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Esquisses/Ébauches

Esquisses/Ébauches PDF Author: Sonya Stephens
Publisher: Peter Lang
ISBN: 9780820478968
Category : Art
Languages : fr
Pages : 260

Book Description
Esquisses/ébauches assembles a cast of international scholars to debate the role of the esquisse (the sketch) and the ébauche (the lay-in or the draft) in the works of key nineteenth-century French writers and artists. These new readings, with their wide-ranging approaches to the question of the finished work, uncover a cultural context in which forms of the unfinished become privileged and highlight both the existence of an esthetic of the unfinished and an emerging poetics of process.

Esquisses/Ébauches

Esquisses/Ébauches PDF Author: Sonya Stephens
Publisher: Peter Lang
ISBN: 9780820478968
Category : Art
Languages : fr
Pages : 260

Book Description
Esquisses/ébauches assembles a cast of international scholars to debate the role of the esquisse (the sketch) and the ébauche (the lay-in or the draft) in the works of key nineteenth-century French writers and artists. These new readings, with their wide-ranging approaches to the question of the finished work, uncover a cultural context in which forms of the unfinished become privileged and highlight both the existence of an esthetic of the unfinished and an emerging poetics of process.

 PDF Author:
Publisher: Editions Bréal
ISBN: 2749525780
Category :
Languages : en
Pages : 241

Book Description


Manet's Modernism

Manet's Modernism PDF Author: Michael Fried
Publisher: University of Chicago Press
ISBN: 9780226262161
Category : Art
Languages : en
Pages : 708

Book Description
"Fried put forward a highly original, beholder-centered account of the evolution of a central tradition in French painting from Chardin to Courbet."--P. [4] of cover.

Rimbaud's Impressionist Poetics

Rimbaud's Impressionist Poetics PDF Author: Aimée Israel-Pelletier
Publisher: University of Wales Press
ISBN: 070832536X
Category : Literary Criticism
Languages : en
Pages : 220

Book Description
In the mid-nineteenth century, Arthur Rimbaud, the volatile genius of French poetry, invented a language that captured the energy and visual complexity of the modern world. This book explores some of the technical aspects of this language in relation to the new techniques brought forth by the Impressionist painters such as Monet, Morisot, and Pissarro.

Henry James and the Art of Impressions

Henry James and the Art of Impressions PDF Author: John Scholar
Publisher: Oxford University Press, USA
ISBN: 0198853513
Category : Literary Criticism
Languages : en
Pages : 310

Book Description
Henry James criticized the impressionism movement, yet time and again used the word 'impressio' to represent his characters's consciousness, as well as the work of the literary artist. This book explores this anomaly, placing James's work within the wider cultural history of impressionism.

Nineteenth-century French Studies

Nineteenth-century French Studies PDF Author:
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 228

Book Description


Petrarch and the Literary Culture of Nineteenth-century France

Petrarch and the Literary Culture of Nineteenth-century France PDF Author: Jennifer Rushworth
Publisher: Boydell & Brewer
ISBN: 1843844567
Category : Literary Collections
Languages : en
Pages : 335

Book Description
A consideration of Petrarch's influence on, and appearance in, French texts - and in particular, his appropriation by the Avignonese. Was Petrarch French? This book explores the various answers to that bold question offered by French readers and translators of Petrarch working in a period of less well-known but equally rich Petrarchism: the nineteenth century. It considers both translations and rewritings: the former comprise not only Petrarch's celebrated Italian poetry but also his often neglected Latin works; the latter explore Petrarch's influence on and presence in French novels aswell as poetry of the period, both in and out of the canon. Nineteenth-century French Petrarchism has its roots in the later part of the previous century, with formative contributions from Voltaire, Rousseau, and, in particular, the abbé de Sade. To these literary catalysts must be added the unification of Avignon with France at the Revolution, as well as anniversary commemorations of Petrarch's birth and death celebrated in Avignon and Fontaine-de-Vaucluse across the period (1804-1874-1904). Situated at the crossroads of reception history, medievalism, and translation studies, this investigation uncovers tensions between the competing construction of a national, French Petrarch and a local, Avignonese or Provençal poet. Taking Petrarch as its litmus test, this book also asks probing questions about the bases of nationality, identity, and belonging. Jennifer Rushworth is a Junior Research Fellowat St John's College, Oxford.

Unruly Nature

Unruly Nature PDF Author: Scott Allan
Publisher: Getty Publications
ISBN: 1606064770
Category : Art
Languages : en
Pages : 228

Book Description
Théodore Rousseau (1812–1867), arguably the most important French landscape artist of the mid-nineteenth century and a leader of the so-called Barbizon School, occupies a crucial moment of transition from the idealizing effects of academic painting to the radically modern vision of the Impressionists. He was an experimental artist who rejected the traditional historical, biblical, or literary subject matter in favor of “unruly nature,” a Romantic naturalism that confounded his contemporaries with its “bizarre” compositional and coloristic innovations. Lavishly illustrated and thoroughly documented, this volume includes five essays by experts in the field. Scott Allan and Édouard Kopp alternately examine Rousseau’s diverse techniques and working procedures as a painter and as a draftsman, as well as his art’s mixed economic and critical fortunes on the art market and at the Salon. Line Clausen Pedersen’s essay focuses on Mont Blanc Seen from La Faucille, Storm Effect, an early touchstone for the artist and a spectacular example of the Romantic sublime in the Ny Carlsberg Glyptotek’s collection. This catalogue accompanies an eponymous exhibition on view at the J. Paul Getty Museum from June 21 to September 11, 2016, and at the Ny Carlsberg Glyptotek from October 13, 2016, to January 8, 2017.

Changing France

Changing France PDF Author: Anne Green
Publisher: Anthem Press
ISBN: 1783081007
Category : History
Languages : en
Pages : 208

Book Description
The French Second Empire (1852-70) was a time of exceptionally rapid social, industrial and technological change. French literature also underwent fundamental changes during this period as writers embraced ‘modernity’ and incorporated new technologies, fashions and inventions into their work. Focusing on cultural areas such as exhibitions, transport, food, dress and photography, ‘Changing France’ shows how apparently trivial aspects of modern life provided Second Empire writers with a versatile means of thinking about deeper issues. This volume brings literature and material culture together to reveal how writing itself changed as writers recognised the extraordinarily rich possibilities of expression opened up to them by the changing material world.

Impressionism

Impressionism PDF Author: John House
Publisher: Yale University Press
ISBN: 9780300102406
Category : History
Languages : en
Pages : 272

Book Description
A new perspective on Impressionist art that offers revealing, fresh interpretations of familiar paintings In this handsome book, a leading authority on Impressionist painting offers a new view of this admired and immensely popular art form. John House examines the style and technique, subject matter and imagery, exhibiting and marketing strategies, and social, political, and ideological contexts of Impressionism in light of the perspectives that have been brought to it in the last twenty years. When all of these diverse approaches are taken into account, he argues, Impressionism can be seen as a movement that challenged both artistic and political authority with its uncompromisingly modern subject matter and its determinedly secular worldview. Moving from the late 1860s to the early 1880s, House analyzes the paintings and career strategies of the leading Impressionist artists, pointing out the ways in which they countered the dominant conventions of the contemporary art world and evolved their distinctive and immediately recognizable manner of painting. Focusing closely on the technique, composition, and imagery of the paintings themselves and combining this fresh appraisal with recent historical studies of Impressionism, House explores how pictorial style could generate social and political meanings and opens new ways of looking at this luminous art.