist became an ancestral figure, a talisman with whom others aligned themselves to increase the value of their own work. And in a concluding chapter, the author looks at the playRembrandt, staged in Paris in 1898, whose production and advertising are a testament to the enduring power of the artist's myth.
The Impressionist Print
Author: Michel MelotPublisher: Yale University Press
ISBN: 0300067925
Category : Crafts & Hobbies
Languages : en
Pages : 301
Book Description
A print can sometimes tell us more than a painting about the history of art. Michel Melot illustrates his thesis in this book, analysing relationships between artists, the art market, the critics, collectors and political institutions. This fresh approach reveals Impressionism not as a sort of miracle, but as a response to economic and social upheaval. This original view of a key movement in the history of art allows the reader to understand its decisive effect on all the subsequent generations who have contributed to maintaining the tradition of the belle epreuve.
Art in Reproduction
Author: Robert VerhoogtPublisher: Amsterdam University Press
ISBN: 9053569138
Category : Art
Languages : en
Pages : 718
Book Description
This illuminating study examines the cultural meaning of artistic reproduction in a refreshingly new context through its consideration of how three artists managed the reproduction of their work.
Félix Buhot
Author: Gustave BourcardDegas Landscapes
Author: Richard KendallPublisher: Yale University Press
ISBN: 0300058373
Category : Art
Languages : en
Pages : 330
Book Description
Biografi om Degas landskaber set i relation til andre kunstneres behandling af landskabet som motiv
American Art Sales
Author: Strategic Ambiguity: The Obscure, Nebulous, and Vague in Symbolist Prints
Author: La Salle University Art MuseumPublisher: Lulu.com
ISBN: 0988999900
Category : Art
Languages : en
Pages : 73
Book Description
Exhibition catalogue for Strategic Ambiguity: The Obscure, Nebulous, and Vague in Symbolist Prints, December 6, 2012 to March 1, 2013 at the La Salle University Art Museum. The prints in this exhibition demonstrate how the Symbolist fascination with ambiguity seen in their choices of subject matter (i.e. half-human, half-animal hybrids such as harpies and sphinxes, gender ambiguity and androgyny) extended to formal strategies of representation that obscure form as well as content. This exhibition places Symbolist art in the context of Modernism by focusing on the ways in which artists experimented with print media and explored technical means of suggesting formal ambiguity (i.e. flattening, abstracting, obscuring) both to better match form and content and to push the boundaries of figurative art. The exhibition features work by artists Odilon Redon, Jan Toorop, Paul Gauguin, Maurice Denis, Édouard Vuillard, Félix Vallotton, Henri Ibels, Pierre Bonnard, Félix Buhot, Pierre Roche, Henri Martin, Armand Point, Maurice Dumont, Jeanne Jacquemin, Georges de Feure,François-Marius Valère Bernard, Carlos Schwabe and others. Print techniques represented in this survey range from lithography and etching to gypsography. The exhibition catalogue features essays by the curator and La Salle faculty from the disciplines of art history and philosophy.
A Paris Life, A Baltimore Treasure
Author: Stanley MazaroffPublisher: JHU Press
ISBN: 1421424452
Category : Biography & Autobiography
Languages : en
Pages : 670
Book Description
“[An] elegantly written account of all facets of the life and career of George A. Lucas . . . of Belle Époque Paris and Gilded Age America.” —Inge Reist, Director Emeritus of The Frick Collection’s Center for the History of Collecting In 1857, young Baltimorean George A. Lucas arrived in Paris, where he established an extensive personal network of celebrated artists and art dealers, becoming the quintessential French connection for American collectors. The most remarkable thing about Lucas was not the art that he acquired for his clients but the massive collection of 18,000 paintings, drawings, sculptures, and etchings, as well as 1,500 books, journals, and other sources about French artists, that he acquired for himself. Paintings by Cabanel, Corot, and Daubigny, prints by Whistler, Manet, and Cassatt, and portfolios of information about hundreds of French artists filled his apartment and spilled into the adjacent flat of his mistress. Based primarily on Lucas’s notes and diaries, as well as thousands of other archival documents, A Paris Life, A Baltimore Treasure is a richly illustrated portrayal of Lucas’s fascinating life as an agent, connoisseur, and collector of French mid-nineteenth-century art. And, as revealed in the book, following Lucas’s death, his enormous collection continued to have a vibrant life of its own, when—in 1990—Baltimore’s Maryland Institute proposed to auction or otherwise sell the collection. It rose from obscurity, reached new glory as an irreplaceable cultural treasure, and became the subject of an epic battle fought in and out of court that captivated public attention and enflamed the passions of art lovers and museum officials across the nation. “Mazaroff has thoughtfully recreated the legacy of one of America’s best documented late-nineteenth-century French art collections.” —Doreen Bolger, Director Emeritus, The Baltimore Museum of Art