Author: James D. Herbert
Publisher:
ISBN: 9780300050684
Category : Art
Languages : en
Pages : 224
Book Description
Fauve paintings, with their bold distortion of forms and exuberant colour, created great controversy when they were first exhibited in the early years of the 20th century.
Fauve Painting
Author: James D. Herbert
Publisher:
ISBN: 9780300050684
Category : Art
Languages : en
Pages : 224
Book Description
Fauve paintings, with their bold distortion of forms and exuberant colour, created great controversy when they were first exhibited in the early years of the 20th century.
Publisher:
ISBN: 9780300050684
Category : Art
Languages : en
Pages : 224
Book Description
Fauve paintings, with their bold distortion of forms and exuberant colour, created great controversy when they were first exhibited in the early years of the 20th century.
Matisse and the Fauves
Author: Heinz Widauer
Publisher: Wienand Verlag
ISBN: 9783868321678
Category : Fauvism
Languages : en
Pages : 0
Book Description
Catalog of an exhibition held at the Albertina, Vienna, September 20, 2013-January 12, 2014.
Publisher: Wienand Verlag
ISBN: 9783868321678
Category : Fauvism
Languages : en
Pages : 0
Book Description
Catalog of an exhibition held at the Albertina, Vienna, September 20, 2013-January 12, 2014.
Fauvism
Author: Sarah Whitfield
Publisher: Thames & Hudson
ISBN: 9780500202272
Category : Art
Languages : en
Pages : 216
Book Description
Even though public and critical reaction to the first exhibited fauvist works was one of hostility and astonishment, fauvist paintings are today among the most loved of all twentieth-century art. Here are the artists--their works, relationships, achievements, affinities, and critics. 170 illustrations.
Publisher: Thames & Hudson
ISBN: 9780500202272
Category : Art
Languages : en
Pages : 216
Book Description
Even though public and critical reaction to the first exhibited fauvist works was one of hostility and astonishment, fauvist paintings are today among the most loved of all twentieth-century art. Here are the artists--their works, relationships, achievements, affinities, and critics. 170 illustrations.
The Fauvist Painters
Author: Georges Duthuit
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 180
Book Description
The eleventh volume in the series "The Documents of Modern Art" edited by Robert Motherwell.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 180
Book Description
The eleventh volume in the series "The Documents of Modern Art" edited by Robert Motherwell.
Henri Matisse
Author: Catherine C. Bock Weiss
Publisher: Routledge
ISBN: 1317947754
Category : Music
Languages : en
Pages : 796
Book Description
First published in 1996. The art of the extraordinary French artist, Henri Matisse (1869- 1954), has provided visual pleasures and intellectual challenges to its viewers for the last hundred years. This is collection of gathered, summarized, and evaluated major literature on the artist primarily from France, the United States, Germany, and the Scandinavian countries, where major Matisse collections bear witness to early and intense interest in the artist's work.
Publisher: Routledge
ISBN: 1317947754
Category : Music
Languages : en
Pages : 796
Book Description
First published in 1996. The art of the extraordinary French artist, Henri Matisse (1869- 1954), has provided visual pleasures and intellectual challenges to its viewers for the last hundred years. This is collection of gathered, summarized, and evaluated major literature on the artist primarily from France, the United States, Germany, and the Scandinavian countries, where major Matisse collections bear witness to early and intense interest in the artist's work.
The Fauves
Author: Nathalia Brodskaya
Publisher: Parkstone International
ISBN: 1780428065
Category : Art
Languages : en
Pages : 200
Book Description
Born at the dawn of the 20th century, Fauvism burst onto the artistic scene at the 1905 Salon d'Automne with great controversy by throwing bright, vibrant colours in the face of artistic convention. Fuelled by change, artists like Matisse, Derain, and Vlaminck searched for a new chromatic language by using colour out of its habitual context. Freed from the strict technique advocated by the École des Beaux-Arts, they used blocky colours as their main resource, saturating their stunning paintings. The author invites us to experience this vivid artistic evolution that, although encompassing a short amount of time, left its mark on the path to modernity.
Publisher: Parkstone International
ISBN: 1780428065
Category : Art
Languages : en
Pages : 200
Book Description
Born at the dawn of the 20th century, Fauvism burst onto the artistic scene at the 1905 Salon d'Automne with great controversy by throwing bright, vibrant colours in the face of artistic convention. Fuelled by change, artists like Matisse, Derain, and Vlaminck searched for a new chromatic language by using colour out of its habitual context. Freed from the strict technique advocated by the École des Beaux-Arts, they used blocky colours as their main resource, saturating their stunning paintings. The author invites us to experience this vivid artistic evolution that, although encompassing a short amount of time, left its mark on the path to modernity.
A Theory of the Tache in Nineteenth-Century Painting
Author: ?stein Sj?ad
Publisher: Routledge
ISBN: 135157793X
Category : Art
Languages : en
Pages : 190
Book Description
Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet's and the Impressionists? rejection of academic finish produced a surface where the strokes of paint were presented directly, as patches or blots, then indirectly as legible signs. C?nne, Seurat, and Signac painted exclusively with patches or dots. Through a series of close readings, this book looks at the tache as one of the most important features in nineteenth-century modernism. The tache is a potential meeting point between text and image and a pure trace of the artist?s body. Even though each manifestation of tacheism generates its own specific cultural effects, this book represents the first time a scholar has looked at tacheism as a hidden continuum within modern art. With a methodological framework drawn from the semiotics of text and image, the author introduces a much-needed fine-tuning to the classic terms index, symbol, and icon. The concept of the tache as a ?crossing? of sign-types enables finer distinctions and observations than have been available thus far within the Peircean tradition. The ?sign-crossing? theory opens onto the whole terrain of interaction between visual art, art criticism, literature, philosophy, and psychology.
Publisher: Routledge
ISBN: 135157793X
Category : Art
Languages : en
Pages : 190
Book Description
Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet's and the Impressionists? rejection of academic finish produced a surface where the strokes of paint were presented directly, as patches or blots, then indirectly as legible signs. C?nne, Seurat, and Signac painted exclusively with patches or dots. Through a series of close readings, this book looks at the tache as one of the most important features in nineteenth-century modernism. The tache is a potential meeting point between text and image and a pure trace of the artist?s body. Even though each manifestation of tacheism generates its own specific cultural effects, this book represents the first time a scholar has looked at tacheism as a hidden continuum within modern art. With a methodological framework drawn from the semiotics of text and image, the author introduces a much-needed fine-tuning to the classic terms index, symbol, and icon. The concept of the tache as a ?crossing? of sign-types enables finer distinctions and observations than have been available thus far within the Peircean tradition. The ?sign-crossing? theory opens onto the whole terrain of interaction between visual art, art criticism, literature, philosophy, and psychology.
The Fauvist Painters
Author: Georges Duthuit
Publisher:
ISBN:
Category : Modernism (Art)
Languages : en
Pages : 176
Book Description
Publisher:
ISBN:
Category : Modernism (Art)
Languages : en
Pages : 176
Book Description
Monet to Moore
Author: Richard R. Brettell
Publisher: Yale University Press
ISBN: 0300081340
Category : Art
Languages : en
Pages : 241
Book Description
This Millennium Gift is the largest single gift to the arts in American history and the first to include institutions outside the United States."--BOOK JACKET.
Publisher: Yale University Press
ISBN: 0300081340
Category : Art
Languages : en
Pages : 241
Book Description
This Millennium Gift is the largest single gift to the arts in American history and the first to include institutions outside the United States."--BOOK JACKET.
The Concise New Makers of Modern Culture
Author: Justin Wintle
Publisher: Routledge
ISBN: 1134021380
Category : Social Science
Languages : en
Pages : 1362
Book Description
A Who's Who of Western culture, from Woody Allen to Emile Zola... Containing four hundred essay-style entries, and covering the period from 1850 to the present, The Concise New Makers of Modern Culture includes artists, writers, dramatists, architects, philosophers, anthropologists, scientists, sociologists, major political figures, composers, film-makers and many other culturally significant individuals and is thoroughly international in its purview. Next to Karl Marx is Bob Marley, with John Ruskin is Salman Rushdie, alongside Darwin is Luigi Dallapiccola, Deng Xiaoping rubs shoulders with Jacques Derrida as do Julia Kristeva and Kropotkin. With its global reach, The Concise New Makers of Modern Culture provides a multi-voiced witness of the contemporary thinking world. The entries carry short bibliographies and there is thorough cross-referencing as well as an index of names and key terms.
Publisher: Routledge
ISBN: 1134021380
Category : Social Science
Languages : en
Pages : 1362
Book Description
A Who's Who of Western culture, from Woody Allen to Emile Zola... Containing four hundred essay-style entries, and covering the period from 1850 to the present, The Concise New Makers of Modern Culture includes artists, writers, dramatists, architects, philosophers, anthropologists, scientists, sociologists, major political figures, composers, film-makers and many other culturally significant individuals and is thoroughly international in its purview. Next to Karl Marx is Bob Marley, with John Ruskin is Salman Rushdie, alongside Darwin is Luigi Dallapiccola, Deng Xiaoping rubs shoulders with Jacques Derrida as do Julia Kristeva and Kropotkin. With its global reach, The Concise New Makers of Modern Culture provides a multi-voiced witness of the contemporary thinking world. The entries carry short bibliographies and there is thorough cross-referencing as well as an index of names and key terms.