Author: Frederic George Stephens
Publisher:
ISBN:
Category : Drawing, English
Languages : en
Pages : 139
Book Description
Exhibition of the Works of Thomas Gainsborough, R.A., and a Collection of Drawings by the Late Richard Doyle, MDCCCLXXXV.
Author: Frederic George Stephens
Publisher:
ISBN:
Category : Drawing, English
Languages : en
Pages : 139
Book Description
Publisher:
ISBN:
Category : Drawing, English
Languages : en
Pages : 139
Book Description
Exhibition of the Works of Thomas Gainsborough, R.A. and a Collection of Drawings by the Late Richard Doyle
Author: Frederic George Stephens
Publisher:
ISBN:
Category : Drawing, English
Languages : en
Pages : 137
Book Description
Publisher:
ISBN:
Category : Drawing, English
Languages : en
Pages : 137
Book Description
Exhibition of the Works of Thomas Gainsborough, R.A.
Author: Frederic George Stephens
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 154
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 154
Book Description
Class, Gender, and Sexuality in Thomas Gainsborough’s Blue Boy
Author: Valerie Hedquist
Publisher: Routledge
ISBN: 1351006843
Category : Art
Languages : en
Pages : 214
Book Description
The reception of Thomas Gainsborough’s Blue Boy from its origins to its appearances in contemporary visual culture reveals how its popularity was achieved and maintained by diverse audiences and in varied venues. Performative manifestations resulted in contradictory characterizations of the painted youth as an aristocrat or a "regular fellow," as masculine or feminine, or as heterosexual or gay. In private and public spaces where viewers saw the actual painting and where living and rendered replicas circulated, Gainsborough’s painting was often the centerpiece where dominant and subordinate classes met, gender identities were enacted, and sexuality was implicitly or overtly expressed.
Publisher: Routledge
ISBN: 1351006843
Category : Art
Languages : en
Pages : 214
Book Description
The reception of Thomas Gainsborough’s Blue Boy from its origins to its appearances in contemporary visual culture reveals how its popularity was achieved and maintained by diverse audiences and in varied venues. Performative manifestations resulted in contradictory characterizations of the painted youth as an aristocrat or a "regular fellow," as masculine or feminine, or as heterosexual or gay. In private and public spaces where viewers saw the actual painting and where living and rendered replicas circulated, Gainsborough’s painting was often the centerpiece where dominant and subordinate classes met, gender identities were enacted, and sexuality was implicitly or overtly expressed.