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Author: Anne Hollander Publisher: Bloomsbury Publishing ISBN: 147426963X Category : Art Languages : en Pages : 209
Book Description
Clothing appears in all forms of figurative painting, often taking up two thirds of a frame; yet it can often go unnoticed. Far more than a simple means of identifying the status or occupation of a figure, clothes and cloth are used creatively by artists to hint at ambiguities in character, adjust the emotional temperature, direct the eye or make subtle allusions. Drawing on works by artists over a period of six centuries, from Giotto to El Greco, Matisse to Cindy Sherman, the author reveals through paintings, fashion plates, photographs and film stills how drapery in art evolved from Renaissance extravagance to Neoclassical simplicity at the end of the 18th century, and has extended to infinite uses in all genres of Modern art. First published in 2002 to accompany an exhibition of the same name at the National Gallery, London, this beautifully illustrated - and beautifully written - book by pioneering art historian and critic Anne Hollander, is reissued with a new Foreword by Valerie Steele. As penetrating and insightful as when it was first published, it remains a must-read for today's generation of students and anyone with an interest in art and fashion.
Author: Anne Hollander Publisher: Bloomsbury Publishing ISBN: 147426963X Category : Art Languages : en Pages : 209
Book Description
Clothing appears in all forms of figurative painting, often taking up two thirds of a frame; yet it can often go unnoticed. Far more than a simple means of identifying the status or occupation of a figure, clothes and cloth are used creatively by artists to hint at ambiguities in character, adjust the emotional temperature, direct the eye or make subtle allusions. Drawing on works by artists over a period of six centuries, from Giotto to El Greco, Matisse to Cindy Sherman, the author reveals through paintings, fashion plates, photographs and film stills how drapery in art evolved from Renaissance extravagance to Neoclassical simplicity at the end of the 18th century, and has extended to infinite uses in all genres of Modern art. First published in 2002 to accompany an exhibition of the same name at the National Gallery, London, this beautifully illustrated - and beautifully written - book by pioneering art historian and critic Anne Hollander, is reissued with a new Foreword by Valerie Steele. As penetrating and insightful as when it was first published, it remains a must-read for today's generation of students and anyone with an interest in art and fashion.
Author: Anne Hollander Publisher: Univ of California Press ISBN: 9780520082311 Category : Art Languages : en Pages : 538
Book Description
In this generously illustrated book, Anne Hollander examines the representation of the body and clothing in Western art, from Greek sculpture and vase painting through medieval and renaissance portraits, to contemporary films and fashion photography. First published ahead of its time, this book has become a classic.
Author: Carlos Baker Publisher: Princeton University Press ISBN: 1400878977 Category : Literary Criticism Languages : en Pages : 320
Book Description
Professor Baker is concerned primarily with Shelley's development ns a philosophical and psychological poet, and it is precisely in this that the great achievement of the book lies. Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Cindy Richard Publisher: Quilted Portraits and More, LLC ISBN: 9781736054406 Category : Languages : en Pages : 104
Book Description
How do you "Quilt a Face?" How do you bring your favorite people to life with fabric? Fabric portrait artists and teachers, Phyllis Cullen and Cindy Richard, show you how to create amazing, true-to-life portraits! "It's All About the Face" was born when the authors realized there was little available instruction about how to quilt faces. Having taught the subject for years, they decided to collaborate. Capturing the essence of a subject is the goal. Phyllis and Cindy have applied the rules of fine art to quilting faces. The book offers in-depth direction - even if you cannot draw, have never taken an art class or even a sewing class. Using large, full color, detailed images as examples, the authors lead the reader step by step through the process of: - Composing a portrait so it tells a story and WOWS the viewer - Using digital technology to reveal the values in every face - Selecting fabrics - Creating a totally recognizable fabric collage - Quilting your masterpiece by following anatomical contours The authors offer tips about lighting, taking reference photos, and photographing your finished quilts. They make recommendations about needles, thread, surface design, and even how to please the judges! Finally, Phyllis, who is also a doctor, touches on ways to keep your hands healthy. Cindy and Phyllis want you to succeed! They offer classes and workshops to support the book and stand ready to answer your questions and help you with your projects. They feel confident that anyone who follows their instructions will get a great start on the fascinating journey that is "All About the Face!"
Author: Jane Dunnewold Publisher: Interweave ISBN: 9781596681958 Category : Crafts & Hobbies Languages : en Pages : 0
Book Description
When Jane Dunnewold's book Complex Cloth was published in 1996, it quickly became the bible of surface design for fiber artists. In the years since, the world of surface design has significantly expanded: now fiber artists, art-to-wear designers, and art quilters have a much broader range of surface design products to choose from, and there are a wealth of technique combinations that can be used to create art cloth. Art Cloth picks up where Complex Cloth left off, showing how to layer processes with the latest products to create stunning cloth for use in a variety of fiber art. Following Jane's techniques with step-by-step photography, you will learn to create art cloth using dyes, color removing agents, paints, and foils combined through processes that include silk-screen printing, stamping, stenciling, and handpainting. In addition to detailed step-by-step wet-media surface design techniques, Jane demonstrates how the use of color and design contribute to successful layering. She guides and inspires artists to take their art cloth to the next level through sidebars with design tips and exercises that support the technical information. Finally, each technique chapter concludes with project ideas for the skills learned, so anyone working through the book can literally build layers on cloth as each chapter is completed.
Author: Justine De Young Publisher: Bloomsbury Publishing ISBN: 1786732246 Category : Art Languages : en Pages : 290
Book Description
Fashion reveals not only who we are, but whom we aspire to be. From 1775 to 1925, artists in Europe were especially attuned to the gaps between appearance and reality, participating in and often critiquing the making of the self and the image. Reading their portrayals of modern life with an eye to fashion and dress reveals a world of complex calculations and subtle signals. Extensively illustrated, Fashion in European Art explores the significance of historical dress over this period of upheaval, as well as the lived experience of dress and its representation. Drawing on visual sources that extend from paintings and photographs to fashion plates, caricatures and advertisements, the expert contributors consider how artists and their sitters engaged with the fashion and culture of their times. They explore the politics of dress, its inspirations and the reactions it provoked, as well as the many meanings of fashion in European art, revealing its importance in understanding modernity itself.
Author: Megan Gilge Publisher: IBM Redbooks ISBN: 0738455652 Category : Computers Languages : en Pages : 14
Book Description
This IBM® Redbooks product guide describes Fabric Vision technology. The use of virtualization, flash storage, and automation tools has allowed applications and services to be deployed faster while shattering performance barriers. The unprecedented number of application and service interactions has also increased the complexity, risk, and instability of mission-critical operations. As a result, IT organizations need flexible storage networks that can adapt to dynamic environments and performance requirements for high-density virtualization, flash storage, and cloud infrastructures. To achieve Service Level Agreement (SLA) objectives, IT administrators also need new tools that can help ensure non-stop operations, quickly identify potential points of congestion, and maximize application performance, while simplifying administration. Fabric Vision technology with IO Insight, an extension of Gen 6 Fibre Channel, provides outstanding insight and visibility across the storage network with powerful, integrated monitoring, management, and diagnostic tools that help organizations to simplify monitoring, increase operational stability, and dramatically reduce costs.
Author: Anne Deniau Publisher: Abrams ISBN: 1613124155 Category : Design Languages : en Pages : 408
Book Description
DIVLee Alexander McQueen (1969†“2010), whose design combined visionary aesthetics, emotional power, and extraordinary craft, was known for staging provocative shows that were as much performances as venues to display his couture creations. Charged with energy, informed by history and culture, and filled with fresh concepts, McQueen’s shows have become legends not only of fashion but also of art. Anne Deniau was the only photographer allowed backstage by McQueen for 13 years, beginning in September 1997 and ending with the final show in March 2010. She captured McQueen working with his close circle of collaborators—including designer Sarah Burton, milliner Philip Treacy, jewelry designer Shaun Leane, and model Kate Moss—to create his meticulously produced spectacles. Her book offers an inspiring homage, through the art of photography, to the work of a great artist. Praise for Love Looks Not With the Eyes: Thirteen Years With Lee Alexander McQueen: The pictures are evocative of the torture, the toughness and, most of all, the tenderness of Mr. McQueen.†? —New York Times “Deniau’s close connection to McQueen and her appreciation for his formidable talent is like many of the pieces he created: breathtaking.†? —San Francisco Chronicle “Thekinetic color and black-and-white photographs document the fantastical,shocking spectacle of a McQueen show in action: hairdos trussed up with birdsof prey; hubcaps strapped to foreheads; faces enhanced by extraterrestrialcheek prostheses. The images are sensual, spooky, and whimsical, playing up thedrama of McQueen’s vision; like one of the designer’s fabulous garments, thephotographs transform fashion into high art. The book is both an homage and amemorial; this celebration of McQueen’s vast, unique talent is also a eulogyfor his tragic loss.†? — “Haute couture has a reputation for spectacle, but Anne Deniau’s photographs remind us that it’s also the last bastion of craftsmanship in fashion—or it was, as practiced by designer Alexander McQueen (1969†“2010).†? —Wall Street Journal “Lush, previously unpublished backstage photographs from many of the late designer’s provocative fashion shows.†?—The Los Angeles Times “The kinetic color and black-and-white photographs document the fantastical, shocking spectacle of a McQueen show in action: hairdos trussed up with birds of prey; hubcaps strapped to foreheads; faces enhanced by extraterrestrial cheek prostheses. The images are sensual, spooky, and whimsical, playing up the drama of McQueen’s vision; like one of the designer’s fabulous garments, the photographs transform fashion into high art. The book is both an homage and a memorial; this celebration of McQueen’s vast, unique talent is also a eulogy for his tragic loss.†? —Publishers Weekly “Love Looks Not with the Eyes document[s] the intense work and equally intense emotions that played out behind the scenes of McQueen’s poetic, passionate, and provocative shows. . . . The intimacy is evident in the pictures.†? —Vogue “The haunting images offer a rarefied glimpse into the designer’s inner world.†? —Harper’s Bazaar “Deniau, in the process of documenting 26 McQueen presentations, captured images which, too, transcend photography—matching the decadent and grand world created by the hands of McQueen.†? —Time.com “Haute couture has a reputation for spectacle, but Anne Deniau’s photographs remind us that it’s also the last bastion of craftsmanship in fashion—or it was, as practiced by designer Alexander McQueen (1969†“2010).†? —Wall Street Journal /div
Author: Anne Hollander
Author: Anne Hollander
Author: Anne Hollander
Author: Carlos Baker
Author: Cindy Richard
Author: Jane Dunnewold
Author: Carol Crown
Author: Justine De Young
Author: Megan Gilge
Author: Anne Deniau
Author: Seaman