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Author: Naoko Takahatake Publisher: National Geographic Books ISBN: 3791357395 Category : Art Languages : en Pages : 0
Book Description
A New York Times Best Art Book of 2018 The art of the chiaroscuro woodcut is celebrated in this groundbreaking and generously illustrated book. Chiaroscuro woodcuts are among the most immediately appealing of all historic prints, displaying exquisite invention, refined draftsmanship, technical virtuosity, and sumptuous color. Printing two or more woodblocks inked in different tones to create an image, the chiaroscuro woodcut was the earliest, most successful foray into color printing in Europe. Following its invention in Germany, the technique was first adopted around 1516 in Italy where it flourished through the sixteenth century. This novel art form engaged the interests of the most celebrated artists of the Renaissance, including Titian, Raphael, Parmigianino, and Beccafumi, and underwent sophisticated developments in the hands of such master printmakers as Ugo da Carpi, Antonio da Trento, Niccolò Vicentino, and Andrea Andreani. Featuring more than 100 prints and related drawings, this book incorporates pioneering art historical research and scientific analysis to present a comprehensive study of the subject. Essays trace its creative origins and evolution, describing both materials and means of production. Brimming with full-color illustrations of rare and beautiful works, this book offers a fresh interpretation of these remarkable prints, which exemplify the rich imagery of the Italian Renaissance. Published in association with the Los Angeles County Museum of Art
Author: Naoko Takahatake Publisher: National Geographic Books ISBN: 3791357395 Category : Art Languages : en Pages : 0
Book Description
A New York Times Best Art Book of 2018 The art of the chiaroscuro woodcut is celebrated in this groundbreaking and generously illustrated book. Chiaroscuro woodcuts are among the most immediately appealing of all historic prints, displaying exquisite invention, refined draftsmanship, technical virtuosity, and sumptuous color. Printing two or more woodblocks inked in different tones to create an image, the chiaroscuro woodcut was the earliest, most successful foray into color printing in Europe. Following its invention in Germany, the technique was first adopted around 1516 in Italy where it flourished through the sixteenth century. This novel art form engaged the interests of the most celebrated artists of the Renaissance, including Titian, Raphael, Parmigianino, and Beccafumi, and underwent sophisticated developments in the hands of such master printmakers as Ugo da Carpi, Antonio da Trento, Niccolò Vicentino, and Andrea Andreani. Featuring more than 100 prints and related drawings, this book incorporates pioneering art historical research and scientific analysis to present a comprehensive study of the subject. Essays trace its creative origins and evolution, describing both materials and means of production. Brimming with full-color illustrations of rare and beautiful works, this book offers a fresh interpretation of these remarkable prints, which exemplify the rich imagery of the Italian Renaissance. Published in association with the Los Angeles County Museum of Art
Author: Achim Gnann Publisher: Royal Academy Books ISBN: 9781907533631 Category : Art Languages : en Pages : 0
Book Description
Traces the genesis and dissemination of chiaroscuro woodcuts in 16th-century Germany, Italy, and the Netherlands, with more than 130 examples including masterpieces by Cranach, Beccafumi, and Goltzius.
Author: Gregory Jecmen Publisher: Ashgate Publishing, Ltd. ISBN: 9781848221222 Category : Art Languages : en Pages : 124
Book Description
With a storied past and a strong imperial presence, the southern German city of Augsburg enjoyed a golden age in the late 15th and early 16th centuries - fostering artists such as Hans Burgkmair, Erhard Ratdolt, Daniel Hopfer, Jörg Breu and Hans Weiditz. Focusing on the drawings, prints and illustrated books Augsburg's artists created as well as the innovative printing techniques they used, this volume - the first of its kind in English - serves as an introduction to Augsburg, its artists and its cultural history, during this period.
Author: David Franklin Publisher: Yale University Press ISBN: 9780300103571 Category : Art Languages : en Pages : 312
Book Description
The beauty and range of the work of the sixteenth-century artist Parmigianino as painter, draughtsman, and printmaker make him one of the most remarkable figures of the Italian Renaissance. He was an artist who seemed to discover his style without any effort, and his art was universally recognized as being graceful, or full of grace. In his day, "grace" was understood to be a spiritual endowment, conferring qualities that could not be taught. It was one of the preconditions of natural genius, so highly valued among Renaissance artists. But nothing as effortlessly elegant as Parmigianino's drawings and paintings could have been achieved without effort. It is through a close study of the drawings, in particular, that one is able to discern the sources of Parmigianino's style and the creative struggles he endured. This illustrated study offers a comprehensive reassessment of his work as a draughtsman. More than eighty works on paper, selected from collections around the world, are discussed in detail. Among Renaissance artists, Parmigianino was perhaps more conscious than any of the potential of the graphic arts to convey, and indeed broadcast, complex ideas. He explored this potential himself, not only by means of his numerous drawings but also through the etchings he produced on his own (effectively introducing this print medium into Italian art) and through the engravings and chiaroscuro woodcuts that were made after his designs. In these media, his influence travelled farther and wider than it could have through his paintings alone. This book coinciding with the quincentenary of the artist's birth in Parma in 1503, accompanies an exhibition presented at the National Gallery of Canada, Ottawa, from October 3, 2003 to January 4, 2004, and at The Frick Collection, New York, from January 27 to April 18, 2004.
Author: Elizabeth Savage Publisher: ISBN: 9781911300755 Category : Color prints Languages : en Pages : 0
Book Description
This richly illustrated publication reproduces and describes effectively every early modern German color print held at the British Museum. It is one of the world's most significant collections of these rare milestones of cultural heritage and technology. New photography reveals 150 impressions in jaw-dropping detail, most life-size. Some have never been seen in public or reproduced. It is the first major study of the first wave of German color printing. It spans medieval printing in the late 1400s through the Renaissance and Reformation of the 1500s. Early Colour Printing features masterpieces by leading figures like Erhard Ratdolt, Lucas Cranach, Hans Baldung Grien, and Hans Burgkmair, as well as unfairly overlooked entrepreneurs and innovators like Erasmus Loy (and his daughter Anna). Their breakthroughs reproduced artworks and simplified astronomical calculations. They created trends in interior design and signalled 'red-letter days'. They helped musicians sight-read and they color-coded metals for goldsmiths. These diverse new functions and markets might seem unrelated. But they are connected, and they cannot be understood in isolation. From artworks to missals, icons to wallpapers, this book breaks new ground by revealing the fascinating underlying technologies that enabled the production of these color-printed objects. The many inventions of color printing in the German-speaking lands began with medieval novel solutions. They were devised long before color printing inks could be formulated. Then, color printing techniques transformed how printed material could be used during the technological and cultural revolutions of the sixteenth century. Later designers and artists around Europe celebrated these techniques' heritage for centuries, from the 'D rer Renaissance' until chromolithography revolutionized the print market in the nineteenth century. Early Colour Printing captures this story in rich detail. It sets the stage for second wave of German color woodcut, which was triggered by the Expressionist revival at the turn of the twentieth century. Thoroughly researched and engagingly written, this collection guide will be a standard reference on German graphic art, early modern visual culture, and the history of printing itself. Early Colour Printing: German Renaissance Woodcuts at the British Museum offers significant new research, including previously unidentified examples of early modern color-printing. Some are believed to be unique in the world; others were made decades before the landmark invention of colorful chiaroscuro woodcut in Italy in 1516. By modeling a printer- and technology-based approach to the history of printing, it contributes to scholarship by pinpointing attributions to printers--not just to artists or designers. In doing so, it lays the groundwork for a new understanding of the history of print, one that encompasses all forms of printed material. This publication derives from an exhibition at the British Museum curated by Elizabeth Savage.
Author: John Oliver Hand Publisher: Yale University Press ISBN: 9780300232868 Category : Art, Netherlandish Languages : en Pages : 0
Book Description
Michel Sittow (c. 1469-1525) was the greatest Estonian artist of the Renaissance. As his renown as a portraitist spread among the royal courts of Europe in the late fifteenth century, Sittow led the life of the itinerant artist, leaving his native Reval, the Hanseatic port city known today as Tallinn, to reside at courts in Spain, The Netherlands, and Denmark. Michel Sittow: Estonian Painter at the Courts of Renaissance Europe is the first monographic exhibit of this masterful artist's oeuvre. The 144-page catalog with 90 illustrations features rare paintings by Sittow and other art works by his contemporaries, along with insightful essays by leading European and American scholars including John Oliver Hand of the National Gallery of Art, Washington, and Greta Koppel of the Art Museum of Estonia, Tallinn.--Provided by publisher.
Author: Naoko Takahatake
Author: Naoko Takahatake
Author: Achim Gnann
Author: P. & D. Colnaghi & Co
Author: Gregory Jecmen
Author: P. & D. Colnaghi & Co
Author: Herbert F. Johnson Museum of Art
Author: David Franklin
Author: Elizabeth Savage
Author: John Oliver Hand
Author: Herbert F. Johnson Museum of Art