The 1930s: A Decade of Modern British Fiction PDF Download

Author: Nick Hubble
Publisher: Bloomsbury Publishing
ISBN: 1350079162
Category : Literary Criticism
Languages : en
Pages : 321

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Book Description
With austerity biting hard and fascism on the march at home and abroad, the Britain of the 1930s grappled with many problems familiar to us today. Moving beyond the traditional focus on 'the Auden generation', this book surveys the literature of the period in all its diversity, from working class, women, queer and postcolonial writers to popular crime and thriller novels. In this way, the book explores the uneven processes of modernization and cultural democratization that characterized the decade. A major critical re-evaluation of the decade, the book covers such writers as Eric Ambler, Mulk Raj Anand, Katharine Burdekin, Agatha Christie, Lewis Grassic Gibbon, Christopher Isherwood, Storm Jameson, Ethel Mannin, Naomi Mitchison, George Orwell, Christina Stead, Evelyn Waugh and many others.

Author: John Dewey
Publisher: SIU Press
ISBN: 9780809328208
Category : Education
Languages : en
Pages : 498

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Book Description

Author: Adam Parkes
Publisher: Oxford University Press
ISBN: 0192691287
Category : Literary Criticism
Languages : en
Pages : 337

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Book Description
During a modern age that saw the expansion of its democracy, the fading of its empire, and two world wars, Britain's hereditary aristocracy was pushed from the centre to the margins of the nation's affairs. Widely remarked on by commentators at the time, this radical redrawing of the social and political map provoked a newly intensified fascination with the aristocracy among modern writers. Undone by history, the British aristocracy and its Anglo-Irish cousins were remade by literary modernism. Modernism and the Aristocracy: Monsters of English Privilege is about the results of that remaking. The book traces the literary consequences of the modernist preoccupation with aristocracy in the works of Elizabeth Bowen, Ford Madox Ford, Aldous Huxley, D.H. Lawrence, Evelyn Waugh, Rebecca West, and others writing in Britain and Ireland in the first half of the twentieth century. Combining an historical focus on the decades between the two world wars with close attention to the verbal textures and formal structures of literary texts, Adam Parkes asks: What did the decline of the British aristocracy do for modernist writers? What imaginative and creative opportunities did the historical fate of the aristocracy precipitate in writers of the new democratic age? Exploring a range of feelings, affects, and attitudes that modernist authors associated with the aristocracy in the interwar period—from stupidity, boredom, and nostalgia to sophistication, cruelty, and kindness—the book also asks what impact this subject-matter has on the form and style of modernist texts, and why the results have appealed to readers then and now. In tackling such questions, Parkes argues for a reawakening of curiosity about connections between class, status, and literature in the modernist period.

Author: Charles Andrews
Publisher: Bloomsbury Publishing
ISBN: 1350362042
Category : Literary Criticism
Languages : en
Pages : 217

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Book Description
Exploring novels by Virginia Woolf, D. H. Lawrence, Evelyn Waugh, and Sylvia Townsend Warner as political theology – works that imagine a resistance to the fusion of Christianity and patriotism which fuelled and supported the First World War – this book shows how we can gain valuable insights from their works for anti-militarist, anti-statist, and anti-nationalist efforts today. While none of the four novelists in this study were committed Christians during the 1920s, Andrews explores how their fiction written in the wake of the First World War operates theologically when it challenges English civil religion – the rituals of the nation that elevate the state to a form of divinity. Bringing these novels into a dialogue with recent political theologies by theorists and theologians including Giorgio Agamben, William Cavanaugh, Simon Critchley, Michel Foucault, Stanley Hauerwas and Jürgen Moltmann, this book shows the myriad ways that we can learn from the authors' theopolitical imaginations. Andrews demonstrates the many ways that these novelists issue a challenge to the problems with civil religion and the sacralized nation state and, in so doing, offer alternative visions to coordinate our inner lives with our public and collective actions.

Author: Evelyn Waugh
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 694

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Book Description

Author: Tracy Chevalier
Publisher: Routledge
ISBN: 1135314101
Category : Reference
Languages : en
Pages : 1032

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Book Description
This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies

Author: Natasha Periyan
Publisher: Bloomsbury Publishing
ISBN: 1350019860
Category : Literary Criticism
Languages : en
Pages : 296

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Book Description
Drawing on a rich array of archival sources and historical detail, The Politics of 1930s British Literature tells the story of a school-minded decade and illuminates new readings of the politics and aesthetics of 1930s literature. In a period of shifting political claims, educational policy shaped writers' social and gender ideals. This book explores how a wide array of writers including Virginia Woolf, W.H. Auden, George Orwell, Winifred Holtby and Graham Greene were informed by their pedagogic work. It considers the ways in which education influenced writers' analysis of literary style and their conception of future literary forms. The Politics of 1930s British Literature argues that to those perennial symbols of the 1930s, the loudspeaker and the gramophone, should be added the textbook and the blackboard.

Author: Eugene Broderick
Publisher: Merrion Press
ISBN: 1911024558
Category : Biography & Autobiography
Languages : en
Pages : 311

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Book Description
John Hearne: Architect of the 1937 Constitution of Ireland is the first-ever biography of the ‘architect in chief and draftsman’ of the constitution. In the six-year period that it took to draft the constitution, John Hearne was involved at every stage alongside Éamon de Valera; his attitudes and concerns – especially with the protection of human rights in a period which saw the rise of dictatorships throughout Europe – governed the make-up of the fundamental law. This law still stands today and reverberates through every call for referendum or repeal. John Hearne is the biography of a man, later Irish Ambassador to Canada and the United States, who masterminded Irish policy, nationally and internationally, for decades; his essential role in the making of the constitution will result in a greater understanding and re-evaluation of one of its most defining and controversial documents.

Author: Rosemary M. Colt
Publisher: Springer
ISBN: 1349118273
Category : Literary Criticism
Languages : en
Pages : 219

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Book Description
This charts the emergence of British writers who assimilated the experimentation of the modernists in a realist tradition, also crafting their own distinctive literary voice. The essays in this volume cover a broad range of authors including George Orwell and Evelyn Waugh.

Author: Evelyn Waugh
Publisher: Oxford University Press, USA
ISBN: 9780199683444
Category : English literature
Languages : en
Pages : 592

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Book Description
The Complete Works of Evelyn Waugh offers the first scholarly edition of Waugh's work, bringing together all of his extant writings and graphic art: novels, biographies, travel writing, short fiction, essays, articles, reportage, reviews, poems, juvenilia, parerga, drawings, and designs. No other edition of a British novelist has been undertaken on this scale. Only 15% of Waugh's letters have previously been published. Alexander Waugh, Evelyn Waugh's grandson, is editing a twelve-volume Personal Writings sequence for the series, intercalating over 10,000 letters with the complete, unexpurgated diaries. All volumes will be beautifully produced, and have comprehensive introductions and detailed annotation. Fiction and non-fiction volumes will also contain a full account of each text's manuscript development and textual variants. The Complete Works will revolutionize Waugh studies, and offer new insights for twentieth-century literary and cultural studies generally. Waughs works are placed in their rich literary and historical context, enabling readers to appreciate for the first time the range and complexity of his thinking and artistic practice, and linking this to the work of his contemporaries in Britain, America and Europe. This volume is part of the Complete Works of Evelyn Waugh critical edition, which brings together all Waugh's published and previously unpublished writings for the first time with comprehensive introductions and annotation, and a full account of each text's manuscript development and textual variants. The edition's General Editor is Alexander Waugh, Evelyn Waugh's grandson and editor of the twelve-volume Personal Writings sequence. This first volume of Evelyn Waugh's Articles, Essays, and Reviews contains every traceable piece of journalism that research could uncover written by Waugh between January 1922, when he first went up to Oxford, and December 1934, when he had recently returned from British Guiana and was enjoying the runaway success of A Handful of Dust. Long interred in fashion magazines, popular newspapers, sober journals, undergraduate reviews, and BBC archives, 110 of the 170 pieces in the volume have never before been reprinted. Several typescripts of articles and reviews are published here for the first time, as are a larger number of unsigned pieces never before identified as Waugh's. Original texts, so easily distorted in the production process, have been established as far as possible using manuscript and other controls. The origins of the works are explored, and annotations to each piece seek to assist the modern reader. The volume embraces university journalism; essays from Waugh's years of drift after Oxford; forcefully emphatic articles and contrasting sophisticated reviews written for the metropolitan press from 1928 to 1930 (the most active and enterprising years of Waugh's career); reports for three newspapers of a coronation in Abyssinia and essays for The Times on the condition of Ethiopia and on British policy in Arabia. Finally, in early 1934 Waugh travelled for three months in remote British Guiana, resulting in nine travel articles and A Handful of Dust, acclaimed as one of the most distinguished novels of the century. Waugh was 19 when his first Oxford review appeared, 31 when the Spectator printed his last review of 1934. This is a young writer's book, and the always lucid articles and reviews it presents read as fresh and lively, as challenging and opinionated, as the day they first appeared.