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Author: George M. Baker Publisher: Prabhat Prakashan ISBN: Category : Performing Arts Languages : en Pages : 235
Book Description
Dive into the captivating world of theater with George M. Baker's insightful work, "The Exhibition Drama." This fascinating exploration of performance art invites you to witness the transformative power of drama and its role in society. As Baker's analysis unfolds, discover the intricate relationship between performance and audience engagement. His keen observations reveal the dynamics that make theater a mirror of human experience, sparking conversations that resonate through the ages.But here's a provocative question: What can the stage reveal about our own lives and society? Baker’s reflections challenge us to consider how the narratives we see on stage reflect and shape our understanding of the world. Explore the rich tapestry of themes and characters that define the exhibition drama. Each chapter delves into the artistic choices that make a performance memorable, inviting you to appreciate the artistry behind the curtain. Are you ready to unlock the secrets of the stage with Baker in "The Exhibition Drama"?Engage with concise, thought-provoking passages that illuminate the essence of theatrical storytelling. Baker’s insights will inspire you to see the stage not just as entertainment but as a powerful medium for exploration and reflection. This is your chance to deepen your appreciation for the world of theater. Will you take the first step into the drama that unfolds on and off the stage?Embrace the opportunity to enrich your understanding of performance art. Purchase "The Exhibition Drama" now, and let Baker’s illuminating insights inspire your journey through the captivating world of theater.
Author: George M. Baker Publisher: Prabhat Prakashan ISBN: Category : Performing Arts Languages : en Pages : 235
Book Description
Dive into the captivating world of theater with George M. Baker's insightful work, "The Exhibition Drama." This fascinating exploration of performance art invites you to witness the transformative power of drama and its role in society. As Baker's analysis unfolds, discover the intricate relationship between performance and audience engagement. His keen observations reveal the dynamics that make theater a mirror of human experience, sparking conversations that resonate through the ages.But here's a provocative question: What can the stage reveal about our own lives and society? Baker’s reflections challenge us to consider how the narratives we see on stage reflect and shape our understanding of the world. Explore the rich tapestry of themes and characters that define the exhibition drama. Each chapter delves into the artistic choices that make a performance memorable, inviting you to appreciate the artistry behind the curtain. Are you ready to unlock the secrets of the stage with Baker in "The Exhibition Drama"?Engage with concise, thought-provoking passages that illuminate the essence of theatrical storytelling. Baker’s insights will inspire you to see the stage not just as entertainment but as a powerful medium for exploration and reflection. This is your chance to deepen your appreciation for the world of theater. Will you take the first step into the drama that unfolds on and off the stage?Embrace the opportunity to enrich your understanding of performance art. Purchase "The Exhibition Drama" now, and let Baker’s illuminating insights inspire your journey through the captivating world of theater.
Author: Georgina Guy Publisher: Routledge ISBN: 1317564804 Category : Performing Arts Languages : en Pages : 226
Book Description
Examining the artistic, intellectual, and social life of performance, this book interrogates Theatre and Performance Studies through the lens of display and modern visual art. Moving beyond the exhibition of immaterial art and its documents, as well as re-enactment in gallery contexts, Guy's book articulates an emerging field of arts practice distinct from but related to increasing curatorial provision for ‘live’ performance. Drawing on a recent proliferation of object-centric events of display that interconnect with theatre, the book approaches artworks in terms of their curation together and re-theorizes the exhibition as a dynamic context in which established traditions of display and performance interact. By examining the current traffic of ideas and aesthetics moving between theatricality and curatorial practice, the study reveals how the reception of a specific form is often mediated via the ontological expectations of another. It asks how contemporary visual arts and exhibition practices display performance and what it means to generalize the ‘theatrical’ as the optic or directive of a curatorial concept. Proposing a symbiotic relation between theatricality and display, Guy presents cases from international arts institutions which are both displayed and performed, including the Tate Modern and the Guggenheim, and assesses their significance to the enduring relation between theatre and the visual arts. The book progresses from the conventional alignment of theatricality and ephemerality within performance research and teases out a new temporality for performance with which contemporary exhibitions implicitly experiment, thereby identifying supplementary modes of performance which other discourses exclude. This important study joins the fields of Theatre and Performance Studies with exciting new directions in curation, aesthetics, sociology of the arts, visual arts, the creative industries, the digital humanities, cultural heritage, and reception and audience theories.
Author: Scott Fraser Publisher: BRILL ISBN: 9004484973 Category : Literary Criticism Languages : en Pages : 210
Book Description
This analysis of twenty published texts by David Hare employs definitions from contemporary semiotic literary theory as a means of describing typologies of political drama. By tracing the incorporation of stylistic devices from agitational propaganda (caricature, self-referentiality, the frisson between oral and visual signification) throughout the typologies, the study illustrates how each text subverts audience expectation based on established dramatic genres. The collection of texts is seen as inherently self-referential and politically subversive. At the centre of each typology is a protagonist who functions as a martyr to or parodic emblem of contemporary society. Consistently, the hermeticism of public institutions which represent the political status quo makes them immune from any form of individual protest from the Left or Right. In the satirical anatomy, the emblem of political dissent is coopted by involvement within the institution, or the stage is dominated by a conservative who controls the action. In the demythology, private individuals are seen as incapable of altering the public frame of history; but here private suffering subverts the collective mythology of the historical construct. In the martyrology, the emblem of dissent is associated with a moral virtue which is inimical to contemporary society, the audience's expectation of the triumph of the individual being subverted when he/she is expelled from the onstage world on the grounds of political ideology. It is only in the final typology, the conversion, that a conservative emblem is seen as directly influenced by such martyrdom, and the audience is provided with an actual example of political change. Thus, the study describes how each typology builds on the construction of the previous, and all generate from agitational propaganda.
Author: George M. Baker
Author: George M. Baker
Author: George Melville Baker
Author: George M. Baker
Author: Georgina Guy![Theatre of the Greeks ... information relative to the rise, progress, and exhibition of the drama; together with an account of dramatic writers from Thespis to Menander: to which is added, a chronology and an appendix [compiled by P.W. Buckham]. PDF](https://books.google.com/books/content/images/frontcover/jLOwHE82DuQC?fife=w80-h100)
Author: Greeks
Author: John William Donaldson
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Author: Geoffrey Whitworth
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Author: Scott Fraser