Author: Orlando di LassoPublisher: New York : Appleton-Century-Crofts
ISBN:
Category : Counterpoint
Languages : en
Pages : 266
Book Description
Examples of Gregorian Chant and Works by Orlandus Lassus, Giovanni Pierluigi Palestrina and Marc Antonio Ingegneri for Use in Classes of Counterpoint
Author: Orlando di LassoPublisher: New York : Appleton-Century-Crofts
ISBN:
Category : Counterpoint
Languages : en
Pages : 266
Book Description
Examples of Gregorian Chant and Works by Orlandus Lassus, Giovanni Pierluigi Palestrina and Marc Antonio Ingegneri
Author: Examples of Gregorian Chant and Works by Orlandus Lassus, Giovanni Pierluigi Palestrina and Marc Antonio Ingegneri
Author: Gustave Fredric SoderlundPublisher:
ISBN:
Category : Chants (Plain, Gregorian, etc.)
Languages : en
Pages : 264
Book Description
Examples of Gregorian Chant and Works by Orlandus Lassus and Giovanni Pierluigi Palestrina
Author: Examples of Gregorian Chant and Works
Author: The Principles and Practice of Modal Counterpoint
Author: Douglass GreenPublisher: Routledge
ISBN: 1136935096
Category : Music
Languages : en
Pages : 452
Book Description
Covering modal music from Gregorian chant through the seventeenth-century, The Principles and Practice of Modal Counterpoint is a comprehensive textbook combining stylistic composition, theory and analysis, music history, and performance. By supplementing a modified species approach with a wealth of complete musical examples and historical information, this textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of modal counterpoint and familiarizing students with modal repertoire.
Teachers Dictation Manual
Author: Allen Irvine McHosePublisher: Ardent Media
ISBN:
Category : Music
Languages : en
Pages : 202
Book Description
Music History from the Late Roman Through the Gothic Periods, 313-1425
Author: Blanche GangwerePublisher: Greenwood
ISBN:
Category : Music
Languages : en
Pages : 272
Book Description
This annotated chronology of western music from 313-1425 is the first in a series of outlines covering the history of music in western civilization. The present volume covers the background, philosophy, theory, notation, style, and forms or classes of music of the periods stated and also the works of theorists or composers. Sources, facsimiles, and transcriptions of musical manuscripts and sources of treatises by musical theorists, in the original language and in English translation, are indicated where possible. The instruments of each historical period are listed and described. Musical terms are defined at the end of each chapter. Foreign words, parts of the liturgy of the Roman Catholic church, musical terms, titles of theoretical works and musical manuscripts, and names of composers, theorists, and places of interest are defined in the section entitled Definition and Pronunciation. This section also includes the translation and pronunciation of words in Classical and Ecclesiastical Latin, French, German, Italian, Spanish, Old English, and Old French. At the end of each section of the book are maps that show pertinent Empires and Kingdoms, and the areas of musical development and activity of each historical period. Appendices have been added in order to discuss notation and rhythm in greater depth and to divulge some different theories concerning the material found in the text. Supplemental sources for further study are found at the end of each historical period.
Dictionary Catalog of the Music Collection
Author: New York Public Library. Reference DepartmentPublisher:
ISBN:
Category : Music
Languages : en
Pages : 780
Book Description
The Shelf List of the Union Theological Seminary Library in New York City
Author: Union Theological Seminary (New York, N.Y.). LibraryPublisher:
ISBN:
Category : Theology
Languages : en
Pages : 998
Book Description