Author: William Carew Hazlitt
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
Book Description
Fairy Tales, Legends and Romances, Illustrating Shakespeare and Other Early English Writers. To which are Prefixed Two Preliminary Dissertations, 1. On Pigmies. 2. On Fairies, by J. Ritson [extracted from His “Fairy Tales”].
Author: William Carew Hazlitt
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
Book Description
Fairy Tales. Legends and Romances Illustrating Shakespeare and Other Early English Writers, to Which are Prefixed Two Preliminary Dissertations. 1. On Pigmies. 2. On Fairies
Author: James Orchard Halliwell-Phillipps
Publisher: BoD – Books on Demand
ISBN: 3385379806
Category : Fiction
Languages : en
Pages : 434
Book Description
Reprint of the original, first published in 1875.
Publisher: BoD – Books on Demand
ISBN: 3385379806
Category : Fiction
Languages : en
Pages : 434
Book Description
Reprint of the original, first published in 1875.
Fairy Tales, legends and romances illustrating Shakespeare and other early English writers
Author:
Publisher: Georg Olms Verlag
ISBN: 9783487409535
Category :
Languages : en
Pages : 442
Book Description
Publisher: Georg Olms Verlag
ISBN: 9783487409535
Category :
Languages : en
Pages : 442
Book Description
Fairy Tales, Legends and Romances ... 1. On Pigmies. 2. On Fairies by Joseph Ritson
Author: William-Carew Hazlitt
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
Book Description
Margaret Atwood's fairy-tale sexual politics
Author: Sharon Rose Wilson
Publisher: Univ. Press of Mississippi
ISBN: 9781617034244
Category :
Languages : en
Pages : 470
Book Description
Publisher: Univ. Press of Mississippi
ISBN: 9781617034244
Category :
Languages : en
Pages : 470
Book Description
An Earl In Time (a Regency Fairytale Romance)
Author: Ruth Ann Nordin
Publisher: Ruth Ann Nordin
ISBN:
Category : Fiction
Languages : en
Pages : 175
Book Description
Willow Knudson just inherited an English estate that she intends to sell. There are two problems. One, she’s unable to sign the contract, and two, she can’t even leave the property. She’s not superstitious by nature, but common sense tells her something strange is going on. In 1817, Julian Azazel, the Earl of Blackwell, went to his country estate to tend to his father’s funeral. That evening a missive came from a stranger warning him that when the clock struck midnight, he was going to be cursed to relive the same day. He laughed it off and threw the missive in the fire. Two centuries later, he’s no longer laughing. The curse is real. From before they were born, Willow and Julian were destined to meet on June 17, 1817. Willow had assumed wealthy and titled gentlemen would be snobs, but Julian turns out to be the kindest person she’s ever met. And even better, he’s more attractive in person than he was in his portrait. It’s enough of a temptation to convince her to stay in the past forever. At long last, the aching loneliness that has plagued Julian’s life for centuries is at an end. Not only is there someone who understands what he has been going through, but she’s far lovelier than he recalls any of the ladies in London being. But isn’t it selfish to ask a lady from another time to give up everything to live under a curse with him? The path to happy endings can get complicated, especially when magic is involved. This fairytale romance features a dark villain, a curse, fairies, a hero who is an earl from the Regency era, and a heroine from modern times. People who enjoy Grimm’s fairy tales and romance will enjoy this tale of true love conquering the darkest of curses. Please note: This is a standalone book. It is not part of a series.
Publisher: Ruth Ann Nordin
ISBN:
Category : Fiction
Languages : en
Pages : 175
Book Description
Willow Knudson just inherited an English estate that she intends to sell. There are two problems. One, she’s unable to sign the contract, and two, she can’t even leave the property. She’s not superstitious by nature, but common sense tells her something strange is going on. In 1817, Julian Azazel, the Earl of Blackwell, went to his country estate to tend to his father’s funeral. That evening a missive came from a stranger warning him that when the clock struck midnight, he was going to be cursed to relive the same day. He laughed it off and threw the missive in the fire. Two centuries later, he’s no longer laughing. The curse is real. From before they were born, Willow and Julian were destined to meet on June 17, 1817. Willow had assumed wealthy and titled gentlemen would be snobs, but Julian turns out to be the kindest person she’s ever met. And even better, he’s more attractive in person than he was in his portrait. It’s enough of a temptation to convince her to stay in the past forever. At long last, the aching loneliness that has plagued Julian’s life for centuries is at an end. Not only is there someone who understands what he has been going through, but she’s far lovelier than he recalls any of the ladies in London being. But isn’t it selfish to ask a lady from another time to give up everything to live under a curse with him? The path to happy endings can get complicated, especially when magic is involved. This fairytale romance features a dark villain, a curse, fairies, a hero who is an earl from the Regency era, and a heroine from modern times. People who enjoy Grimm’s fairy tales and romance will enjoy this tale of true love conquering the darkest of curses. Please note: This is a standalone book. It is not part of a series.
Fairy Tale Romance
Author: James M. McGlathery
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
A Cultural History of Fairy Tales in the Middle Ages
Author: Susan Aronstein
Publisher: Bloomsbury Publishing
ISBN: 1350287571
Category : History
Languages : en
Pages : 249
Book Description
How have fairy tales from around the world changed over the centuries? What do they tell us about different cultures and societies? Spanning the years from 900 to 1500 and traversing geographical borders, from England to France and India to China, this book uniquely examines the tales told, translated, adapted and circulated during the period known as the Middle Ages. Scholars in history, literature and cultural studies explore the development of epic tales of heroes and monsters and enchanted romance narratives. Examining how tales evolved and functioned across different societies during the Middle Ages, this book demonstrates how the plots, themes and motifs used in medieval tales influenced later developments in the genre. An essential resource for researchers, scholars and students of literature, history and cultural studies, this volume explores themes including: forms of the marvelous, adaptation, gender and sexuality, humans and non-humans, monsters and the monstrous, spaces, socialization, and power. A Cultural History of Fairy Tales (6-volume set) A Cultural History of Fairy Tales in Antiquity is also available as a part of a 6-volume set, A Cultural History of Fairy Tales, tracing fairy tales from antiquity to the present day, available in print, or within a fully-searchable digital library accessible through institutions by annual subscription or on perpetual access (see www.bloomsburyculturalhistory.com). Individual volumes for academics and researchers interested in specific historical periods are also available digitally via www.bloomsburycollections.com.
Publisher: Bloomsbury Publishing
ISBN: 1350287571
Category : History
Languages : en
Pages : 249
Book Description
How have fairy tales from around the world changed over the centuries? What do they tell us about different cultures and societies? Spanning the years from 900 to 1500 and traversing geographical borders, from England to France and India to China, this book uniquely examines the tales told, translated, adapted and circulated during the period known as the Middle Ages. Scholars in history, literature and cultural studies explore the development of epic tales of heroes and monsters and enchanted romance narratives. Examining how tales evolved and functioned across different societies during the Middle Ages, this book demonstrates how the plots, themes and motifs used in medieval tales influenced later developments in the genre. An essential resource for researchers, scholars and students of literature, history and cultural studies, this volume explores themes including: forms of the marvelous, adaptation, gender and sexuality, humans and non-humans, monsters and the monstrous, spaces, socialization, and power. A Cultural History of Fairy Tales (6-volume set) A Cultural History of Fairy Tales in Antiquity is also available as a part of a 6-volume set, A Cultural History of Fairy Tales, tracing fairy tales from antiquity to the present day, available in print, or within a fully-searchable digital library accessible through institutions by annual subscription or on perpetual access (see www.bloomsburyculturalhistory.com). Individual volumes for academics and researchers interested in specific historical periods are also available digitally via www.bloomsburycollections.com.
The Hard Facts of the Grimms' Fairy Tales
Author: Maria Tatar
Publisher: Princeton University Press
ISBN: 9780691114699
Category : Literary Criticism
Languages : en
Pages : 366
Book Description
Throughout the book, Tatar employs the tools not only of a psychoanalyst but also of a folklorist, literary critic, and historian to examine the harsher aspects of these stories. She presents new interpretations of the powerful stories in this book. Few studies have been written in English on these tales, and none has probed their allegedly happy endings so thoroughly."--BOOK JACKET.
Publisher: Princeton University Press
ISBN: 9780691114699
Category : Literary Criticism
Languages : en
Pages : 366
Book Description
Throughout the book, Tatar employs the tools not only of a psychoanalyst but also of a folklorist, literary critic, and historian to examine the harsher aspects of these stories. She presents new interpretations of the powerful stories in this book. Few studies have been written in English on these tales, and none has probed their allegedly happy endings so thoroughly."--BOOK JACKET.
Fairy Tales
Author: Ruth B. Bottigheimer
Publisher: State University of New York Press
ISBN: 1438425333
Category : Literary Criticism
Languages : en
Pages : 163
Book Description
2009 CHOICE Outstanding Academic Title Where did Cinderella come from? Puss in Boots? Rapunzel? The origins of fairy tales are looked at in a new way in these highly engaging pages. Conventional wisdom holds that fairy tales originated in the oral traditions of peasants and were recorded for posterity by the Brothers Grimm during the nineteenth century. Ruth B. Bottigheimer overturns this view in a lively account of the origins of these well-loved stories. Charles Perrault created Cinderella and her fairy godmother, but no countrywoman whispered this tale into Perrault's ear. Instead, his Cinderella appeared only after he had edited it from the book of often amoral tales published by Giambattista Basile in Naples. Distinguishing fairy tales from folktales and showing the influence of the medieval romance on them, Bottigheimer documents how fairy tales originated as urban writing for urban readers and listeners. Working backward from the Grimms to the earliest known sixteenth-century fairy tales of the Italian Renaissance, Bottigheimer argues for a book-based history of fairy tales. The first new approach to fairy tale history in decades, this book answers questions about where fairy tales came from and how they spread, illuminating a narrative process long veiled by surmise and assumption.
Publisher: State University of New York Press
ISBN: 1438425333
Category : Literary Criticism
Languages : en
Pages : 163
Book Description
2009 CHOICE Outstanding Academic Title Where did Cinderella come from? Puss in Boots? Rapunzel? The origins of fairy tales are looked at in a new way in these highly engaging pages. Conventional wisdom holds that fairy tales originated in the oral traditions of peasants and were recorded for posterity by the Brothers Grimm during the nineteenth century. Ruth B. Bottigheimer overturns this view in a lively account of the origins of these well-loved stories. Charles Perrault created Cinderella and her fairy godmother, but no countrywoman whispered this tale into Perrault's ear. Instead, his Cinderella appeared only after he had edited it from the book of often amoral tales published by Giambattista Basile in Naples. Distinguishing fairy tales from folktales and showing the influence of the medieval romance on them, Bottigheimer documents how fairy tales originated as urban writing for urban readers and listeners. Working backward from the Grimms to the earliest known sixteenth-century fairy tales of the Italian Renaissance, Bottigheimer argues for a book-based history of fairy tales. The first new approach to fairy tale history in decades, this book answers questions about where fairy tales came from and how they spread, illuminating a narrative process long veiled by surmise and assumption.