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Author: Valerie Sanders Publisher: Springer ISBN: 1349249351 Category : Literary Criticism Languages : en Pages : 258
Book Description
This study focuses on the work of four Victorian anti-feminist women writers - Eliza Lynn Linton, Charlotte M. Yonge, Mrs Humphry Ward, and Margaret Oliphant - examining their self-contradictory responses to the debate about women's role in family life and society. Individual chapters review women's anti-feminism from 1792-1850, and fresh readings of their best-known novels emphasize the inconsistencies of their masculine and feminine ideals.
Author: Valerie Sanders Publisher: Springer ISBN: 1349249351 Category : Literary Criticism Languages : en Pages : 258
Book Description
This study focuses on the work of four Victorian anti-feminist women writers - Eliza Lynn Linton, Charlotte M. Yonge, Mrs Humphry Ward, and Margaret Oliphant - examining their self-contradictory responses to the debate about women's role in family life and society. Individual chapters review women's anti-feminism from 1792-1850, and fresh readings of their best-known novels emphasize the inconsistencies of their masculine and feminine ideals.
Author: Valerie Sanders Publisher: ISBN: Category : Literary Criticism Languages : en Pages : 272
Book Description
Focuses on the work of four Victorian anti-feminist women writers-- Eliza Linton, Charlotte Yonge, Mrs. H. Ward, and Margaret Oliphant-- and asks why, despite their own liberated lifestyles, they publicly opposed the advancement of women. Surveys women's anti- feminist attitudes after Mary Wollstonecraft's death, as well as selections from the novelists' best known works and journalism, examining their construction of gender ideals, criticism of the church, and their antagonism to literary predecessors such as Jane Austin and George Eliot. The author stresses their inconsistencies, and suggests that their novels reveal a strong attraction to the world of work. Annotation copyright by Book News, Inc., Portland, OR
Author: Kimberly J Stern Publisher: University of Michigan Press ISBN: 047212224X Category : Literary Criticism Languages : en Pages : 249
Book Description
The Social Life of Criticism explores the cultural representation of the female critic in Victorian Britain, focusing especially on how women writers imagined themselves—in literary essays, periodical reviews, and even works of fiction—as participants in complex networks of literary exchange. Kimberly Stern proposes that in response to the “male collectivity” prominently featured in critical writings, female critics adopted a social and sociological understanding of the profession, often reimagining the professional networks and communities they were so eager to join. This engaging study begins by looking at the eighteenth century, when critical writing started to assume the institutional and generic structures we associate with it today, and examines a series of case studies that illuminate how women writers engaged with the forms of intellectual sociability that defined nineteenth-century criticism—including critical dialogue, the club, the salon, and the publishing firm. In doing so, it clarifies the fascinating rhetorical and political debates surrounding the figure of the female critic and charts how women writers worked both within and against professional communities. Ultimately, Stern contends that gender was a formative influence on critical practice from the very beginning, presenting the history of criticism as a history of gender politics. While firmly grounded in literary studies, The Social Life of Criticism combines an attention to historical context with a deep investment in feminist scholarship, social theory, and print culture. The book promises to be of interest not only to professional academics and graduate students in nineteenth-century literature but also to scholars in a wide range of disciplines, including literature, intellectual history, cultural studies, gender theory, and sociology.
Author: Martin Hipsky Publisher: Ohio University Press ISBN: 0821443771 Category : Literary Collections Languages : en Pages : 339
Book Description
Today’s mass-market romances have their precursors in late Victorian popular novels written by and for women. In Modernism and the Women’s Popular Romance Martin Hipsky scrutinizes some of the best-selling British fiction from the period 1885 to 1925, the era when romances, especially those by British women, were sold and read more widely than ever before or since. Recent scholarship has explored the desires and anxieties addressed by both “low modern” and “high modernist” British culture in the decades straddling the turn of the twentieth century. In keeping with these new studies, Hipsky offers a nuanced portrait of an important phenomenon in the history of modern fiction. He puts popular romances by Mrs. Humphry Ward, Marie Corelli, the Baroness Orczy, Florence Barclay, Rebecca West, Elinor Glyn, Victoria Cross, Ethel Dell, and E. M. Hull into direct relationship with the fiction of Virginia Woolf, Katherine Mansfield, James Joyce, and D. H. Lawrence, among other modernist greats.
Author: Victoria Margree Publisher: Springer Nature ISBN: 3030271420 Category : Literary Criticism Languages : en Pages : 208
Book Description
This book explores women’s short supernatural fiction between the emergence of first wave feminism and the post-suffrage period, arguing that while literary ghosts enabled an interrogation of women’s changing circumstances, ghosts could have both subversive and conservative implications. Haunted house narratives by Charlotte Riddell and Margaret Oliphant become troubled by uncanny reminders of the origins of middle-class wealth in domestic and foreign exploitation. Corpse-like revenants are deployed in Female Gothic tales by Mary Elizabeth Braddon and Edith Nesbit to interrogate masculine aestheticisation of female death. In the culturally-hybrid supernaturalism of Alice Perrin, the ‘Marriage Question’ migrates to colonial India, and psychoanalytically-informed stories by May Sinclair, Eleanor Scott and Violet Hunt explore just how far gender relations have really progressed in the post-First World War period. Study of the woman’s short story productively problematises literary histories about the “golden age” of the ghost story, and about the transition from Victorianism to modernism.
Author: Alexis Easley Publisher: Routledge ISBN: 1351936409 Category : Literary Criticism Languages : en Pages : 245
Book Description
First-Person Anonymous revises previous histories of Victorian women's writing by examining the importance of both anonymous periodical journalism and signed book authorship in women’s literary careers. Alexis Easley demonstrates how women writers capitalized on the publishing conventions associated with signed and unsigned print media in order to create their own spaces of agency and meaning within a male-dominated publishing industry. She highlights the importance of journalism in the fashioning of women's complex identities, thus providing a counterpoint to conventional critical accounts of the period that reduce periodical journalism to a monolithically oppressive domain of power relations. Instead, she demonstrates how anonymous publication enabled women to participate in important social and political debates without compromising their middle-class respectability. Through extensive analysis of literary and journalistic texts, Easley demonstrates how the narrative strategies and political concerns associated with women's journalism carried over into their signed books of poetry and prose. Women faced a variety of obstacles and opportunities as they negotiated the demands of signed and unsigned print media. In investigating women's engagement with these media, Easley focuses specifically on the work of Christian Johnstone (1781-1857), Harriet Martineau (1802-76), Elizabeth Gaskell (1810-65), George Eliot (1819-80) , and Christina Rossetti (1830-94). She provides new insight into the careers of these authors and recovers a large, anonymous body of periodical writing through which their better known careers emerged into public visibility. Since her work touches on two issues central to the study of literary history - the construction of the author and changes in media technology - it will appeal to an audience of scholars and general readers in the fields of Victorian literature, media studies, periodicals research, gender studies, and nineteenth-century
Author: Linda H Peterson Publisher: Taylor & Francis ISBN: 1040129315 Category : Literary Criticism Languages : en Pages : 505
Book Description
Margaret Oliphant (1828-97) had a prolific literary career that spanned almost fifty years. She wrote some 98 novels, fifty or more short stories, twenty-five works of non-fiction, including biographies and historic guides to European cities, and more than three hundred periodical articles. This is the most ambitious critical edition of her work.
Author: Penny Gay Publisher: Cambridge Scholars Publishing ISBN: 1443811815 Category : Literary Criticism Languages : en Pages : 240
Book Description
Victorian Turns, NeoVictorian Returns: Essays on Fiction and Culture brings together essays by scholars of international reputation in nineteenth-century British literature. Encompassing new work on Victorian writers and subjects as well as later readings, rewritings, and adaptations, the two-part arrangement of this collection highlights an ongoing dialogue. Part One: Victorian Turns focuses principally on some of the major novelists of the period—George Eliot, Charles Dickens, Charlotte Brontë—while placing them in a wide cultural context, in particular that provided by the intellectual journals to which many of the novelists contributed. Reflecting the diversity of debate in the Victorian period, contributors’ essays range across key topics of the day, including the “woman question”, class relations, language, science, work, celebrity, and travel. English writers’ consciousness of the challenging contemporary developments in French literature forms a significant and persistent theme. In Part Two: NeoVictorian Returns, the rich and varied afterlife of Victorianism is touched on. NeoVictorianism in contemporary literature and film demonstrates an ongoing and productive engagement with an age which established the social and cultural directions of the modern world. In rewritings, appropriations, and colonial writings-back, and in the persistent power of nineteenth-century images and stories in modern cinema, the period’s social, cultural and political modernity continues to flourish.
Author: Rosy Aindow Publisher: Routledge ISBN: 1351942948 Category : Business & Economics Languages : en Pages : 182
Book Description
Rosy Aindow examines the way fiction registered and responded to the emergence of a modern fashion industry during the period 1870-1914. She traces the role played by dress in the formation of literary identities, with specific attention to the way that an engagement with fashionable clothing was understood to be a means of class emulation. The expansion of the fashion industry in the second half of the nineteenth century is generally considered to have had a significant impact on the way in which lower income groups, in particular, encountered clothing: many were able to participate in fashionable consumption for the first time. Remaining alert to the historical specificity of these events, this study argues that the cultural perception of the expansion of the industry - namely a predominantly bourgeois fear that it would result in a democratisation in dress - had a profound effect on the way in which fashion was approached by contemporary writers. Drawing on existing cultural analogies that associated fashion with women and artifice, it concludes that women were particularly implicated in fictional accounts of class mobility. This transgression applied not only to women who wore fashionable clothing, but to those working in the fashion industry itself. An allusion to fashion has a socio-specific meaning, one which gained a new potency in late nineteenth- and early twentieth-century narratives as a vehicle for the expression of class anxieties.
Author: Valerie Sanders
Author: Valerie Sanders
Author: Valerie Sanders
Author: Kimberly J Stern
Author: Martin Hipsky
Author: Victoria Margree
Author: Alexis Easley
Author: Linda H Peterson
Author: Penny Gay
Author: Rosy Aindow
Author: Brigid Lowe