Author: James A. Percoco
Publisher: Fordham Univ Press
ISBN: 0823228975
Category : History
Languages : en
Pages : 284
Book Description
A journey across America revealing “the history of how seven of these monuments came to be . . . and what they mean to us today” (The Washington Times). Across the country, in the middle of busy city squares and hidden on quiet streets, there are nearly two hundred statues erected in memory of Abraham Lincoln. No other American has ever been so widely commemorated. A few years ago, Jim Percoco, a history teacher with a passion for both Lincoln and public sculpture, set off to see what he might learn about some of these monuments—what they meant to their creators and to the public when they were unveiled, and what they mean to us today. The result is a fascinating chronicle of four summers on the road looking for Lincoln stories in statues of marble and bronze. Percoco selects seven emblematic works, among them Thomas Ball’s Emancipation Group, erected east of the Capitol in 1876 with private funds from African Americans and dedicated by Frederick Douglass; Augustus Saint-Gaudens’s majestic Standing Lincoln of 1887 in Chicago; Paul Manship’s 1932 Lincoln the Hoosier Youth, in Fort Wayne, Indiana; and Gutzon Borglum’s 1911 Seated Lincoln, struggling with the pain of leadership, beckoning visitors to sit next to him on his metal bench in Newark, New Jersey. At each stop, Percoco chronicles the history of the monument, spotlighting its artistic, social, political, and cultural origins. His descriptions draw fresh meaning from mute stone and cold metal—raising provocative questions not just about who Lincoln might have been, but about what we’ve wanted him to be in the monuments we’ve built.
Summers with Lincoln
Author: James A. Percoco
Publisher: Fordham Univ Press
ISBN: 0823228975
Category : History
Languages : en
Pages : 284
Book Description
A journey across America revealing “the history of how seven of these monuments came to be . . . and what they mean to us today” (The Washington Times). Across the country, in the middle of busy city squares and hidden on quiet streets, there are nearly two hundred statues erected in memory of Abraham Lincoln. No other American has ever been so widely commemorated. A few years ago, Jim Percoco, a history teacher with a passion for both Lincoln and public sculpture, set off to see what he might learn about some of these monuments—what they meant to their creators and to the public when they were unveiled, and what they mean to us today. The result is a fascinating chronicle of four summers on the road looking for Lincoln stories in statues of marble and bronze. Percoco selects seven emblematic works, among them Thomas Ball’s Emancipation Group, erected east of the Capitol in 1876 with private funds from African Americans and dedicated by Frederick Douglass; Augustus Saint-Gaudens’s majestic Standing Lincoln of 1887 in Chicago; Paul Manship’s 1932 Lincoln the Hoosier Youth, in Fort Wayne, Indiana; and Gutzon Borglum’s 1911 Seated Lincoln, struggling with the pain of leadership, beckoning visitors to sit next to him on his metal bench in Newark, New Jersey. At each stop, Percoco chronicles the history of the monument, spotlighting its artistic, social, political, and cultural origins. His descriptions draw fresh meaning from mute stone and cold metal—raising provocative questions not just about who Lincoln might have been, but about what we’ve wanted him to be in the monuments we’ve built.
Publisher: Fordham Univ Press
ISBN: 0823228975
Category : History
Languages : en
Pages : 284
Book Description
A journey across America revealing “the history of how seven of these monuments came to be . . . and what they mean to us today” (The Washington Times). Across the country, in the middle of busy city squares and hidden on quiet streets, there are nearly two hundred statues erected in memory of Abraham Lincoln. No other American has ever been so widely commemorated. A few years ago, Jim Percoco, a history teacher with a passion for both Lincoln and public sculpture, set off to see what he might learn about some of these monuments—what they meant to their creators and to the public when they were unveiled, and what they mean to us today. The result is a fascinating chronicle of four summers on the road looking for Lincoln stories in statues of marble and bronze. Percoco selects seven emblematic works, among them Thomas Ball’s Emancipation Group, erected east of the Capitol in 1876 with private funds from African Americans and dedicated by Frederick Douglass; Augustus Saint-Gaudens’s majestic Standing Lincoln of 1887 in Chicago; Paul Manship’s 1932 Lincoln the Hoosier Youth, in Fort Wayne, Indiana; and Gutzon Borglum’s 1911 Seated Lincoln, struggling with the pain of leadership, beckoning visitors to sit next to him on his metal bench in Newark, New Jersey. At each stop, Percoco chronicles the history of the monument, spotlighting its artistic, social, political, and cultural origins. His descriptions draw fresh meaning from mute stone and cold metal—raising provocative questions not just about who Lincoln might have been, but about what we’ve wanted him to be in the monuments we’ve built.
Sculpture and the Museum
Author: ChristopherR. Marshall
Publisher: Routledge
ISBN: 1351549553
Category : Art
Languages : en
Pages : 286
Book Description
Sculpture and the Museum is the first in-depth examination of the varying roles and meanings assigned to sculpture in museums and galleries during the modern period, from neo-classical to contemporary art practice. It considers a rich array of curatorial strategies and settings in order to examine the many reasons why sculpture has enjoyed a position of such considerable importance - and complexity - within the institutional framework of the museum and how changes to the museum have altered, in turn, the ways that we perceive the sculpture within it. In particular, the contributors consider the complex issue of how best to display sculpture across different periods and according to varying curatorial philosophies. Sculptors discussed include Canova, Rodin, Henry Moore, Flaxman and contemporary artists such as Rebecca Horn, Rachel Whiteread, Mark Dion and Olafur Eliasson, with a variety of museums in America, Canada and Europe presented as case studies. Underlying all of these discussions is a concern to chart the critical importance of the acquisition, placement and display of sculpture in museums and to explore the importance of sculptures as a forum for the expression of programmatic statements of power, prestige and the museum's own sense of itself in relation to its audiences and its broader institutional aspirations.
Publisher: Routledge
ISBN: 1351549553
Category : Art
Languages : en
Pages : 286
Book Description
Sculpture and the Museum is the first in-depth examination of the varying roles and meanings assigned to sculpture in museums and galleries during the modern period, from neo-classical to contemporary art practice. It considers a rich array of curatorial strategies and settings in order to examine the many reasons why sculpture has enjoyed a position of such considerable importance - and complexity - within the institutional framework of the museum and how changes to the museum have altered, in turn, the ways that we perceive the sculpture within it. In particular, the contributors consider the complex issue of how best to display sculpture across different periods and according to varying curatorial philosophies. Sculptors discussed include Canova, Rodin, Henry Moore, Flaxman and contemporary artists such as Rebecca Horn, Rachel Whiteread, Mark Dion and Olafur Eliasson, with a variety of museums in America, Canada and Europe presented as case studies. Underlying all of these discussions is a concern to chart the critical importance of the acquisition, placement and display of sculpture in museums and to explore the importance of sculptures as a forum for the expression of programmatic statements of power, prestige and the museum's own sense of itself in relation to its audiences and its broader institutional aspirations.
Civil War Monuments and the Militarization of America
Author: Thomas J. Brown
Publisher: UNC Press Books
ISBN: 1469653753
Category : History
Languages : en
Pages : 381
Book Description
This sweeping new assessment of Civil War monuments unveiled in the United States between the 1860s and 1930s argues that they were pivotal to a national embrace of military values. Americans' wariness of standing armies limited construction of war memorials in the early republic, Thomas J. Brown explains, and continued to influence commemoration after the Civil War. As large cities and small towns across the North and South installed an astonishing range of statues, memorial halls, and other sculptural and architectural tributes to Civil War heroes, communities debated the relationship of military service to civilian life through fund-raising campaigns, artistic designs, oratory, and ceremonial practices. Brown shows that distrust of standing armies gave way to broader enthusiasm for soldiers in the Gilded Age. Some important projects challenged the trend, but many Civil War monuments proposed new norms of discipline and vigor that lifted veterans to a favored political status and modeled racial and class hierarchies. A half century of Civil War commemoration reshaped remembrance of the American Revolution and guided American responses to World War I. Brown provides the most comprehensive overview of the American war memorial as a cultural form and reframes the national debate over Civil War monuments that remain potent presences on the civic landscape.
Publisher: UNC Press Books
ISBN: 1469653753
Category : History
Languages : en
Pages : 381
Book Description
This sweeping new assessment of Civil War monuments unveiled in the United States between the 1860s and 1930s argues that they were pivotal to a national embrace of military values. Americans' wariness of standing armies limited construction of war memorials in the early republic, Thomas J. Brown explains, and continued to influence commemoration after the Civil War. As large cities and small towns across the North and South installed an astonishing range of statues, memorial halls, and other sculptural and architectural tributes to Civil War heroes, communities debated the relationship of military service to civilian life through fund-raising campaigns, artistic designs, oratory, and ceremonial practices. Brown shows that distrust of standing armies gave way to broader enthusiasm for soldiers in the Gilded Age. Some important projects challenged the trend, but many Civil War monuments proposed new norms of discipline and vigor that lifted veterans to a favored political status and modeled racial and class hierarchies. A half century of Civil War commemoration reshaped remembrance of the American Revolution and guided American responses to World War I. Brown provides the most comprehensive overview of the American war memorial as a cultural form and reframes the national debate over Civil War monuments that remain potent presences on the civic landscape.
The Global Lincoln
Author: Richard Carwardine
Publisher: OUP USA
ISBN: 019537911X
Category : Biography & Autobiography
Languages : en
Pages : 342
Book Description
More than any other American historical figure, Abraham Lincoln towers over the global landscape, a leader who spoke - and continues to speak - to people around the world. This book tells the unknown and remarkable story of this great president's worldwide legacy, exploring the image and influence of Lincoln in places ranging from Germany to Japan, India to Ireland, Africa and Argentina to the American South.
Publisher: OUP USA
ISBN: 019537911X
Category : Biography & Autobiography
Languages : en
Pages : 342
Book Description
More than any other American historical figure, Abraham Lincoln towers over the global landscape, a leader who spoke - and continues to speak - to people around the world. This book tells the unknown and remarkable story of this great president's worldwide legacy, exploring the image and influence of Lincoln in places ranging from Germany to Japan, India to Ireland, Africa and Argentina to the American South.
Visual Art and the Urban Evolution of the New South
Author: Deborah C. Pollack
Publisher: Univ of South Carolina Press
ISBN: 1611174333
Category : Art
Languages : en
Pages : 371
Book Description
Visual Art and the Urban Evolution of the New South recounts the enormous influence of artists in the evolution of six southern cities—Atlanta, Charleston, New Orleans, Louisville, Austin, and Miami—from 1865 to 1950. In the decades following the Civil War, painters, sculptors, photographers, and illustrators in these municipalities employed their talents to articulate concepts of the New South, aestheticism, and Gilded Age opulence and to construct a visual culture far beyond providing pretty pictures in public buildings and statues in city squares. As Deborah C. Pollack investigates New South proponents such as Henry W. Grady of Atlanta and other regional leaders, she identifies "cultural strivers"—philanthropists, women's organizations, entrepreneurs, writers, architects, politicians, and dreamers—who united with visual artists to champion the arts both as a means of cultural preservation and as mechanisms of civic progress. Aestheticism, made popular by Oscar Wilde's southern tours during the Gilded Age, was another driving force in art creation and urban improvement. Specific art works occasionally precipitated controversy and incited public anger, yet for the most part artists of all kinds were recognized as providing inspirational incentives for self-improvement, civic enhancement and tourism, art appreciation, and personal fulfillment through the love of beauty. Each of the six New South cities entered the late nineteenth century with fractured artistic heritages. Charleston and Atlanta had to recover from wartime devastation. The infrastructures of New Orleans and Louisville were barely damaged by war, but their social underpinnings were shattered by the end of slavery and postwar economic depression. Austin was not vitalized until after the Civil War and Miami was a post-Civil War creation. Pollack surveys these New South cities with an eye to understanding how each locale shaped its artistic and aesthetic self-perception across a spectrum of economic, political, gender, and race issues. She also discusses Lost Cause imagery, present in all the studied municipalities. While many art history volumes concerning the South focus on sultry landscapes outside the urban grid, Visual Art and the Urban Evolution of the New South explores the art belonging to its cities, whether exhibited in its museums, expositions, and galleries, or reflective of its parks, plazas, marketplaces, industrial areas, gardens, and universities. It also identifies and celebrates the creative urban humanity who helped build the cultural and social framework for the modern southern city.
Publisher: Univ of South Carolina Press
ISBN: 1611174333
Category : Art
Languages : en
Pages : 371
Book Description
Visual Art and the Urban Evolution of the New South recounts the enormous influence of artists in the evolution of six southern cities—Atlanta, Charleston, New Orleans, Louisville, Austin, and Miami—from 1865 to 1950. In the decades following the Civil War, painters, sculptors, photographers, and illustrators in these municipalities employed their talents to articulate concepts of the New South, aestheticism, and Gilded Age opulence and to construct a visual culture far beyond providing pretty pictures in public buildings and statues in city squares. As Deborah C. Pollack investigates New South proponents such as Henry W. Grady of Atlanta and other regional leaders, she identifies "cultural strivers"—philanthropists, women's organizations, entrepreneurs, writers, architects, politicians, and dreamers—who united with visual artists to champion the arts both as a means of cultural preservation and as mechanisms of civic progress. Aestheticism, made popular by Oscar Wilde's southern tours during the Gilded Age, was another driving force in art creation and urban improvement. Specific art works occasionally precipitated controversy and incited public anger, yet for the most part artists of all kinds were recognized as providing inspirational incentives for self-improvement, civic enhancement and tourism, art appreciation, and personal fulfillment through the love of beauty. Each of the six New South cities entered the late nineteenth century with fractured artistic heritages. Charleston and Atlanta had to recover from wartime devastation. The infrastructures of New Orleans and Louisville were barely damaged by war, but their social underpinnings were shattered by the end of slavery and postwar economic depression. Austin was not vitalized until after the Civil War and Miami was a post-Civil War creation. Pollack surveys these New South cities with an eye to understanding how each locale shaped its artistic and aesthetic self-perception across a spectrum of economic, political, gender, and race issues. She also discusses Lost Cause imagery, present in all the studied municipalities. While many art history volumes concerning the South focus on sultry landscapes outside the urban grid, Visual Art and the Urban Evolution of the New South explores the art belonging to its cities, whether exhibited in its museums, expositions, and galleries, or reflective of its parks, plazas, marketplaces, industrial areas, gardens, and universities. It also identifies and celebrates the creative urban humanity who helped build the cultural and social framework for the modern southern city.
Public Sculpture of Greater Manchester
Author: Terry Wyke
Publisher: Liverpool University Press
ISBN: 0853235678
Category : History
Languages : en
Pages : 533
Book Description
Public Sculpture of Greater Manchester is a complete catalog and illustrated guide to all of Greater Manchester's public sculptures and monuments. Manchester historian Terry Wyke provides detailed individual entries for each sculpture featured, including information about the artist and the commissioning agent, date of installation, and the sculpture's historical and artistic significance. More than 350 black-and-white photographs reveal the diversity and beauty of Manchester's many public monuments. The eighth volume in Liverpool University Press's highly acclaimed and prize-winning Public Sculpture of Britain series, Public Sculpture of Greater Manchester will be an incomparable resource for both armchair and actual travelers, as well as for English historians and art scholars alike. "These are excellent volumes in an outstanding and continuing series, one of the most original and important such projects under way. They set an international standard for the recording and publication of public sculpture."—Judging panel, 2003 William MB Berger Prize for British Art History, on the Public Sculpture of Britain series
Publisher: Liverpool University Press
ISBN: 0853235678
Category : History
Languages : en
Pages : 533
Book Description
Public Sculpture of Greater Manchester is a complete catalog and illustrated guide to all of Greater Manchester's public sculptures and monuments. Manchester historian Terry Wyke provides detailed individual entries for each sculpture featured, including information about the artist and the commissioning agent, date of installation, and the sculpture's historical and artistic significance. More than 350 black-and-white photographs reveal the diversity and beauty of Manchester's many public monuments. The eighth volume in Liverpool University Press's highly acclaimed and prize-winning Public Sculpture of Britain series, Public Sculpture of Greater Manchester will be an incomparable resource for both armchair and actual travelers, as well as for English historians and art scholars alike. "These are excellent volumes in an outstanding and continuing series, one of the most original and important such projects under way. They set an international standard for the recording and publication of public sculpture."—Judging panel, 2003 William MB Berger Prize for British Art History, on the Public Sculpture of Britain series
Giant in the Shadows
Author: Jason Emerson
Publisher: SIU Press
ISBN: 080939071X
Category : History
Languages : en
Pages : 642
Book Description
WINNER, Russell P. Strange Memorial Book of the Year Award from the Illinois State Historical Society, 2013! University Press Books for Public and Secondary Schools, 2013 edition Although he was Abraham and Mary Lincoln’s oldest and last surviving son, the details of Robert T. Lincoln’s life are misunderstood by some and unknown to many others. Nearly half a century after the last biography about Abraham Lincoln’s son was published, historian and author Jason Emerson illuminates the life of this remarkable man and his achievements in Giant in the Shadows: The Life of Robert T. Lincoln. Emerson, after nearly ten years of research, draws upon previously unavailable materials to offer the first truly definitive biography of the famous lawyer, businessman, and statesman who, much more than merely the son of America’s most famous president, made his own indelible mark on one of the most progressive and dynamic eras in United States history. Born in a boardinghouse but passing his last days at ease on a lavish country estate, Robert Lincoln played many roles during his lifetime. As a president’s son, a Union soldier, an ambassador to Great Britain, and a U.S. secretary of war, Lincoln was indisputably a titan of his age. Much like his father, he became one of the nation’s most respected and influential men, building a successful law practice in the city of Chicago, serving shrewdly as president of the Pullman Car Company, and at one time even being considered as a candidate for the U.S. presidency. Along the way he bore witness to some of the most dramatic moments in America’s history, including Robert E. Lee’s surrender at Appomattox Courthouse; the advent of the railroad, telephone, electrical, and automobile industries; the circumstances surrounding the assassinations of three presidents of the United States; and the momentous presidential election of 1912. Giant in the Shadows also reveals Robert T. Lincoln’s complex relationships with his famous parents and includes previously unpublished insights into their personalities. Emerson reveals new details about Robert’s role as his father’s confidant during the brutal years of the Civil War and his reaction to his father’s murder; his prosecution of the thieves who attempted to steal his father’s body in 1876 and the extraordinary measures he took to ensure it would never happen again; as well as details about the painful decision to have his mother committed to a mental facility. In addition Emerson explores the relationship between Robert and his children, and exposes the actual story of his stewardship of the Lincoln legacy—including what he and his wife really destroyed and what was preserved. Emerson also delves into the true reason Robert is not buried in the Lincoln tomb in Springfield but instead was interred at Arlington National Cemetery. Meticulously researched, full of never-before-seen photographs and new insight into historical events, Giant in the Shadows is the missing chapter of the Lincoln family story. Emerson’s riveting work is more than simply a biography; it is a tale of American achievement in the Gilded Age and the endurance of the Lincoln legacy.
Publisher: SIU Press
ISBN: 080939071X
Category : History
Languages : en
Pages : 642
Book Description
WINNER, Russell P. Strange Memorial Book of the Year Award from the Illinois State Historical Society, 2013! University Press Books for Public and Secondary Schools, 2013 edition Although he was Abraham and Mary Lincoln’s oldest and last surviving son, the details of Robert T. Lincoln’s life are misunderstood by some and unknown to many others. Nearly half a century after the last biography about Abraham Lincoln’s son was published, historian and author Jason Emerson illuminates the life of this remarkable man and his achievements in Giant in the Shadows: The Life of Robert T. Lincoln. Emerson, after nearly ten years of research, draws upon previously unavailable materials to offer the first truly definitive biography of the famous lawyer, businessman, and statesman who, much more than merely the son of America’s most famous president, made his own indelible mark on one of the most progressive and dynamic eras in United States history. Born in a boardinghouse but passing his last days at ease on a lavish country estate, Robert Lincoln played many roles during his lifetime. As a president’s son, a Union soldier, an ambassador to Great Britain, and a U.S. secretary of war, Lincoln was indisputably a titan of his age. Much like his father, he became one of the nation’s most respected and influential men, building a successful law practice in the city of Chicago, serving shrewdly as president of the Pullman Car Company, and at one time even being considered as a candidate for the U.S. presidency. Along the way he bore witness to some of the most dramatic moments in America’s history, including Robert E. Lee’s surrender at Appomattox Courthouse; the advent of the railroad, telephone, electrical, and automobile industries; the circumstances surrounding the assassinations of three presidents of the United States; and the momentous presidential election of 1912. Giant in the Shadows also reveals Robert T. Lincoln’s complex relationships with his famous parents and includes previously unpublished insights into their personalities. Emerson reveals new details about Robert’s role as his father’s confidant during the brutal years of the Civil War and his reaction to his father’s murder; his prosecution of the thieves who attempted to steal his father’s body in 1876 and the extraordinary measures he took to ensure it would never happen again; as well as details about the painful decision to have his mother committed to a mental facility. In addition Emerson explores the relationship between Robert and his children, and exposes the actual story of his stewardship of the Lincoln legacy—including what he and his wife really destroyed and what was preserved. Emerson also delves into the true reason Robert is not buried in the Lincoln tomb in Springfield but instead was interred at Arlington National Cemetery. Meticulously researched, full of never-before-seen photographs and new insight into historical events, Giant in the Shadows is the missing chapter of the Lincoln family story. Emerson’s riveting work is more than simply a biography; it is a tale of American achievement in the Gilded Age and the endurance of the Lincoln legacy.
Perspectives on American Sculpture Before 1925
Author: Thayer Tolles
Publisher: Metropolitan Museum of Art
ISBN: 1588391051
Category : Sculpture
Languages : en
Pages : 162
Book Description
The Metropolitan Museum of Art has long been renowned for its collection of American sculpture, in particular its world-famous American Neoclassical marbles. This volume contains eight papers presented at a symposium held at the Museum on October 26, 2001, upon the publication of American Sculpture in The Metropolitan Museum of Art. The contributors, who include art historians, museum professionals, and independent scholars, offer a fascinating cross section of current thematic interests and scholarly approaches to American sculpture. Each contributor takes as their starting point a sculpture or group of sculptures in the Metropolitan's collection, presenting a wide variety of approaches to the study and understanding of these works.
Publisher: Metropolitan Museum of Art
ISBN: 1588391051
Category : Sculpture
Languages : en
Pages : 162
Book Description
The Metropolitan Museum of Art has long been renowned for its collection of American sculpture, in particular its world-famous American Neoclassical marbles. This volume contains eight papers presented at a symposium held at the Museum on October 26, 2001, upon the publication of American Sculpture in The Metropolitan Museum of Art. The contributors, who include art historians, museum professionals, and independent scholars, offer a fascinating cross section of current thematic interests and scholarly approaches to American sculpture. Each contributor takes as their starting point a sculpture or group of sculptures in the Metropolitan's collection, presenting a wide variety of approaches to the study and understanding of these works.
The Lincoln Enigma
Author: Gabor Boritt
Publisher: Oxford University Press
ISBN: 0199923825
Category : History
Languages : en
Pages : 353
Book Description
In The Lincoln Enigma, Gabor Boritt invites renowned Lincoln scholars, and rising new voices, to take a look at much-debated aspects of Lincoln's life--including his possible gay relationships, his plan to send blacks back to Africa, and his high-handed treatment of the Constitution. Boritt explores Lincoln's proposals that looked to a lily-white America. Jean Baker marvels at Lincoln's loves and marriage. David Herbert Donald compares Lincoln and Jefferson Davis as Commanders-in-Chief. Douglas Wilson shows us the young Lincoln--not the strong leader of popular history, but a man who struggles to find his purpose. Gerald Prokopowicz searches for the military leader, William C. Harris for the peacemaker, and Robert Bruce meditates on Lincoln and death. In a final section Boritt and Harold Holzer offer a fascinating portfolio of Lincoln images in modern art. Acute and thought-provoking in their observations, this all-star cast of historians--including two Pulitzer and three Lincoln Prize winners--questions our assumptions of Lincoln, and provides a new vitality to our ongoing reflections on his life and legacy.
Publisher: Oxford University Press
ISBN: 0199923825
Category : History
Languages : en
Pages : 353
Book Description
In The Lincoln Enigma, Gabor Boritt invites renowned Lincoln scholars, and rising new voices, to take a look at much-debated aspects of Lincoln's life--including his possible gay relationships, his plan to send blacks back to Africa, and his high-handed treatment of the Constitution. Boritt explores Lincoln's proposals that looked to a lily-white America. Jean Baker marvels at Lincoln's loves and marriage. David Herbert Donald compares Lincoln and Jefferson Davis as Commanders-in-Chief. Douglas Wilson shows us the young Lincoln--not the strong leader of popular history, but a man who struggles to find his purpose. Gerald Prokopowicz searches for the military leader, William C. Harris for the peacemaker, and Robert Bruce meditates on Lincoln and death. In a final section Boritt and Harold Holzer offer a fascinating portfolio of Lincoln images in modern art. Acute and thought-provoking in their observations, this all-star cast of historians--including two Pulitzer and three Lincoln Prize winners--questions our assumptions of Lincoln, and provides a new vitality to our ongoing reflections on his life and legacy.
Abraham Lincoln and Robert Burns
Author: Ferenc Morton Szasz
Publisher: SIU Press
ISBN: 0809386933
Category : History
Languages : en
Pages : 269
Book Description
Today the images of Robert Burns and Abraham Lincoln are recognized worldwide, yet few are aware of the connection between the two. In Abraham Lincoln and Robert Burns: Connected Lives and Legends, author Ferenc Morton Szasz reveals how famed Scots poet Robert Burns—and Scotland in general—influenced the life and thought of one of the most beloved and important U.S. presidents and how the legends of the two men became intertwined after their deaths. This is the first extensive work to link the influence, philosophy, and artistry of these two larger-than-life figures. Lacking a major national poet of their own in the early nineteenth century, Americans in the fledgling frontier country ardently adopted the poignant verses and songs of Scotland’s Robert Burns. Lincoln, too, was fascinated by Scotland’s favorite son and enthusiastically quoted the Scottish bard from his teenage years to the end of his life. Szasz explores the ways in which Burns’s portrayal of the foibles of human nature, his scorn for religious hypocrisy, his plea for nonjudgmental tolerance, and his commitment to social equality helped shape Lincoln’s own philosophy of life. The volume also traces how Burns’s lyrics helped Lincoln develop his own powerful sense of oratorical rhythm, from his casual anecdotal stories to his major state addresses. Abraham Lincoln and Robert Burns connects the poor-farm-boy upbringings, the quasi-deistic religious views, the shared senses of destiny, the extraordinary gifts for words, and the quests for social equality of two respected and beloved world figures. This book is enhanced by twelve illustrations and two appendixes, which include Burns poems Lincoln particularly admired and Lincoln writings especially admired in Scotland.
Publisher: SIU Press
ISBN: 0809386933
Category : History
Languages : en
Pages : 269
Book Description
Today the images of Robert Burns and Abraham Lincoln are recognized worldwide, yet few are aware of the connection between the two. In Abraham Lincoln and Robert Burns: Connected Lives and Legends, author Ferenc Morton Szasz reveals how famed Scots poet Robert Burns—and Scotland in general—influenced the life and thought of one of the most beloved and important U.S. presidents and how the legends of the two men became intertwined after their deaths. This is the first extensive work to link the influence, philosophy, and artistry of these two larger-than-life figures. Lacking a major national poet of their own in the early nineteenth century, Americans in the fledgling frontier country ardently adopted the poignant verses and songs of Scotland’s Robert Burns. Lincoln, too, was fascinated by Scotland’s favorite son and enthusiastically quoted the Scottish bard from his teenage years to the end of his life. Szasz explores the ways in which Burns’s portrayal of the foibles of human nature, his scorn for religious hypocrisy, his plea for nonjudgmental tolerance, and his commitment to social equality helped shape Lincoln’s own philosophy of life. The volume also traces how Burns’s lyrics helped Lincoln develop his own powerful sense of oratorical rhythm, from his casual anecdotal stories to his major state addresses. Abraham Lincoln and Robert Burns connects the poor-farm-boy upbringings, the quasi-deistic religious views, the shared senses of destiny, the extraordinary gifts for words, and the quests for social equality of two respected and beloved world figures. This book is enhanced by twelve illustrations and two appendixes, which include Burns poems Lincoln particularly admired and Lincoln writings especially admired in Scotland.