Author: R. L. Brett
Publisher: Taylor & Francis
ISBN: 1351631144
Category : Literary Criticism
Languages : en
Pages : 95

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Book Description
Cover -- Half Title Page -- Title Page -- Copyright Page -- Original Title Page -- Original Copyright Page -- Contents -- General Editor's Preface -- 1 Imagination and the Association of Ideas -- 2 Coleridge's Distinction between Fancy and Imagination -- 3 Symbol and Concept -- Bibliography -- Index

Author: Mary Warnock
Publisher: Univ of California Press
ISBN: 9780520037243
Category : Psychology
Languages : en
Pages : 220

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Book Description
Imagination is an outstanding contribution to a notoriously elusive and confusing subject. It skillfully interrelates problems in philosophy, the history of ideas and literary theory and criticism, tracing the evolution of the concept of imagination from Hume and Kant in the eighteenth century to Ryle, Sartre and Wittgenstein in the twentieth. She strongly belies that the cultivation of imagination should be the chief aim of education and one of her objectives in writing the book has been to put forward reasons why this is so. Purely philosophical treatment of the concept is shown to be related to its use in the work of Coleridge and Wordsworth, who she considers to be the creators of a new kind of awareness with more than literary implications. The purpose of her historical account is to suggest that the role of imagination in our perception and thought is more pervasive than may at first sight appear, and that the thread she traces is an important link joining apparently different areas of our experience. She argues that imagination is an essential element in both our awareness of the world and our attaching of value to it.

Author: E. J. Furlong
Publisher: Routledge
ISBN: 1317851692
Category : Philosophy
Languages : en
Pages : 128

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Book Description
First published in 2002. This essay has its origin primarily in some of the remarks on imagination made by Professor Ryle in The Concept of Mind. Reflection on arguments used in that book led the author to make the distinctions which have been indicated by the phrases 'in imagination', with imagination', and the term 'supposal'. This book is mainly a philosophical study of the leading concepts.

Author: Douglas Hedley
Publisher: A&C Black
ISBN: 0567032957
Category : Religion
Languages : en
Pages : 319

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Book Description
Explores the necessity of enabling the imagination to prevail as part of an anti-reductionist approach, to philosophical theology, if we are to engage with God's action in the world.

Author: Douglas Hedley
Publisher: Bloomsbury Publishing USA
ISBN: 1441151915
Category : Religion
Languages : en
Pages : 320

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Book Description
Is it merely an accident of English etymology that 'imagination' is cognate with 'image'? Despite the iconoclasm shared to a greater or lesser extent by all Abrahamic faiths, theism tends to assert a link between beauty, goodness and truth, all of which are viewed as Divine attributes. Douglas Hedley argues that religious ideas can be presented in a sensory form, especially in aesthetic works. Drawing explicitly on a Platonic metaphysics of the image as a bearer of transcendence, The Iconic Imagination shows the singular capacity and power of images to represent the transcendent in the traditions of Christianity, Judaism, Hinduism and Islam. In opposition to cold abstraction and narrow asceticism, Hedley shows that the image furnishes a vision of the eternal through the visible and temporal.

Author: Alan P. R. Gregory
Publisher: Mercer University Press
ISBN: 9780865548015
Category : Literary Criticism
Languages : en
Pages : 308

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Book Description
Why should anyone bother with Coleridge either as a theologian or a political theorist? At first in desperation, but now quite deliberately, Alan Gregory convincingly suggests that one should bother because Coleridge mounted an imporant critique of reductionist explanations of human society and moral agency, and because Coleridge has much regarding that important enterprise to teach us still. While Gregory also offers a perceptive outline of early British conservatism, his main concern is with Coleridge's attack on reductionism, including his defense of the will against associationism, his criticisms of Enlightenment historiography, his discussions of the inadequacies of political economy, and the Trinitarian arguments against monism. There is, Gregory remarks, no grasping the range or inner dynamic of Coleridge's thought without appreciating his religious vision, his theology. Indeed, Coleridge himself affirmed that should we try to conceive a man without the ideas of God, eternity, freedom, will, absolute truth, of the good, the true, the beautiful, the infinite...the man will have vanished.

Author: Warren W. Wiersbe
Publisher: Baker Books
ISBN: 1585588490
Category : Religion
Languages : en
Pages : 433

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Book Description
No more dreary three-point sermon outlines! Wiersbe coaches preachers to creatively proclaim the living Word so hearers experience God's truth changing their lives.

Author: Bradford T. Stull
Publisher: SUNY Press
ISBN: 9780791420812
Category : Religion
Languages : en
Pages : 212

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Book Description
Explores the possibility of a postmodern liberation rhetoric. Stull (English, Indiana U.-East) uses rhetoric to address the question of how humans can imagine better worlds when surrounded by unspeakable pain. Defines terms such as postmodern, pain, imagination, and religion, and discusses the theory and practice of four contemporary rhetoricians--postmoderns Kenneth Burke and Thomas Merton, and liberationists Paulo Freire of Brazil and Oscar Romero of El Salvador. Annotation copyright by Book News, Inc., Portland, OR

Author: J. Robert Barth
Publisher: Princeton University Press
ISBN: 1400867193
Category : Literary Criticism
Languages : en
Pages : 172

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Book Description
Studying the nature of symbol in Coleridge's work, Father Barth shows that it is central to Coleridge's intellectual endeavor in poetry and criticism as well as in philosophy and theology. He finds symbol to be an essentially religious reality for Coleridge, one that partakes of the nature of a sacrament, especially sacrament as an encounter between material and spiritual reality. Father Barth notes that eighteenth-century poetry was by and large a poetry of metaphor rather than of symbol, a poetry of reference rather than of encounter. In close readings of the poetry of Wordsworth and Coleridge, he shows how they practiced and developed the poetry of symbol. Finally, analyzing the symbolic imagination, the author concludes that it is a phenomenon profoundly linked with the experience of Romanticism itself and with a fundamental change in religious sensibility. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Author: George Stiny
Publisher: MIT Press
ISBN: 0262370662
Category : Design
Languages : en
Pages : 249

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Book Description
Visual calculating in shape grammars aligns with art and design, bridging the gap between seeing (Coleridge's “imagination”) and combinatoric play (Coleridge's “fancy”). In Shapes of Imagination, George Stiny runs visual calculating in shape grammars through art and design—incorporating Samuel Taylor Coleridge's poetic imagination and Oscar Wilde's corollary to see things as they aren't. Many assume that calculating limits art and design to suit computers, but shape grammars rely on seeing to prove otherwise. Rules that change what they see extend calculating to overtake what computers can do, in logic and with data and learning. Shape grammars bridge the divide between seeing (Coleridge's “imagination, or esemplastic power”) and combinatoric play (Coleridge's “fancy”). Stiny shows that calculating without seeing excludes art and design. Seeing is key for calculating to augment creative activity with aesthetic insight and value. Shape grammars go by appearances, in a full-fledged aesthetic enterprise for the inconstant eye; they answer the question of what calculating would be like if Turing and von Neumann were artists instead of logicians. Art and design are calculating in all their splendid detail.