Author: Andrew B.R. Elliott
Publisher: Edinburgh University Press
ISBN: 0748684034
Category : Reference
Languages : en
Pages : 240
Book Description
The Return of the Epic Film offers a fresh way of thinking about a body of films which has dominated our screens for a decade. With contributions from top scholars in the field, the collection adopts a range of interdisciplinary perspectives to explore the epic film in the twenty-first century.
Return of the Epic Film
Author: Andrew B.R. Elliott
Publisher: Edinburgh University Press
ISBN: 0748684034
Category : Reference
Languages : en
Pages : 240
Book Description
The Return of the Epic Film offers a fresh way of thinking about a body of films which has dominated our screens for a decade. With contributions from top scholars in the field, the collection adopts a range of interdisciplinary perspectives to explore the epic film in the twenty-first century.
Publisher: Edinburgh University Press
ISBN: 0748684034
Category : Reference
Languages : en
Pages : 240
Book Description
The Return of the Epic Film offers a fresh way of thinking about a body of films which has dominated our screens for a decade. With contributions from top scholars in the field, the collection adopts a range of interdisciplinary perspectives to explore the epic film in the twenty-first century.
Doniphan's Epic March
Author: Joseph G. Dawson
Publisher:
ISBN:
Category : History
Languages : en
Pages : 352
Book Description
In 1846-1847, a ragtag army of 800 American volunteers marched 3,500 miles across deserts and mountains, through Indian territory and into Mexico. There they handed the Mexican army one of its most demoralizing defeats and helped the United States win its first foreign war. Their leader Colonel Alexander Doniphan, also a volunteer, was a "natural soldier" of towering stature who became a national hero in the wake of his wartime exploits. Doniphan was a small-town Missouri lawyer untrained in military matters when he answered President Polk's call for volunteers in the war with Mexico. Working from a host of primary sources, Joseph Dawson focuses on Doniphan's extraordinary leadership and chronicles how the colonel and his 1st Missouri Mounted Regiment helped capture New Mexico and went on to invade Chihuahua. Contending with wildfires, sandstorms, poor provisions, and the threat of attack from Apaches, they eventually came face-to-face with the formidable cannon and cavalry of a much larger Mexican force. Yet, at the Battle of Sacramento, these hardy volunteers outflanked General Jose Heredia's army and claimed a stunning American victory on foreign soil. Dawson explores and analyzes the many facets of Doniphan's exploits, from the decision to proceed to Chihuahua in the wake of the Taos Revolt to the tactics that shaped his victory at Sacramento, describing that battle in heart-stopping detail. He tells how Doniphan's legal expertise enabled him to supervise America's first military government administering a conquered land at Santa Fe and highlights Doniphan's remarkable cooperation with U.S. Army officers at a time when antagonism typified relationships between volunteers and regulars. He also introduces readers to other key personalities of the campaign, from fellow officers Stephen W. Kearny and Meriwether L. Clark to James Kiker, the controversial scout whom Doniphan reluctantly trusted. Dawson's thorough account captures the expansionist mood of America in the mid-nineteenth century and helps us understand how American soldiers were motivated by the idea of Manifest Destiny. His portrait of Doniphan and his troops reinforces the importance of the citizen-soldier in American history and provides a new window on the war that changed forever the hopes and dreams of our border nations.
Publisher:
ISBN:
Category : History
Languages : en
Pages : 352
Book Description
In 1846-1847, a ragtag army of 800 American volunteers marched 3,500 miles across deserts and mountains, through Indian territory and into Mexico. There they handed the Mexican army one of its most demoralizing defeats and helped the United States win its first foreign war. Their leader Colonel Alexander Doniphan, also a volunteer, was a "natural soldier" of towering stature who became a national hero in the wake of his wartime exploits. Doniphan was a small-town Missouri lawyer untrained in military matters when he answered President Polk's call for volunteers in the war with Mexico. Working from a host of primary sources, Joseph Dawson focuses on Doniphan's extraordinary leadership and chronicles how the colonel and his 1st Missouri Mounted Regiment helped capture New Mexico and went on to invade Chihuahua. Contending with wildfires, sandstorms, poor provisions, and the threat of attack from Apaches, they eventually came face-to-face with the formidable cannon and cavalry of a much larger Mexican force. Yet, at the Battle of Sacramento, these hardy volunteers outflanked General Jose Heredia's army and claimed a stunning American victory on foreign soil. Dawson explores and analyzes the many facets of Doniphan's exploits, from the decision to proceed to Chihuahua in the wake of the Taos Revolt to the tactics that shaped his victory at Sacramento, describing that battle in heart-stopping detail. He tells how Doniphan's legal expertise enabled him to supervise America's first military government administering a conquered land at Santa Fe and highlights Doniphan's remarkable cooperation with U.S. Army officers at a time when antagonism typified relationships between volunteers and regulars. He also introduces readers to other key personalities of the campaign, from fellow officers Stephen W. Kearny and Meriwether L. Clark to James Kiker, the controversial scout whom Doniphan reluctantly trusted. Dawson's thorough account captures the expansionist mood of America in the mid-nineteenth century and helps us understand how American soldiers were motivated by the idea of Manifest Destiny. His portrait of Doniphan and his troops reinforces the importance of the citizen-soldier in American history and provides a new window on the war that changed forever the hopes and dreams of our border nations.
Richard Aldington
Author: Vivien Whelpton
Publisher: Lutterworth Press
ISBN: 071884551X
Category : Literary Criticism
Languages : en
Pages : 555
Book Description
The story of Richard Aldington, outstanding Imagist poet and author of the bestselling war novel Death of a Hero (1929), takes place against the backdrop of some of the most turbulent and creative years of the twentieth century. Vivien Whelpton provides a remarkably detailed and sensitive portrayal of the writer from the age of thirty-eight to his death from a heart attack in 1962. The first volume, Richard Aldington: Poet, Soldier and Lover, described Aldington's life as a stalwart of the pre-war London literary scene, his experience as an infantryman on the Western Front and his postwar personal and creative crises; this second volume seeks to balance the stories of Aldington's subsequent public and private lives through a careful reading of his novels, poems and letters with his circle of acquaintances. The ways in which Aldington's dysfunctional childhood and survivor's guilt continued to haunt him through the inter-war years and beyond are masterfully untangled by an authorwith gifted psychological insight into her subject. Volume Two covers Aldington's personal and public lives as he transformed himself from poet to novelist and from novelist to biographer and explores his debacles and triumphs, particularly in the wake of his hugely controversial attack on the reputation of T.E. Lawrence. This authoritative biography recounts the life of one of the most underrated writers of the last century.
Publisher: Lutterworth Press
ISBN: 071884551X
Category : Literary Criticism
Languages : en
Pages : 555
Book Description
The story of Richard Aldington, outstanding Imagist poet and author of the bestselling war novel Death of a Hero (1929), takes place against the backdrop of some of the most turbulent and creative years of the twentieth century. Vivien Whelpton provides a remarkably detailed and sensitive portrayal of the writer from the age of thirty-eight to his death from a heart attack in 1962. The first volume, Richard Aldington: Poet, Soldier and Lover, described Aldington's life as a stalwart of the pre-war London literary scene, his experience as an infantryman on the Western Front and his postwar personal and creative crises; this second volume seeks to balance the stories of Aldington's subsequent public and private lives through a careful reading of his novels, poems and letters with his circle of acquaintances. The ways in which Aldington's dysfunctional childhood and survivor's guilt continued to haunt him through the inter-war years and beyond are masterfully untangled by an authorwith gifted psychological insight into her subject. Volume Two covers Aldington's personal and public lives as he transformed himself from poet to novelist and from novelist to biographer and explores his debacles and triumphs, particularly in the wake of his hugely controversial attack on the reputation of T.E. Lawrence. This authoritative biography recounts the life of one of the most underrated writers of the last century.
Veiled Desires
Author: Maureen Sabine
Publisher: Fordham Univ Press
ISBN: 0823252116
Category : Performing Arts
Languages : en
Pages : 307
Book Description
Ingrid Bergman’s engaging screen performance as Sister Mary Benedict in The Bells of St. Mary’s made the film nun a star and her character a shining standard of comparison. She represented the religious life as the happy and rewarding choice of a modern woman who had a “complete understanding” of both erotic and spiritual desire. How did this vibrant and mature nun figure come to be viewed as girlish and naïve? Why have she and her cinematic sisters in postwar popular film so often been stereotyped or selectively analyzed, so seldom been seen as women and religious? In Veiled Desires—a unique full-length, in-depth look at nuns in film—Maureen Sabine explores these questions in a groundbreaking interdisciplinary study covering more than sixty years of cinema. She looks at an impressive breadth of films in which the nun features as an ardent lead character, including The Bells of St. Mary’s (1945), Black Narcissus (1947), Heaven Knows, Mr. Allison (1957), Sea Wife (1957), The Nun’s Story (1959), The Sound of Music (1965), Change of Habit (1969), In This House of Brede (1975), Agnes of God (1985), Dead Man Walking (1995), and Doubt (2008). Veiled Desires considers how the beautiful and charismatic stars who play chaste nuns, from Ingrid Bergman and Audrey Hepburn to Susan Sarandon and Meryl Streep, call attention to desires that the veil concealed and the habit was thought to stifle. In a theologically and psychoanalytically informed argument, Sabine responds to the critics who have pigeonholed the film nun as the obedient daughter and religious handmaiden of a patriarchal church, and the respectful audience who revered her as an icon of spiritual perfection. Sabine provides a framework for a more complex and holistic picture of nuns onscreen by showing how the films dramatize these women’s Christian call to serve, sacrifice, and dedicate themselves to God, and their erotic desire for intimacy, agency, achievement, and fulfillment.
Publisher: Fordham Univ Press
ISBN: 0823252116
Category : Performing Arts
Languages : en
Pages : 307
Book Description
Ingrid Bergman’s engaging screen performance as Sister Mary Benedict in The Bells of St. Mary’s made the film nun a star and her character a shining standard of comparison. She represented the religious life as the happy and rewarding choice of a modern woman who had a “complete understanding” of both erotic and spiritual desire. How did this vibrant and mature nun figure come to be viewed as girlish and naïve? Why have she and her cinematic sisters in postwar popular film so often been stereotyped or selectively analyzed, so seldom been seen as women and religious? In Veiled Desires—a unique full-length, in-depth look at nuns in film—Maureen Sabine explores these questions in a groundbreaking interdisciplinary study covering more than sixty years of cinema. She looks at an impressive breadth of films in which the nun features as an ardent lead character, including The Bells of St. Mary’s (1945), Black Narcissus (1947), Heaven Knows, Mr. Allison (1957), Sea Wife (1957), The Nun’s Story (1959), The Sound of Music (1965), Change of Habit (1969), In This House of Brede (1975), Agnes of God (1985), Dead Man Walking (1995), and Doubt (2008). Veiled Desires considers how the beautiful and charismatic stars who play chaste nuns, from Ingrid Bergman and Audrey Hepburn to Susan Sarandon and Meryl Streep, call attention to desires that the veil concealed and the habit was thought to stifle. In a theologically and psychoanalytically informed argument, Sabine responds to the critics who have pigeonholed the film nun as the obedient daughter and religious handmaiden of a patriarchal church, and the respectful audience who revered her as an icon of spiritual perfection. Sabine provides a framework for a more complex and holistic picture of nuns onscreen by showing how the films dramatize these women’s Christian call to serve, sacrifice, and dedicate themselves to God, and their erotic desire for intimacy, agency, achievement, and fulfillment.
Arctic Bibliography
Author: Arctic Institute of North America
Publisher:
ISBN:
Category : Arctic regions
Languages : en
Pages : 1526
Book Description
Publisher:
ISBN:
Category : Arctic regions
Languages : en
Pages : 1526
Book Description
The Palgrave Handbook of Music and Sound in Japanese Animation
Author: Marco Pellitteri
Publisher: Springer Nature
ISBN: 9819704294
Category :
Languages : en
Pages : 1107
Book Description
Publisher: Springer Nature
ISBN: 9819704294
Category :
Languages : en
Pages : 1107
Book Description
Bibliography of Agriculture
Cultural Convergence
Author: Ondřej Pilný
Publisher: Springer Nature
ISBN: 3030575624
Category : British literature
Languages : en
Pages : 258
Book Description
Based on extensive archival research, this open access book examines the poetics and politics of the Dublin Gate Theatre (est. 1928) over the first three decades of its existence, discussing some of its remarkable productions in the comparative contexts of avant-garde theatre, Hollywood cinema, popular culture, and the development of Irish-language theatre, respectively. The overarching objective is to consider the output of the Gate in terms of cultural convergence the dynamics of exchange, interaction, and acculturation that reveal the workings of transnational infrastructures.
Publisher: Springer Nature
ISBN: 3030575624
Category : British literature
Languages : en
Pages : 258
Book Description
Based on extensive archival research, this open access book examines the poetics and politics of the Dublin Gate Theatre (est. 1928) over the first three decades of its existence, discussing some of its remarkable productions in the comparative contexts of avant-garde theatre, Hollywood cinema, popular culture, and the development of Irish-language theatre, respectively. The overarching objective is to consider the output of the Gate in terms of cultural convergence the dynamics of exchange, interaction, and acculturation that reveal the workings of transnational infrastructures.
Writing for The New Yorker
Author: Green Fiona Green
Publisher: Edinburgh University Press
ISBN: 0748682511
Category : Literary Criticism
Languages : en
Pages : 231
Book Description
Original critical essays on an iconic American periodical, providing new insights into twentieth-century literary cultureThis collection of newly commissioned critical essays reads across and between New Yorker departments, from sports writing to short stories, cartoons to reporters at large, poetry to annals of business. Attending to the relations between these kinds of writing and the magazine's visual and material constituents, the collection examines the distinctive ways in which imaginative writing has inhabited the 'prime real estate' of this enormously influential periodical. In bringing together a range of sharply angled analyses of particular authors, styles, columns, and pages, this book offers multiple perspectives on American writing and periodical culture at specific moments in twentieth-century history.Key Features: Eleven new perspectives on major American writers, including Roth, Cheever, Plath, and Updike, in relation to their first publication contextsReconsiders modern and contemporary American writing and periodical culture, focusing critical attention on commercially successful 'smart' magazinesDraws on new research in The New Yorker's manuscript and digital archivesA distinctive combination of close critical reading and cultural analysis
Publisher: Edinburgh University Press
ISBN: 0748682511
Category : Literary Criticism
Languages : en
Pages : 231
Book Description
Original critical essays on an iconic American periodical, providing new insights into twentieth-century literary cultureThis collection of newly commissioned critical essays reads across and between New Yorker departments, from sports writing to short stories, cartoons to reporters at large, poetry to annals of business. Attending to the relations between these kinds of writing and the magazine's visual and material constituents, the collection examines the distinctive ways in which imaginative writing has inhabited the 'prime real estate' of this enormously influential periodical. In bringing together a range of sharply angled analyses of particular authors, styles, columns, and pages, this book offers multiple perspectives on American writing and periodical culture at specific moments in twentieth-century history.Key Features: Eleven new perspectives on major American writers, including Roth, Cheever, Plath, and Updike, in relation to their first publication contextsReconsiders modern and contemporary American writing and periodical culture, focusing critical attention on commercially successful 'smart' magazinesDraws on new research in The New Yorker's manuscript and digital archivesA distinctive combination of close critical reading and cultural analysis
St. Petersburg
Author: Jonathan Miles
Publisher: Simon and Schuster
ISBN: 1681777169
Category : History
Languages : en
Pages : 586
Book Description
Established in 1703 by the sheer will of its charismatic founder, the homicidal megalomaniac Peter the Great, St. Petersburg's dazzling yet unhinged reputation was quickly cemented by the sadistic dominion of its early rulers. This city, in its successive incarnations—St. Petersburg, Petrograd, Leningrad and, once again, St. Petersburg—has always been a place of perpetual contradiction.It was a window to Europe and the Enlightenment, but so much of Russia’s unique glory was also created here: its literature, music, dance, and, for a time, its political vision. It gave birth to the artistic genius of Pushkin and Dostoyevsky, Tchaikovsky and Shostakovich, Pavlova and Nureyev. Yet, for all its glittering palaces, fairytale balls and enchanting gardens, the blood of thousands has been spilt on its snow-filled streets.It has been a hotbed of war and revolution, a place of siege and starvation, and the crucible for Lenin and Stalin’s power-hungry brutality. In St. Petersburg, Jonathan Miles recreates the drama of three hundred years in this paradoxical and brilliant city, bringing us up to the present day, when its fate hangs in the balance once more.
Publisher: Simon and Schuster
ISBN: 1681777169
Category : History
Languages : en
Pages : 586
Book Description
Established in 1703 by the sheer will of its charismatic founder, the homicidal megalomaniac Peter the Great, St. Petersburg's dazzling yet unhinged reputation was quickly cemented by the sadistic dominion of its early rulers. This city, in its successive incarnations—St. Petersburg, Petrograd, Leningrad and, once again, St. Petersburg—has always been a place of perpetual contradiction.It was a window to Europe and the Enlightenment, but so much of Russia’s unique glory was also created here: its literature, music, dance, and, for a time, its political vision. It gave birth to the artistic genius of Pushkin and Dostoyevsky, Tchaikovsky and Shostakovich, Pavlova and Nureyev. Yet, for all its glittering palaces, fairytale balls and enchanting gardens, the blood of thousands has been spilt on its snow-filled streets.It has been a hotbed of war and revolution, a place of siege and starvation, and the crucible for Lenin and Stalin’s power-hungry brutality. In St. Petersburg, Jonathan Miles recreates the drama of three hundred years in this paradoxical and brilliant city, bringing us up to the present day, when its fate hangs in the balance once more.