Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Collections Eugène Renevey
Estampes Du XVI Au XVIII Siecle Par...
French Colour-prints of the XVIII Century
Author: Malcolm Charles Salaman
Publisher:
ISBN:
Category : Color prints
Languages : en
Pages : 290
Book Description
Publisher:
ISBN:
Category : Color prints
Languages : en
Pages : 290
Book Description
Estampes Du XVIIIe Siècle
Versified Prints
Author: W. McAllister Johnson
Publisher: University of Toronto Press
ISBN: 1442665998
Category : Art
Languages : en
Pages : 232
Book Description
The term ‘versified prints’ is used to describe images that are accompanied by poetic explanatory text. They were immensely popular and diffused throughout Europe in the eighteenth century, and many were shown at the Salon du Louvre. Although not all print verses are signed, their authors include occasional poets and members of the Académie Française. These prints remain among the most accessible documents for the study of art and society, but have never been examined before for their historical and cultural context. With 112 full-page reproductions, Versified Prints offers an engaging and informative introduction to these intriguing works. W. McAllister Johnson's guide discusses print production, the nature of sources, and the relationship and transformations in both text and images. Proposing a typology and methodology for this artistic phenomenon, Versified Prints enhances our knowledge of this fascinating new area of research and lays the groundwork for future studies. Disclaimer: Images removed at the request of the rights holder.
Publisher: University of Toronto Press
ISBN: 1442665998
Category : Art
Languages : en
Pages : 232
Book Description
The term ‘versified prints’ is used to describe images that are accompanied by poetic explanatory text. They were immensely popular and diffused throughout Europe in the eighteenth century, and many were shown at the Salon du Louvre. Although not all print verses are signed, their authors include occasional poets and members of the Académie Française. These prints remain among the most accessible documents for the study of art and society, but have never been examined before for their historical and cultural context. With 112 full-page reproductions, Versified Prints offers an engaging and informative introduction to these intriguing works. W. McAllister Johnson's guide discusses print production, the nature of sources, and the relationship and transformations in both text and images. Proposing a typology and methodology for this artistic phenomenon, Versified Prints enhances our knowledge of this fascinating new area of research and lays the groundwork for future studies. Disclaimer: Images removed at the request of the rights holder.
Estampes du XVIIIe siècle
French Architectural and Ornament Drawings of the Eighteenth Century
Author: Mary L. Myers
Publisher: Metropolitan Museum of Art
ISBN: 0870996258
Category : Architectural drawing
Languages : en
Pages : 258
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870996258
Category : Architectural drawing
Languages : en
Pages : 258
Book Description
15th-18th Century French Drawings in the Metropolitan Museum of Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870994638
Category : Drawing
Languages : en
Pages : 327
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870994638
Category : Drawing
Languages : en
Pages : 327
Book Description
A catalogue of the books in the library of the Royal academy of arts, London. [By H.R. Tedder]. [With suppl. entitled] A catalogue of books added ... between 1877 and 1900. (Roy. acad. of arts).
Author: Henry Richard Tedder
Publisher:
ISBN:
Category :
Languages : en
Pages : 214
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 214
Book Description
Mariette and the Science of the Connoisseur in Eighteenth-Century Europe
Author: Kristel Smentek
Publisher: Routledge
ISBN: 1351559214
Category : Art
Languages : en
Pages : 343
Book Description
Celebrated connoisseur, drawings collector, print dealer, book publisher and authority on the art of antiquity, Pierre-Jean Mariette (1694-1774) was a pivotal figure in the eighteenth-century European art world. Focusing on the trajectory of Mariette?s career, this book examines the material practices and social networks through which connoisseurs forged the idea of art as an object of empirical and historical analysis. Drawing on significant unpublished archival material as well as on histories of science, publishing, collecting and display, this book shows how Mariette and his colleagues? practices of classification and interpretation of the graphic arts gave rise to new conceptions of artistic authorship and to a history of art that transcended the biographies of individual artists. To follow Mariette?s career through the eighteenth century is to see that art was consolidated as a specialized category of intellectual inquiry-and that style emerged as its structuring analytic device-in the overlapping spaces of the collector?s cabinet, the connoisseur?s portfolio and the dealer?s shop.
Publisher: Routledge
ISBN: 1351559214
Category : Art
Languages : en
Pages : 343
Book Description
Celebrated connoisseur, drawings collector, print dealer, book publisher and authority on the art of antiquity, Pierre-Jean Mariette (1694-1774) was a pivotal figure in the eighteenth-century European art world. Focusing on the trajectory of Mariette?s career, this book examines the material practices and social networks through which connoisseurs forged the idea of art as an object of empirical and historical analysis. Drawing on significant unpublished archival material as well as on histories of science, publishing, collecting and display, this book shows how Mariette and his colleagues? practices of classification and interpretation of the graphic arts gave rise to new conceptions of artistic authorship and to a history of art that transcended the biographies of individual artists. To follow Mariette?s career through the eighteenth century is to see that art was consolidated as a specialized category of intellectual inquiry-and that style emerged as its structuring analytic device-in the overlapping spaces of the collector?s cabinet, the connoisseur?s portfolio and the dealer?s shop.