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Author: Terry Simpson Publisher: ISBN: 9781939172037 Category : Languages : en Pages : 468
Book Description
The opening stanza in a new epic fantasy series that delves into the themes of war, corruptible power, love, betrayal, and absolution in the world of Denestia. Ryne Waldron, a living legend at the edge of madness is haunted by a murderous past and the voices of his power that whisper in his head. Hunted, he strives to defend a village he swore to protect. But his enemies might be closer than he could ever suspect. Ancel Dorn, a gifted student, struggles with rejection and must accept who he is or perish to the creatures that stalk him and his parents. When he discovers he's targeted for death by beings that seemed to have stepped from the history of an ancient war, his only choice is to flee. Irmina Nagel, Ancel's former lover, and an assassin sent to find Ryne, is mired in her quest for revenge on Ancel's parents, and must set aside her emotions or fail her final test. What she discovers may not only change her life but the world as a whole. Caught between warring nations, vengeful leaders, magic and steel, myth and men, the fate of millions hang in the balance. Who can unite the kingdoms against a common threat? Who shall bring the power that drives the world to heel? Who will walk the knife's edge of harmony? If none can, then Denestia is doomed.
Author: Terry Simpson Publisher: ISBN: 9781939172037 Category : Languages : en Pages : 468
Book Description
The opening stanza in a new epic fantasy series that delves into the themes of war, corruptible power, love, betrayal, and absolution in the world of Denestia. Ryne Waldron, a living legend at the edge of madness is haunted by a murderous past and the voices of his power that whisper in his head. Hunted, he strives to defend a village he swore to protect. But his enemies might be closer than he could ever suspect. Ancel Dorn, a gifted student, struggles with rejection and must accept who he is or perish to the creatures that stalk him and his parents. When he discovers he's targeted for death by beings that seemed to have stepped from the history of an ancient war, his only choice is to flee. Irmina Nagel, Ancel's former lover, and an assassin sent to find Ryne, is mired in her quest for revenge on Ancel's parents, and must set aside her emotions or fail her final test. What she discovers may not only change her life but the world as a whole. Caught between warring nations, vengeful leaders, magic and steel, myth and men, the fate of millions hang in the balance. Who can unite the kingdoms against a common threat? Who shall bring the power that drives the world to heel? Who will walk the knife's edge of harmony? If none can, then Denestia is doomed.
Author: Giorgio Morandi Publisher: David Zwirner Books ISBN: 1941701566 Category : Art Languages : en Pages : 97
Book Description
One of the most beloved painters of the twentieth century, Giorgio Morandi created works that continue to exert their mysterious power on viewers worldwide. This publication focuses on the period from 1948 to 1964, during which Morandi developed and refined his investigations of serial, reductive, and permutational forms and compositions, a body of work that has had a profound influence on twentieth-century art and painting. Included here are five of the ten iconic “yellow cloth” paintings from 1952, a series featured prominently in the historic 1998 exhibition at the Peggy Guggenheim Collection in Venice, and numerous late paintings by the Italian master. Lavishly reproduced, these immersive plates draw attention to the idiosyncratic perspectival and color-driven decisions that give the work its abstract power. The catalogue is published on the occasion of the 2015 exhibition of Morandi’s paintings from this period at David Zwirner, New York—which, according to The New York Times, represent “lucid perfection, at once cerebral and impassioned.” It marked the first major presentation of the artist’s late work in America since the acclaimed 2008 retrospective at The Metropolitan Museum of Art, New York. In addition to an essay by Laura Mattioli and a foreword by David Leiber, who organized the exhibition, this catalogue includes a fantastic array of contributions by contemporary artists: John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Wayne Thiebaud, Alexi Worth, and Zeng Fanzhi. They offer their personal responses to Morandi’s work and to the Zwirner exhibition in particular. Working in different media across many disciplines, this diverse list of contributors is a testament to the reach of Morandi’s paintings and their influence on contemporary art.
Author: Martin Hardie Publisher: Alan Wofsy Fine Arts ISBN: Category : Art Languages : en Pages : 338
Book Description
James McBey was born at Newburgh, a little fishing village on the Aberdeenshire coast, on December 23, 1883. Educated in the village school, he passed, at the age of fifteen, into the North of Scotland Bank, Aberdeen. He was seventeen when he first fell under the spell of what Samuel Palmer called the "teasing, temper-trying, yet fascinating art" of etching. The years 1902 to 1909 form the first phase of the artist's career. To that , period- with a gap of two years (1906-7), when he gave all his spare time to painting - belong sixty prints. In July, 1910, McBey cut his cables, and embarked on his great adventure. With a few pounds in his pocket, he left the Bank, and sailed for Holland, to fling his hat to the windmills. "No man who is instinctively an etcher," Sir Frederick Wedmote once wrote, "can keep himself for ever absent from the great flat lands that inspired Rembrandt." No man was ever: more instinctively an etcher than McBey, and the result of his visit to the land of low-lying distances, and big skies, of canals and mills, was a Dutch Set of twenty-one plates. The work of 191 0 and 1911 forms a distinct second phase in McBey's career, culminating with the first exhibition of his work, held at the gallery of Goupil & Co., in November, 1911. Well-known critics - notably Mr. James Greig of the Morning Post and Mr. Malcolm Salaman were quick to appreciate the newcomer, and wrote with enthusiasm of his work. In 1914, 'the inspiration of London's river-not Whistler's Thames, but a river of , bustling activity and movement--caused a new revelation of the artist's power. In January, 1916, McBey' war service began in France. There, though thwarted by rain, mud, and difficulties of transport, he found the material for five plates, etchings that will have lasting value as records of our Western Front and of all the grim tragedy of war. They show us the devastating activity of great howitzers; the pathos of the cemetery where crosses,' row on row, marked the graves of unknown soldiers. The War over, and his "First Palestine Set" issued, McBey enjoyed the study of portraiture and character in the peaceful surroundings of his new studio in Bolland Park Avenue.The "Second Palestine Set;' published in 1920, consists of eight plates giving a vivid, historic record of the march over Sinai in 1918, the crossing of the border, the Australian Camel Corps pushing on to the attack of Beersheba in an encircling cloud of dust, the first sight of Jerusalem, and that dramatic moment when the surrender of the Holy City was received by two sergeants of the London Division. At last McBey was free from all official obligations of the War, and at liberty to make what etchings he chose. He promptly translated a drawing he had made seven years before into that pregnant dry-point, A Flood in the Fens. . . .
Author: Terry Simpson
Author: Terry Simpson
Author: Giorgio Morandi
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Author: Sir David Young Cameron
Author: Martin Hardie
Author: Francis Seymour Haden
Author: Philip Gilbert Hamerton
Author: Blanding Sloan
Author: Buffalo Fine Arts Academy