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Author: Lorianna Sarbailowa Publisher: GRIN Verlag ISBN: 3640505808 Category : Literary Criticism Languages : en Pages : 20
Book Description
Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 2, University of Cologne, language: English, abstract: Introduction Though the impression that numerous Shakespearean plays on fathers and daughters are very similar to each other is awaken, however this is not true. Many plays depict the same situations with similar circumstances, still it is a great fallacy to suppose that there is only few variation. Indisputably each play has different essential themes, different focus and particulars. Many elements seem similar or actually are really similar, however Shakespeare’s subtle works are nevertheless unique and ingenious - each peace of work its own way. Among Shakespeare’s tragedies and comedies there are a lot of plays in which the relationship between parents with their children is focussed. Particularly interesting is the relationship between fathers and daughters as it is most controversial. Shakespeare destines most of the father- daughter pairs to fail. Usually the father proves to be inept and incapable as he neither knows his own child’s nature, nor is he able or willing to get to know her. His paternal authority does not allow him to descent on his daughter’s level and make an attempt to understand her will and her needs. All the inept fathers of the further discussed plays undergo punishment - the death, either his daughter’s or his own or both die. On that account he can be empathised with, of course, but yet it is often his lack of wisdom which results in a tragedy. Most of Shakespearian daughters are rebels who contradict their father’s word and will. Obedience is every daughter’s main duty and those who make an exception to the rule are definitely just as incapable daughters. However in comedies it is perfectly legitimate for a daughter to make her own choices and still be happy. Whereas in tragedies Shakespeare is not very generous with his heroines and does not bestow them such a lucky lot - pretty much as their fathers. The present essay consists of two parts. The first chapter concentrates especially on the father figures and the second one on their daughters. The selection of the works is undertaken according to the plots in which the interaction between fathers and daughters is central. In this essay following plays are analysed in detail: Romeo and Juliet, Othello, the Moor of Venice, King Lear, Hamlet, Prince of Denmark, A Midsummer Night’s Dream and The Tempest. Six various father-daughter constellations arise from the four tragedies and two comedies.
Author: Lorianna Sarbailowa Publisher: GRIN Verlag ISBN: 3640505808 Category : Literary Criticism Languages : en Pages : 20
Book Description
Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 2, University of Cologne, language: English, abstract: Introduction Though the impression that numerous Shakespearean plays on fathers and daughters are very similar to each other is awaken, however this is not true. Many plays depict the same situations with similar circumstances, still it is a great fallacy to suppose that there is only few variation. Indisputably each play has different essential themes, different focus and particulars. Many elements seem similar or actually are really similar, however Shakespeare’s subtle works are nevertheless unique and ingenious - each peace of work its own way. Among Shakespeare’s tragedies and comedies there are a lot of plays in which the relationship between parents with their children is focussed. Particularly interesting is the relationship between fathers and daughters as it is most controversial. Shakespeare destines most of the father- daughter pairs to fail. Usually the father proves to be inept and incapable as he neither knows his own child’s nature, nor is he able or willing to get to know her. His paternal authority does not allow him to descent on his daughter’s level and make an attempt to understand her will and her needs. All the inept fathers of the further discussed plays undergo punishment - the death, either his daughter’s or his own or both die. On that account he can be empathised with, of course, but yet it is often his lack of wisdom which results in a tragedy. Most of Shakespearian daughters are rebels who contradict their father’s word and will. Obedience is every daughter’s main duty and those who make an exception to the rule are definitely just as incapable daughters. However in comedies it is perfectly legitimate for a daughter to make her own choices and still be happy. Whereas in tragedies Shakespeare is not very generous with his heroines and does not bestow them such a lucky lot - pretty much as their fathers. The present essay consists of two parts. The first chapter concentrates especially on the father figures and the second one on their daughters. The selection of the works is undertaken according to the plots in which the interaction between fathers and daughters is central. In this essay following plays are analysed in detail: Romeo and Juliet, Othello, the Moor of Venice, King Lear, Hamlet, Prince of Denmark, A Midsummer Night’s Dream and The Tempest. Six various father-daughter constellations arise from the four tragedies and two comedies.
Author: Lorianna Sarbailowa Publisher: GRIN Verlag ISBN: 3640506006 Category : Language Arts & Disciplines Languages : en Pages : 25
Book Description
Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 2, University of Cologne, language: English, abstract: Introduction Though the impression that numerous Shakespearean plays on fathers and daughters are very similar to each other is awaken, however this is not true. Many plays depict the same situations with similar circumstances, still it is a great fallacy to suppose that there is only few variation. Indisputably each play has different essential themes, different focus and particulars. Many elements seem similar or actually are really similar, however Shakespeare's subtle works are nevertheless unique and ingenious - each peace of work its own way. Among Shakespeare's tragedies and comedies there are a lot of plays in which the relationship between parents with their children is focussed. Particularly interesting is the relationship between fathers and daughters as it is most controversial. Shakespeare destines most of the father- daughter pairs to fail. Usually the father proves to be inept and incapable as he neither knows his own child's nature, nor is he able or willing to get to know her. His paternal authority does not allow him to descent on his daughter's level and make an attempt to understand her will and her needs. All the inept fathers of the further discussed plays undergo punishment - the death, either his daughter's or his own or both die. On that account he can be empathised with, of course, but yet it is often his lack of wisdom which results in a tragedy. Most of Shakespearian daughters are rebels who contradict their father's word and will. Obedience is every daughter's main duty and those who make an exception to the rule are definitely just as incapable daughters. However in comedies it is perfectly legitimate for a daughter to make her own choices and still be happy. Whereas in tragedies Shakespeare is not very generous with his heroines and does not bestow them such a lucky lot
Author: Sharon Hamilton Publisher: McFarland ISBN: 0786480777 Category : Literary Criticism Languages : en Pages : 196
Book Description
The father-daughter relationship was one that Shakespeare explored again and again. His typical pattern featured a middle-aged or older man, usually a widower, with an adolescent daughter who had spent most of her life under her father's control, protected in his house. The plays usually begin when the daughter is on the verge of womanhood and eager to assert her own identity and make her own decisions, especially in matters of the heart, even if it means going against her father's wishes. This work considers Capulet in Romeo and Juliet as an inept father to Juliet and Prospero in The Tempest as an able mentor to Miranda; Hermia in A Midsummer Night's Dream, Jessica in The Merchant of Venice and Desdemona in Othello as daughters who rebel against their fathers; Hero in Much Ado About Nothing, Lavinia in Titus Andronicus and Ophelia in Hamlet as daughters who acquiesce; Bianca in The Taming of the Shrew and Goneril and Regan in King Lear as daughters who cunningly play the good girl role; Portia in The Merchant of Venice, Viola in Twelfth Night and Rosalind in As You Like It as daughters who act in their fathers' places; and Marina in Pericles, Perdita in The Winter's Tale and Cordelia in Lear as daughters who forgive and heal.
Author: Oliver Ford Davies Publisher: Bloomsbury Publishing ISBN: 1474290140 Category : Literary Criticism Languages : en Pages : 222
Book Description
A theme that obsessed Shakespeare in over 20 plays from Titus Andronicus to The Tempest was the relationship between a daughter and her father. This study traces chronologically the development of this theme, relating it to the little we know of his own two daughters, and sheds new light on his exploration of the family that so dominated his approach to drama. Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies, a former university lecturer and now an Honorary Associate Artist of the RSC and Olivier Award winner, has written an engaging and deeply researched study of a topic that has intrigued him from playing Capulet in 1967, King Lear in 2002, to Polonius in 2008.
Author: Lagretta Lenker Publisher: Bloomsbury Publishing USA ISBN: 0313000573 Category : Literary Criticism Languages : en Pages : 216
Book Description
How can the most silent member of the family carry the message of subversion against venerated institutions of state and society? Why would two playwrights, writing 300 years apart, employ the same dramatic methods for rebelling against the establishment, when these methods are virtually ignored by their contemporaries? This book considers these and similar questions. It examines the historical similarities of the eras in which Shakespeare and Shaw wrote and then explores types of father-daughter interactions, considering each in terms of the existing power structures of society. These two dramatists draw on themes of incest, daughter sacrifice, role playing, education, and androgyny to create both active and passive daughters. The daughters literally represent a challenge to the patriarchy and metaphorically extend that challenge to such institutions as church and state. The volume argues that the father-daughter relationship was the ideal dramatic vehicle for Shakespeare and Shaw to advance their social and political agendas. By exploring larger issues through the father-daughter relationship, both playwrights were able to avoid the watchful eyes of censors and comment on such topics as the divine right of kings, filial bonds of obedience, and even regicide.
Author: Jeffrey Kahan Publisher: Routledge ISBN: 1135973652 Category : Literary Criticism Languages : en Pages : 385
Book Description
Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink
Author: Grace Tiffany Publisher: Berkley ISBN: 9780425196380 Category : Fiction Languages : en Pages : 308
Book Description
In this wonderfully inventive novel, Grace Tiffany weaves fact with fiction to bring Judith Shakespeare to vibrant life. Through Judith's eyes, we glimpse the world of her famous playwright father: his work, his family, and his inspiration.
Author: Peter W. Hassinger Publisher: Harper Collins ISBN: 0060284676 Category : Juvenile Fiction Languages : en Pages : 324
Book Description
Susanna Shakespeare yearns to travel to London like her father, to experience the world of actors and poets and to follow her own dream of singing, a path usually followed only by men.
Author: Lorianna Sarbailowa
Author: Lorianna Sarbailowa
Author: Lorianna Sarbailowa
Author: Sharon Hamilton
Author: Oliver Ford Davies
Author: Lagretta Lenker
Author: Jeffrey Kahan
Author: Grace Tiffany
Author: William Shakespeare
Author: Peter W. Hassinger
Author: Louis B. Wright