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Author: Daniel Levy Publisher: Euphony the Sound of Life ISBN: 9788890849824 Category : Music Languages : en Pages : 265
Book Description
Euphony means harmony in sound. This definition not only indicates an acoustic fact, but above all the deep experience of Joy and Beauty within Sound in the human being as a whole.Euphony is a Science-Art that, through progressive stages, leads to experiencing the potentialities inborn in the human being; from the therapeutic effect of sound to the harmony within human relationships, from psychophysical relaxation to a re-discovery of intellectual vigour, from the expansion of sensibility to Self-knowledge.Daniel Levy's book deals with the effects of sound on the human being, offering a detailed analysis of the meaning and function of music, its great potential as a Science/Art, and the reasons why it is a golden key to the knowledge of ourselves and of the universe.
Author: Daniel Levy Publisher: Euphony the Sound of Life ISBN: 9788890849824 Category : Music Languages : en Pages : 265
Book Description
Euphony means harmony in sound. This definition not only indicates an acoustic fact, but above all the deep experience of Joy and Beauty within Sound in the human being as a whole.Euphony is a Science-Art that, through progressive stages, leads to experiencing the potentialities inborn in the human being; from the therapeutic effect of sound to the harmony within human relationships, from psychophysical relaxation to a re-discovery of intellectual vigour, from the expansion of sensibility to Self-knowledge.Daniel Levy's book deals with the effects of sound on the human being, offering a detailed analysis of the meaning and function of music, its great potential as a Science/Art, and the reasons why it is a golden key to the knowledge of ourselves and of the universe.
Author: Richard Cohn Publisher: Oxford University Press ISBN: 0199773211 Category : Music Languages : en Pages : 256
Book Description
Music theorists have long believed that 19th-century triadic progressions idiomatically extend the diatonic syntax of 18th-century classical tonality, and have accordingly unified the two repertories under a single mode of representation. Post-structuralist musicologists have challenged this belief, advancing the view that many romantic triadic progressions exceed the reach of classical syntax and are mobilized as the result of a transgressive, anti-syntactic impulse. In Audacious Euphony, author Richard Cohn takes both of these views to task, arguing that romantic harmony operates under syntactic principles distinct from those that underlie classical tonality, but no less susceptible to systematic definition. Charting this alternative triadic syntax, Cohn reconceives what consonant triads are, and how they relate to one another. In doing so, he shows that major and minor triads have two distinct natures: one based on their acoustic properties, and the other on their ability to voice-lead smoothly to each other in the chromatic universe. Whereas their acoustic nature underlies the diatonic tonality of the classical tradition, their voice-leading properties are optimized by the pan-triadic progressions characteristic of the 19th century. Audacious Euphony develops a set of inter-related maps that organize intuitions about triadic proximity as seen through the lens of voice-leading proximity, using various geometries related to the 19th-century Tonnetz. This model leads to cogent analyses both of particular compositions and of historical trends across the long nineteenth century. Essential reading for music theorists, Audacious Euphony is also a valuable resource for music historians, performers and composers.
Author: Lawrence Kramer Publisher: Univ of California Press ISBN: 0520382994 Category : Literary Collections Languages : en Pages : 254
Book Description
The Hum of the World is an invitation to contemplate what would happen if we heard the world as attentively as we see it. Balancing big ideas, playful wit and lyrical prose, this imaginative volume identifies the role of sound in Western experience as the primary medium in which the presence and persistence of life acquires tangible form. The positive experience of aliveness is not merely in accord with sound, but inaccessible, even inconceivable, without it. Lawrence Kramer’s poetic book roves freely over music, media, language, philosophy, and science from the ancient world to the present, along the way revealing how life is apprehended through sounds ranging from pandemonium to the faint background hum of the world. This warm meditation on auditory culture uncovers the knowledge and pleasure waiting when we learn that the world is alive with sound.
Author: Dmitri Tymoczko Publisher: OUP USA ISBN: 0195336674 Category : Mathematics Languages : en Pages : 469
Book Description
In this groundbreaking book, Tymoczko uses contemporary geometry to provide a new framework for thinking about music, one that emphasizes the commonalities among styles from Medieval polyphony to contemporary jazz.
Author: David Huron Publisher: MIT Press ISBN: 026233545X Category : Music Languages : en Pages : 273
Book Description
An accessible scientific explanation for the traditional rules of voice leading, including an account of why listeners find some musical textures more pleasing than others. Voice leading is the musical art of combining sounds over time. In this book, David Huron offers an accessible account of the cognitive and perceptual foundations for this practice. Drawing on decades of scientific research, including his own award-winning work, Huron offers explanations for many practices and phenomena, including the perceptual dominance of the highest voice, chordal-tone doubling, direct octaves, embellishing tones, and the musical feeling of sounds “leading” somewhere. Huron shows how traditional rules of voice leading align almost perfectly with modern scientific accounts of auditory perception. He also reviews pertinent research establishing the role of learning and enculturation in auditory and musical perception. Voice leading has long been taught with reference to Baroque chorale-style part-writing, yet there exist many more musical styles and practices. The traditional emphasis on Baroque part-writing understandably leaves many musicians wondering why they are taught such an archaic and narrow practice in an age of stylistic diversity. Huron explains how and why Baroque voice leading continues to warrant its central pedagogical status. Expanding beyond choral-style writing, Huron shows how established perceptual principles can be used to compose, analyze, and critically understand any kind of acoustical texture from tune-and-accompaniment songs and symphonic orchestration to jazz combo arranging and abstract electroacoustic music. Finally, he offers a psychological explanation for why certain kinds of musical textures are more likely to be experienced by listeners as pleasing.
Author: Clifford E. Landers Publisher: Multilingual Matters ISBN: 1847695604 Category : Language Arts & Disciplines Languages : en Pages : 228
Book Description
In this book, both beginning and experienced translators will find pragmatic techniques for dealing with problems of literary translation, whatever the original language. Certain challenges and certain themes recur in translation, whatever the language pair. This guide proposes to help the translator navigate through them. Written in a witty and easy to read style, the book’s hands-on approach will make it accessible to translators of any background. A significant portion of this Practical Guide is devoted to the question of how to go about finding an outlet for one’s translations.
Author: W. A. Mathieu Publisher: Shambhala Publications ISBN: 0834829290 Category : Music Languages : en Pages : 233
Book Description
Everyone, according to W.A. Mathieu, is musical by nature—it goes right along with being human. And if you don't believe it, this book will convince you. In a series of interrelated short essays, Mathieu takes the reader on a journey through ordinary experiences to open our ears to the rich variety of music that surrounds us but that we are trained to ignore; such as the variety of pitches produced by different objects, like glassware, furniture, drums—anything you can tap; or sounds that hover on the border of music, like laughter, the clinking of glasses in a toast, or the unintentional falsetto produced by yawning. Along the way the author teaches aspects of music theory that nonmusicians might ordinarily shy away from. He reveals the way of music to be a profoundly spiritual path—one that is everyone's birthright.
Author: Chris Tonelli Publisher: Birds ISBN: 9780982617700 Category : American poetry Languages : en Pages : 0
Book Description
Poetry. "Full of the will and the weather, that great skeptic Wallace Stevens walked to work and wrote his poems, poems you may well already love and believe. (Good, as they say, for you.) And as for Chris Tonelli, he walks in that integrity: read him, and be merciful unto yourself. His foot standeth in an even place. This book'll make you bloom"--Graham Foust.
Author: Daniel Levy
Author: Daniel Levy
Author: Richard Cohn
Author: Lawrence Kramer
Author: Dmitri Tymoczko
Author: David Huron
Author: Edgar Allan Poe
Author: Clifford E. Landers
Author: 
Author: W. A. Mathieu
Author: Chris Tonelli