Author: Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 244
Book Description
Examples of Gregorian Chant and Works by Orlandus Lassus, Giovanni Pierluigi Palestrina and Marc Antonio Ingegneri
Author: Examples of Gregorian Chant and Works by Orlandus Lassus, Giovanni Pierluigi Palestrina and Marc Antonio Ingegneri for Use in Classes of Counterpoint
Author: Orlando di LassoPublisher: New York : Appleton-Century-Crofts
ISBN:
Category : Counterpoint
Languages : en
Pages : 266
Book Description
The Gregorian Modes
Author: Daniel SaulnierPublisher:
ISBN: 9782852742208
Category : Gregorian chants
Languages : en
Pages : 207
Book Description
Examples of Gregorian Chant and Works
Author: Orland De LassusPublisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 244
Book Description
Gregorian Chant for Church and School
Author: Mary Antonine GoodchildPublisher: Lulu.com
ISBN: 1365341224
Category : Literary Collections
Languages : en
Pages : 148
Book Description
by Sister Mary Antonine Goodchild, O.P. What a wonderful find this is: an ideal textbook on chant for junior high, high school, or really any age. It is mercifully free of verbiage or exaggerated detail. It is short and completely clear on all aspects of learning to chant (notes, rhythm, Latin, style), and it contains a vast amount of the basic repertoire, in neumes and with English translations. It even has study questions! Many of us have wished that such a book would be written. It took Fr. Samuel Weber to point out that such a book already exists, and now, praise be to God, it is in print again. As the title says, it is the perfect text for Church and school. It came out in 1944 but it isn't in the slightest bit dated. This is priced for mass distribution.
Gregorian Chant
Author: David HileyPublisher: Cambridge University Press
ISBN: 9780521690355
Category : Music
Languages : en
Pages : 0
Book Description
What is Gregorian chant, and where does it come from? What purpose does it serve, and how did it take on the form and features which make it instantly recognizable? Designed to guide students through this key topic, this book answers these questions and many more. David Hiley describes the church services in which chant is performed, takes the reader through the church year, explains what Latin texts were used, and, taking Worcester Cathedral as an example, describes the buildings in which it was sung. The history of chant is traced from its beginnings in the early centuries of Christianity, through the Middle Ages, the revisions in the sixteenth and seventeenth centuries, and the restoration in the nineteenth and twentieth. Using numerous music examples, the book shows how chants are made and how they were notated. An indispensable guide for all those interested in the fascinating world of Gregorian chant.
Examples of Gregorian Chant and Works
Author: Gustave Fredric SoderlundPublisher:
ISBN:
Category : Music
Languages : en
Pages : 264
Book Description
Gregorian Chant
Author: Daniel SaulnierPublisher: Paraclete Press (MA)
ISBN: 9781557255549
Category : Gregorian chants
Languages : en
Pages : 0
Book Description
Dicover the riches of Gregorian chant.
Hildegard of Bingen and Musical Reception
Author: Jennifer BainPublisher: Cambridge University Press
ISBN: 1316299678
Category : Music
Languages : en
Pages : 251
Book Description
Since her death in 1179, Hildegard of Bingen has commanded attention in every century. In this book Jennifer Bain traces the historical reception of Hildegard, focusing particularly on the moment in the modern era when she began to be considered as a composer. Bain examines how the activities of clergy in nineteenth-century Eibingen resulted in increased veneration of Hildegard, an authentication of her relics, and a rediscovery of her music. The book goes on to situate the emergence of Hildegard's music both within the French chant restoration movement driven by Solesmes and the German chant revival supported by Cecilianism, the German movement to reform Church music more generally. Engaging with the complex political and religious environment in German speaking areas, Bain places the more recent Anglophone revival of Hildegard's music in a broader historical perspective and reveals the important intersections amongst local devotion, popular culture, and intellectual activities.
Author: