European Textile Printers in the Eighteenth Century PDF Download

Author: Stanley D. Chapman
Publisher: Heinemann Educational Books
ISBN:
Category : Business & Economics
Languages : en
Pages : 280

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Author: S. D. Chapmam
Publisher:
ISBN:
Category :
Languages : en
Pages : 257

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Author: Walter Endrei
Publisher: Akademiai Kiads
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 100

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Technical inventions show slow but massive infiltration from east to west throughout the first fourteen centuries.. Until the 15th century, Western European technology may be said to have been less advanced than that of other Old World regions. The transfer of Far-eastern know-how continued in modern times, and among the latecomers textile-printing had a major impact as a primer of the Industrial Revolution. The fast and bright colors of chintz elicited the Indian craze in fashion, causing a permanent shortage of cotton-yarn ending up in the invention of spinning machines. It took up to a hundred years until textile printing established itself in Europe and - in accordance with the general trend - led to the mechanization of the process by Th. Bell's famous roller-printing equipment (1783). In contrast to earlier transfer-stories this one took place in the lime-light of historical documents.

Author: Gerald W. R. Ward
Publisher:
ISBN: 0195313917
Category : Art
Languages : en
Pages : 848

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Book Description
"The Grove Encyclopedia of Materials and Techniques deals with all aspects of materials, techniques, conservation, and restoration in both traditional and nontraditional media, including ceramics, sculpture, metalwork, painting, works on paper, textiles, video, digital art, and more. Drawing upon the expansive scholarship in The Dictionary of Art and adding new entries, this work is a comprehensive reference resource for artists, art dealers, collectors, curators, conservators, students, researchers, and scholars." "Similar in design to The Grove Encyclopedia of Decorative Arts, this one-volume reference work contains articles of various lengths in alphabetical order. The shorter, more factual articles are combined with larger, multi-section articles tracing the development of materials and techniques in various geographical locations. The Encyclopedia provides unparalleled scope and depth, and it offers fully updated articles and bibliography as well as over 150 illustrations and color plates." "The Grove Encyclopedia of Materials and Techniques offers scholarly information on materials and techniques in art for anyone who studies, creates, collects, or deals in works of art. The entries are written to be accessible to a wide range of readers, and the work is designed as a reliable and convenient resource covering this essential area in the visual arts."

Author: J. Stobart
Publisher: Springer
ISBN: 113729521X
Category : History
Languages : en
Pages : 253

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Textiles are a key component of the industrial and consumer revolutions, yet we lack a coherent picture of how the marketing of textiles varied across the long 18th century and between different regions. This book provides important new insights into the ways in which changes in the supply of textiles related to shifting patterns of demand.

Author: Amy Elizabeth Bogansky
Publisher: Metropolitan Museum of Art
ISBN: 1588394964
Category : Art
Languages : en
Pages : 366

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Published in conjunction with an exhibition held at The Metropolitan Museum of Art, New York, Sept. 16, 2013-Jan. 5, 2014.

Author: Giorgio Riello
Publisher: Oxford University Press
ISBN: 0199696160
Category : Business & Economics
Languages : en
Pages : 507

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Book Description
This collection of essays examines the history of cotton textiles at a global level over the period 1200-1850. It provides new answers to two questions: what is it about cotton that made it the paradigmatic first global commodity? And second, why did cotton industries in different parts of the world follow different paths of development?

Author: Anne Montenach
Publisher: Taylor & Francis
ISBN: 1003853617
Category : History
Languages : en
Pages : 299

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This book seeks to contribute a multi-dimensional, multi-layered and gendered approach to the illicit economy in the historiography of early modern Europe. Using original source material from several countries, this volume concentrates on a border and transnational area—approximately the Lyon-Geneva-Turin triangle—located at the heart of European trade. It focuses on three products—salt, cotton and silk—all of which fuelled the black market between the last decades of the seventeenth century and the French Revolution. This volume offers an original contribution to wider studies of smuggling, illicit markets and women’s economic roles by taking into account the economic life of remote mountain communities and industrious cities. Showing that irregular practices were a structural characteristic of early modern economies, it provides insight into the opportunities offered to women in a highly flexible economy where licit and illicit activities were intermingled in a very complex way. This research monograph is aimed at a historical audience and constitutes a useful resource for students and scholars interested in gender history, social and economic history, urban history and French studies.

Author: Susan Carden
Publisher: Bloomsbury Publishing
ISBN: 1474260284
Category : Design
Languages : en
Pages : 175

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Book Description
The development of digital textile printing at the end of the twentieth century has had a profound effect on the design, creation, use and understanding of textiles. This new technology - combined with advances in fabric and dye chemistry - has made it possible to produce complex images on fabric comprising millions of colours, quickly, inexpensively and in flexible quantities; a revolution that has led to a rapid increase in demand, which is predicted to rise still further. This book is the first to describe the historical and cultural context from which digital textile printing emerged, and to engage critically with the many issues that it raises: the changing role of the designer in the creation of printed textiles; the ways in which the design process is being transformed by new technology; the relationships between producers, clients and the textile industry; and the impact of digital printing on the wider creative industries. At the core of this study are two key questions: what constitutes authenticity in an age when printed textiles are created through the combined agency of the artist/designer and the computer? And how can this new technology be put to work in a sustainable way during a period of spiralling demand?

Author: Gwynne Lewis
Publisher: Routledge
ISBN: 1317891678
Category : History
Languages : en
Pages : 323

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Book Description
Gwynne Lewis’ history opens with a full analysis of all the components of traditional France, including political and religious structures, the seigneurial system, the bourgeoisie and the poor. Part two examines the meaning and challenge of the Enlightenment, with particular reference to women and the mass of the poor. Part three concentrates upon the relationship between the shift to laissez-faire economics, popular revolts and government repression, providing the essential background to the Revolutionary decade of the 1790s. The Revolution witnessed the rise of a politicised ‘Popular Movement’ that achieved, briefly, a measure of popular democracy. War and counter-revolution blocked the move towards real democracy, strengthened the authority of the centralised state, and enhanced the credibility of bourgeois political and economic power. One of the main contentions of this work is that the failure of both monarchical and Revolutionary regimes to deal with the massive social problem of poverty played a far larger part in explaining the collapse of the Bourbons in 1789, and the failure of democracy during the 1790s, than most historians have allowed. Likewise, the importance of religion in directing the momentous events of this period has also been under-estimated.