Exempla and Proverbs in Juan Manuel's Conde Lucanor PDF Download

Author: James Arnold Grabowska
Publisher:
ISBN:
Category : Power (Social sciences) in literature
Languages : en
Pages : 546

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Author: Laurence De Looze
Publisher: University of Toronto Press
ISBN: 0802090575
Category : Literary Criticism
Languages : en
Pages : 377

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Book Description
Juan Manuel's El Conde Lucanor was arguably one of the great masterworks of early modern Spain. Although the work appears in five very different manuscript versions from the fourteenth to the sixteenth centuries, most modern editions of El Conde Lucanor have neglected to account for the fact that it was part of a manuscript tradition, and that its meaning is substantially affected when its original forms are not taken in to account. With Manuscript Diversity, Meaning, and Variance in Juan Manuel's El Conde Lucanor, Laurence de Looze demonstrates how the meaning of Juan Manuel's work changes depending on how the work is 'performed' in particular manuscripts. This study proceeds from the assumption that, in a pre-printing press world, each new copy or 'performance' of a work creates new meaning. By adopting this approach and by focusing on Parts II-V of the texts, de Looze argues that El Conde Lucanor raises questions about the interretation, intelligibility, and the production of knowledge. De Looze's complex and nuanced reading sheds new light on an important work and makes a significant contribution to medieval studies, Spanish studies, and the history of the book.

Author: Juan Manuel
Publisher: University Press of Kentucky
ISBN: 0813186250
Category : Fiction
Languages : en
Pages : 238

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Book Description
Don Juan Manuel, nephew of King Alfonso X, The Wise, knew well the appeal of exempla (moralized tales), which he believed should entertain if they were to provide ways and means for solving life's problems. His fourteenth-century book, known as El Conde lucanor, is considered by many to be the purest Spanish prose before the immortal Don Quixote of Cervantes written two centuries later. He found inspiration for his tales in classical and eastern literatures, Spanish history, and folklore. His stories are not translations, but are his retelling of some of the best stories in existence. The translation succeeds in making the author speak as clearly to the modern reader as to readers of his own time.

Author: Anita Savo
Publisher: University of Toronto Press
ISBN: 1487553250
Category : Literary Criticism
Languages : en
Pages : 234

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Book Description
Portraying Authorship argues that the medieval Castilian writer Juan Manuel fashioned a seemingly modern authorial persona from the accumulation and synthesis of medieval authorial roles. In the manuscript culture of medieval Castile and across Latin Europe, writers typically referred to their work in ways that corresponded to their role in the bookmaking process: scribes took credit for preserving the works of others, compilers for combining disparate texts in productive ways, commentators for explaining obscure works, and authors for writing their own words. Combining literary analysis with book history, Anita Savo reveals how Juan Manuel forged his authorial persona, “Don Juan,” by adopting all four medieval writerly roles, thereby reaping the ethical benefits of each one. Each chapter in Portraying Authorship highlights a different authorial role to show how Don Juan – and others who wrote in his name – assumed responsibility for that role and adapted its rhetoric to his vernacular literary project. The book concludes that Don Juan’s authorial self-portrait not only gave the humanist writers of the fifteenth century a model to imitate, but also persuaded subsequent scribes, editors, and translators to portray him as an individual author. In doing so, Portraying Authorship illuminates how Juan Manuel’s concept of authorship helped to secure him a privileged position in narratives of Spanish literary history.

Author: Marc Shanker
Publisher: Marc Shanker
ISBN: 9780977627547
Category : Etching, American
Languages : en
Pages : 148

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"The first book to use Ladino proverbs as the basis of fine art. The book combines 45 interpretive etchings with literary and scholarly essays by one of Spain's most prominent novelists and an internationally respected Sephardic and Biblical scholar. The etchings are witty, irreverent, whimsical, and profound, and offer a window into the Sephardic culture and experience. Mr. Shanker's style matches perfectly the proverbs: naively simple and deeply philosophical. Marc Shanker's haunted art conjures the spirits of Spain and Salonica ... and in doing so keeps the old alive, as the proverb has it, for the good of the young ... (and) for the pleasure of all, Peter Cole. TOS has the aura of a small ark about it, Maria Rosa Menocal. Limited Edition: 1000 copies."--PublisherMarc Shanker (Author, Illustrator), Antonio Muñoz Molina (Introduction), T.A. Perry (Introduction, Translator)Donated by Marc Shanker.

Author: Wolfgang Mieder
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 480

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Book Description
Comprises the continuation of Mieder's (German and folklore, U. of Vermont) three previous volumes (1982, 1990, and 1993) registering the paremiological and phraseological publications from around the world that have appeared during the past two centuries. Each bibliographical reference is followed by one or two lines of alphabetically arranged key.

Author: Theodore Anthony Perry
Publisher: Princeton University Press
ISBN: 140085914X
Category : Philosophy
Languages : en
Pages : 209

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Book Description
This is the first English translation of Santob do Carrion's Proverbios morales (Moral Proverbs) and also the first book-length study of that monumental work. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Author: James F. Burke
Publisher: Stanford University Press
ISBN: 9780804729369
Category : Literary Criticism
Languages : en
Pages : 348

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Book Description
The churches and manuscripts of medieval Europe incessantly juxtapose imagery depicting sacred themes with likenesses of the crudest and basest nature. Drawing on the contrast between Bakhtin's concepts of the carnivalesque and the domain of the law, this book examines such opposites in six major works of pre-1350 Spanish literature.

Author: Luis F. López González
Publisher: Oxford University Press
ISBN: 0192859226
Category : History
Languages : en
Pages : 273

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Book Description
This book explores the intersection between medicine and literature in medieval Iberian literature and culture. Its overarching argument is that thirteenth- and fourteenth-century Iberian authors revalorized the interconnection between the body, the mind, and the soul in light of the evolving epistemology of medicine. Prior to the reintroduction of classical medical treatises through Arab authors into European cultures, mental disorders and bodily diseases were primarily attributed to moral corruption, demonic influence, and superstition. The introduction of novel regimens of health as well as treatises on melancholia into academic institutions and into the cultural landscape provided the tools for newly minted authors to understand that psychosomatic illnesses stemmed from malfunctions of the body's biochemical composition. This book demonstrates that the earliest books written in the Iberian vernaculars contain the seeds that effect the shift from a theocentric worldview to a humanistic one. The volume features close readings of multiple texts, including medical treatises and religious writings, and King Alfonso X's Cantigas de Santa Maria, Juan Manuel's Conde Lucanor, and Juan Ruiz's Libro de buen amor. Even though these texts differ in literary genre, rhetorical strategy, and even purpose, this study argues that they collectively employ humoral pathology and melancholic discourses as a means of underscoring the frailty and transience of human life by showing how somatic conditions sicken the body, mind, and soul unto death.

Author: John Dagenais
Publisher:
ISBN: 9780691032467
Category : Manuscripts, Medieval.
Languages : en
Pages : 278

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Book Description
Reexamining the roles played by author, reader, scribe, and text in medieval literary practice, John Dagenais argues that the entire physical manuscript must be the basis of any discussion of how meaning was made. Medievalists, he maintains, have relied too heavily on critical editions that seek to create a single, definitive text reflecting an author's intentions. In reality, manuscripts bear not only authorial texts but also a variety of elements added by scribes and readers: glosses, marginal notes, pointing hands, illuminations, and fragments of other, seemingly unrelated works. Using the surviving manuscripts of the fourteenth-century Libro de buen amor, a work that has been read both as didactic treatise on spiritual love and as a celebration of sensual pleasures, Dagenais shows how consideration of the physical manuscripts and their cultural context can shed new light on interpretive issues that have puzzled modern readers. Dagenais also addresses the theory and practice of reading in the Middle Ages, showing that for medieval readers the text on the manuscript leaf, including the text of the Libro, was primarily rhetorical and ethical in nature. It spoke to them directly, individually, always in the present moment. Exploring the margins of the manuscripts of the Libro and of other Iberian works, Dagenais reveals how medieval readers continually reshaped their texts, both physically and ethically as they read, and argues that the context of medieval manuscript culture forces us to reconsider such comfortable received notions as text and literature and the theories we have based upon them.