Author: Sussex Archaeological Society
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 402
Book Description
A Catalogue of the Extensive and Most Valuable Collection of Engraved Portraits, of the Most Illustrious and Other Eminent British Characters that Figure in the Annals of History and Biography, ... as Originally Collected by Horace Walpole, Earl of Orford; which Will be Sold at Auction, by Mr. George Robins, at His Great Rooms in Covent Garden, on Monday the 13th Day of June, 1842, and Nine Following Days ...
Introduction to Principia Latina, part ii. The young beginner's second Latin book [ed. by sir W. Smith].
Sussex Archaeological Collections Relating to the History and Antiquities of the County
Author: Sussex Archaeological Society
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 402
Book Description
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 402
Book Description
The Burlington Magazine for Connoisseurs
Grove's Dictionary of Music and Musicians
Grove's Dictionary of Music and Musicians
Author: Sir George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 916
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 916
Book Description
Luther and Late Medieval Thomism
Author: Denis R. Janz
Publisher: Wilfrid Laurier Univ. Press
ISBN: 155458714X
Category : Religion
Languages : en
Pages : 253
Book Description
A careful analysis of Luther’s thought in the context of his age, this volume examines Luther’s links with later medieval Thomism. The study is organized on the theme of theological anthropology—the state of humans within a theological system. In the course of the discussion, Janz studies parallels and divergences between the thought of Luther and the thought of Thomas Aquinas, Peter Lombard, John Capreolus, Henry of Gorkum, Conrad Koellin, Karlstadt, and Cajetan. Janz suggests that at some crucial points late medieval Thomist teaching misrepresents the teaching of Thomas Aquinas. This, compounding Luther’s lack of direct knowledge of Thomas, helps to explain Luther’s opposition not only to his own nominalist teachers but to the scholastics generally. Students of late medieval and Reformation theology will find the wealth of primary citation and the detailed readings of the sources invaluable guides to the issues. Students of religion interested in contemporary problems in theological anthropology, in the natural capacity of humanity for good and evil, for example, will find the historical Christian perspective of great interest.
Publisher: Wilfrid Laurier Univ. Press
ISBN: 155458714X
Category : Religion
Languages : en
Pages : 253
Book Description
A careful analysis of Luther’s thought in the context of his age, this volume examines Luther’s links with later medieval Thomism. The study is organized on the theme of theological anthropology—the state of humans within a theological system. In the course of the discussion, Janz studies parallels and divergences between the thought of Luther and the thought of Thomas Aquinas, Peter Lombard, John Capreolus, Henry of Gorkum, Conrad Koellin, Karlstadt, and Cajetan. Janz suggests that at some crucial points late medieval Thomist teaching misrepresents the teaching of Thomas Aquinas. This, compounding Luther’s lack of direct knowledge of Thomas, helps to explain Luther’s opposition not only to his own nominalist teachers but to the scholastics generally. Students of late medieval and Reformation theology will find the wealth of primary citation and the detailed readings of the sources invaluable guides to the issues. Students of religion interested in contemporary problems in theological anthropology, in the natural capacity of humanity for good and evil, for example, will find the historical Christian perspective of great interest.
The Burlington Magazine
Author: Robert Edward Dell
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 462
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 462
Book Description
Monasticon Anglicanum : A History Of The Abbies And Other Monasteries, Hospitals, Frieries, And Cathedral And Collegiate Churches, With Their Dependencies, In England and Wales
Peter Stent, London Printseller
Author: Alexander V. Globe
Publisher: UBC Press
ISBN: 0774841419
Category : Art
Languages : en
Pages : 354
Book Description
From the 15th century on, engravings influenced European culture almost as profoundly as books. Like stained glass windows in the Middle Ages or television today, popular prints were designed to reach even the lowest orders of society. In the 17th century, Peter Stent, whose shop stood outside Newgate, was England's most prolific seller of popular prints, maps, and copybooks to the working and rising middle classes. His inventory of copper plates reflected the shifts of popular tastes during this period and commented directly on the turbulent events of the day. In documenting Stent's output, Alexander Globe studied the printsellers' advertising catalogues as external controls for reconstructing inventories as well as indices to contemporary tastes. From these and other contemporary sources, Globe cites every engraving and book attributable to Stent, breaking down the material into types: portraits, maps, miscellaneous sheets, and books (including works on handwriting, politics, natural history, anatomy, costume, and architecture). References and additions are made to the catalogues of Donald Wing and A.M. Hind. Globe takes the history of engraving beyond Hind by including prints from the Commonwealth, Protectorate, and early Restoration periods. Eight appendices supplement the catalogue information. They provide evidence for print identificiation, discuss paper sizes, and list Stent's artists, suppliers, and business associates. All the collectiions in which Stent items may be found are named. The volume concludes with a bibliography and indices of subject as well as post-17th century authors. Globe's introduction to Stent's work is concerned with the social, political, and economic conditions leading to the emergence of a popular printseller who catered to a different clientele from that usually studied by art historians. Stent's career illustrates the mid-17th century commercial revolution which saw the artisan's customers change from the wealthy leisure class to the worker who wanted mass-produced cheap goods. Drawing on material in a hundred libraries and museums around the world, the catalogue describes over fifteen hundred engravings, including 319 sheets and five books of portraits, 42 maps, 102 miscellaneous prints and sets (with religious, classical, heeraldic, and satirical subjects), and 86 books (on handwriting, politics, military training, natural history, figure sketches, costume, architecture, and ornament). Richly illustrated with 319 plates, Peter Stent will prove valuable not only to print dealers, art historians, museums, and libraries, but also to social, cultural, and political historians.
Publisher: UBC Press
ISBN: 0774841419
Category : Art
Languages : en
Pages : 354
Book Description
From the 15th century on, engravings influenced European culture almost as profoundly as books. Like stained glass windows in the Middle Ages or television today, popular prints were designed to reach even the lowest orders of society. In the 17th century, Peter Stent, whose shop stood outside Newgate, was England's most prolific seller of popular prints, maps, and copybooks to the working and rising middle classes. His inventory of copper plates reflected the shifts of popular tastes during this period and commented directly on the turbulent events of the day. In documenting Stent's output, Alexander Globe studied the printsellers' advertising catalogues as external controls for reconstructing inventories as well as indices to contemporary tastes. From these and other contemporary sources, Globe cites every engraving and book attributable to Stent, breaking down the material into types: portraits, maps, miscellaneous sheets, and books (including works on handwriting, politics, natural history, anatomy, costume, and architecture). References and additions are made to the catalogues of Donald Wing and A.M. Hind. Globe takes the history of engraving beyond Hind by including prints from the Commonwealth, Protectorate, and early Restoration periods. Eight appendices supplement the catalogue information. They provide evidence for print identificiation, discuss paper sizes, and list Stent's artists, suppliers, and business associates. All the collectiions in which Stent items may be found are named. The volume concludes with a bibliography and indices of subject as well as post-17th century authors. Globe's introduction to Stent's work is concerned with the social, political, and economic conditions leading to the emergence of a popular printseller who catered to a different clientele from that usually studied by art historians. Stent's career illustrates the mid-17th century commercial revolution which saw the artisan's customers change from the wealthy leisure class to the worker who wanted mass-produced cheap goods. Drawing on material in a hundred libraries and museums around the world, the catalogue describes over fifteen hundred engravings, including 319 sheets and five books of portraits, 42 maps, 102 miscellaneous prints and sets (with religious, classical, heeraldic, and satirical subjects), and 86 books (on handwriting, politics, military training, natural history, figure sketches, costume, architecture, and ornament). Richly illustrated with 319 plates, Peter Stent will prove valuable not only to print dealers, art historians, museums, and libraries, but also to social, cultural, and political historians.