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Author: J. Hoberman Publisher: Princeton University Press ISBN: 9780691113012 Category : Performing Arts Languages : en Pages : 334
Book Description
Entertaining America is a captivating look at one of the longest-running and most provocative public discussions in America: the relationship between the nation's Jews and its entertainment media. This colorfully written, lavishly illustrated book surveys how Jews have participated in--and been identified with--American movies, radio, and television from the nickelodeon era at the turn of the twentieth century to the present day. Throughout, the tone is lively, the design is playful, and key points are visually enhanced by stills, publicity photos, and memorabilia. This anthology of original analyses and primary texts covers a wide range of topics, including the multiple versions of The Jazz Singer, the saga of the Hollywood movie moguls, the irrepressible Goldbergs of radio and television fame, the representation of the Holocaust, how Charlie Chaplin and other non-Jewish stars became "virtual Jews," and the dazzling success of the television series Seinfeld. There is also an illustrated gallery of more than twenty Jewish-American stars from Theda Bara to Adam Sandler. The principal authors, J. Hoberman and Jeffrey Shandler, examine not only the history of Jews in the industry but also the steady stream of richly varied voices that have had something to say about this history--in fan magazines as well as literary fiction, by religious and political leaders as well as journalists, historians, and Jews in the entertainment business themselves. Entertaining America, which accompanies an exhibition opening at The Jewish Museum, is itself tremendously entertaining while providing the most expansive, authoritative look at this fascinating subject. In its pages, readers will find ample material to help them formulate their own responses to this frank, contentious, multilayered discussion. EXHIBITION SCHEDULE The Jewish Museum, New York February 21 - September 14, 2003 The Jewish Museum of Maryland, Baltimore October 16, 2003 - January 18, 2004
Author: J. Hoberman Publisher: Princeton University Press ISBN: 9780691113012 Category : Performing Arts Languages : en Pages : 334
Book Description
Entertaining America is a captivating look at one of the longest-running and most provocative public discussions in America: the relationship between the nation's Jews and its entertainment media. This colorfully written, lavishly illustrated book surveys how Jews have participated in--and been identified with--American movies, radio, and television from the nickelodeon era at the turn of the twentieth century to the present day. Throughout, the tone is lively, the design is playful, and key points are visually enhanced by stills, publicity photos, and memorabilia. This anthology of original analyses and primary texts covers a wide range of topics, including the multiple versions of The Jazz Singer, the saga of the Hollywood movie moguls, the irrepressible Goldbergs of radio and television fame, the representation of the Holocaust, how Charlie Chaplin and other non-Jewish stars became "virtual Jews," and the dazzling success of the television series Seinfeld. There is also an illustrated gallery of more than twenty Jewish-American stars from Theda Bara to Adam Sandler. The principal authors, J. Hoberman and Jeffrey Shandler, examine not only the history of Jews in the industry but also the steady stream of richly varied voices that have had something to say about this history--in fan magazines as well as literary fiction, by religious and political leaders as well as journalists, historians, and Jews in the entertainment business themselves. Entertaining America, which accompanies an exhibition opening at The Jewish Museum, is itself tremendously entertaining while providing the most expansive, authoritative look at this fascinating subject. In its pages, readers will find ample material to help them formulate their own responses to this frank, contentious, multilayered discussion. EXHIBITION SCHEDULE The Jewish Museum, New York February 21 - September 14, 2003 The Jewish Museum of Maryland, Baltimore October 16, 2003 - January 18, 2004
Author: Michael Eric Dyson Publisher: St. Martin's Press ISBN: 1250135982 Category : Biography & Autobiography Languages : en Pages : 256
Book Description
From the New York Times bestselling author of Tears We Cannot Stop "Entertaining Race is a splendid way to spend quality time reading one of the most remarkable thinkers in America today." —Speaker Nancy Pelosi "To read Entertaining Race is to encounter the life-long vocation of a teacher who preaches, a preacher who teaches and an activist who cannot rest until all are set free." —Senator Reverend Raphael Warnock For more than thirty years, Michael Eric Dyson has played a prominent role in the nation as a public intellectual, university professor, cultural critic, social activist and ordained Baptist minister. He has presented a rich and resourceful set of ideas about American history and culture. Now for the first time he brings together the various components of his multihued identity and eclectic pursuits. Entertaining Race is a testament to Dyson’s consistent celebration of the outsized impact of African American culture and politics on this country. Black people were forced to entertain white people in slavery, have been forced to entertain the idea of race from the start, and must find entertaining ways to make race an object of national conversation. Dyson’s career embodies these and other ways of performing Blackness, and in these pages, ranging from 1991 to the present, he entertains race with his pen, voice and body, and occasionally, alongside luminaries like Cornel West, David Blight, Ibram X. Kendi, Master P, MC Lyte, Ta-Nehisi Coates, Alicia Garza, John McWhorter, and Jordan Peterson. Most of this work will be new to readers, a fresh light for many of his long-time fans and an inspiring introduction for newcomers. Entertaining Race offers a compelling vision from the mind and heart of one of America’s most important and enduring voices.
Author: Rosa Pryor-Trusty Publisher: Arcadia Publishing ISBN: 9780738515137 Category : History Languages : en Pages : 134
Book Description
African-American Entertainment in Baltimore captures the brilliance of the city's musical heritage from 1930 to 1980. This educational and entertaining volume invites readers to take a visual trip down memory lane to the days when Pennsylvania Avenue, the heart of the city's African-American community, vibrated with life. Celebrated within these pages are entertainers such as The Ink Spots, Sonny Til & the Orioles, Illinois Jacquet, Cab Calloway, Lionel Hampton, Sammy Davis Jr., Slappy White, Pearl Bailey, Billie Holiday, and Ella Fitzgerald; The Avenue's hottest nightspots and theaters including the legendary Royal Theater, The Regent Theater, the Sphinx, and Club Casino; and the DJs and promoters who helped cultivate the city's musical talents.
Author: Stacy Takacs Publisher: University Press of Kansas ISBN: 0700618384 Category : Social Science Languages : en Pages : 344
Book Description
The Fox-TV series 24 might have been in production long before its premier just two months after 9/11, but its storyline—and that of many other television programs—has since become inextricably embedded in the nation's popular consciousness. This book marks the first comprehensive survey and analysis of War on Terror themes in post-9/11 American television, critiquing those shows that—either blindly or intentionally—supported the Bush administration's security policies. Stacy Takacs focuses on the role of entertainment programming in building a national consensus favoring a War on Terror, taking a close look at programs that comment both directly and allegorically on the post-9/11 world. In show after show, she chillingly illustrates how popular television helped organize public feelings of loss, fear, empathy, and self-love into narratives supportive of a controversial and unprecedented war. Takacs examines a spectrum of program genres—talk shows, reality programs, sitcoms, police procedurals, male melodramas, war narratives—to uncover the recurrent cultural themes that helped convince Americans to invade Afghanistan and Iraq and compromise their own civil liberties. Spanning the past decade of the ongoing conflict, she reviews not only key touchstones of post-9/11 popular culture such as 24, Rescue Me, and Sleeper Cell, but also less remarked-upon but relevant series like JAG, Off to War, Six Feet Under, and Jericho. She also considers voices of dissent that have emerged through satirical offerings like The Daily Show and science fiction series such as Lost and Battlestar Galactica. Takacs dissects how the War on Terror has been broadcast into our living rooms in programs that routinely offer simplistic answers to important questions—Who exactly are we fighting? Why do they hate us?—and she examines the climate of fear and paranoia they've created. Unlike cultural analyses that view the government's courting of Hollywood as a conspiracy to manipulate the masses, her book considers how economic and industry considerations complicate state-media relations throughout the era. Terrorism TV offers fresh insight into how American television directly and indirectly reinforced the Bush administration's security agenda and argues for the continued importance of the medium as a tool of collective identity formation. It is an essential guide to the televisual landscape of American consciousness in the first decade of the twenty-first century.
Author: Janet M. Davis Publisher: Univ of North Carolina Press ISBN: 0807861499 Category : Performing Arts Languages : en Pages : 350
Book Description
A century ago, daily life ground to a halt when the circus rolled into town. Across America, banks closed, schools canceled classes, farmers left their fields, and factories shut down so that everyone could go to the show. In this entertaining and provocative book, Janet Davis links the flowering of the early-twentieth-century American railroad circus to such broader historical developments as the rise of big business, the breakdown of separate spheres for men and women, and the genesis of the United States' overseas empire. In the process, she casts the circus as a powerful force in consolidating the nation's identity as a modern industrial society and world power. Davis explores the multiple "shows" that took place under the big top, from scripted performances to exhibitions of laborers assembling and tearing down tents to impromptu spectacles of audiences brawling, acrobats falling, and animals rampaging. Turning Victorian notions of gender, race, and nationhood topsy-turvy, the circus brought its vision of a rapidly changing world to spectators--rural as well as urban--across the nation. Even today, Davis contends, the influence of the circus continues to resonate in popular representations of gender, race, and the wider world.
Author: Andrea Most Publisher: NYU Press ISBN: 0814708196 Category : History Languages : en Pages : 305
Book Description
“Makes new sense of aspects of popular culture we have all grown up with and thought we knew only too well. Most bridges religious studies and theater, political theory and American studies, high criticism and middlebrow performance. Her book will help us see better how Jews and their Jewishness did not merely ‘enter’ American popular culture, but did so much to invent it.”—Jonathan Boyarin Leonard and Tobee Kaplan Distinguished Professor of Modern Jewish Thought, University of North Carolina For centuries, Jews were one of the few European cultures without any official public theatrical tradition. Yet in the modern era, Jews were among the most important creators of popular theater and film–especially in America. Why? In Theatrical Liberalism, Andrea Most illustrates how American Jews used the theatre and other media to navigate their encounters with modern culture, politics, religion, and identity, negotiating a position for themselves within and alongside Protestant American liberalism by reimagining key aspects of traditional Judaism as theatrical. Discussing works as diverse as the Hebrew Bible, The Jazz Singer, and Death of a Salesman—among many others—Most situates American popular culture in the multiple religious traditions that informed the worldviews of its practitioners. Offering a comprehensive history of the role of Judaism in the creation of American entertainment, Theatrical Liberalism re-examines the distinction between the secular and the religious in both Jewish and American contexts, providing a new way of understanding Jewish liberalism and its place in a pluralist society. With extensive scholarship and compelling evidence, Theatrical Liberalism shows how the Jewish worldview that permeates American culture has reached far beyond the Jews who created it.
Author: LeRoy Ashby Publisher: University Press of Kentucky ISBN: 081314132X Category : History Languages : en Pages : 475
Book Description
Popular culture is a central part of everyday life to many Americans. Personalities such as Elvis Presley, Oprah Winfrey, and Michael Jordan are more recognizable to many people than are most elected officials. With Amusement for All is the first comprehensive history of two centuries of mass entertainment in the United States, covering everything from the penny press to Playboy, the NBA to NASCAR, big band to hip hop, and other topics including film, comics, television, sports, dance, and music. Paying careful attention to matters of race, gender, class, technology, economics, and politics, LeRoy Ashby emphasizes the complex ways in which popular culture simultaneously reflects and transforms American culture, revealing that the world of entertainment constantly evolves as it tries to meet the demands of a diverse audience. Trends in popular entertainment often reveal the tensions between competing ideologies, appetites, and values in American society. For example, in the late nineteenth century, Americans embraced "self-made men" such as John D. Rockefeller and Andrew Carnegie: the celebrities of the day were circus tycoons P.T. Barnum and James A. Bailey, Wild West star "Buffalo Bill" Cody, professional baseball organizer Albert Spalding, and prizefighter John L. Sullivan. At the same time, however, several female performers challenged traditional notions of weak, frail Victorian women. Adah Isaacs Menken astonished crowds by wearing tights that made her appear nude while performing dangerous stunts on horseback, and the shows of the voluptuous burlesque group British Blondes often centered on provocative images of female sexual power and dominance. Ashby describes how history and politics frequently influence mainstream entertainment. When Native Americans, blacks, and other non-whites appeared in the nineteenth-century circuses and Wild West shows, it was often to perpetuate demeaning racial stereotypes—crowds jeered Sitting Bull at Cody's shows. By the early twentieth century, however, black minstrel acts reveled in racial tensions, reinforcing stereotypes while at the same time satirizing them and mocking racist attitudes before a predominantly white audience. Decades later, Red Foxx and Richard Pryor's profane comedy routines changed American entertainment. The raw ethnic material of Pryor's short-lived television show led to a series of African-American sitcoms in the 1980s that presented common American experiences—from family life to college life—with black casts. Mainstream entertainment has often co-opted and sanitized fringe amusements in an ongoing process of redefining the cultural center and its boundaries. Social control and respectability vied with the bold, erotic, sensational, and surprising, as entrepreneurs sought to manipulate the vagaries of the market, control shifting public appetites, and capitalize on campaigns to protect public morals. Rock 'n Roll was one such fringe culture; in the 1950s, Elvis blurred gender norms with his androgynous style and challenged conventions of public decency with his sexually-charged performances. By the end of the 1960s, Bob Dylan introduced the social consciousness of folk music into the rock scene, and The Beatles embraced hippie counter-culture. Don McLean's 1971 anthem "American Pie" served as an epitaph for rock's political core, which had been replaced by the spectacle of hard rock acts such as Kiss and Alice Cooper. While Rock 'n Roll did not lose its ability to shock, in less than three decades it became part of the established order that it had originally sought to challenge. With Amusement for All provides the context to what Americans have done for fun since 1830, showing the reciprocal nature of the relationships between social, political, economic, and cultural forces and the way in which the entertainment world has reflected, refracted, or reinforced the values those forces represent in America.
Author: Matt Kracht Publisher: Chronicle Books ISBN: 1452177392 Category : Humor Languages : en Pages : 178
Book Description
National bestselling book: Featured on Midwest, Mountain Plains, New Atlantic, Northern, Pacific Northwest and Southern Regional Indie Bestseller Lists Perfect book for the birder and anti-birder alike A humorous look at 50 common North American dumb birds: For those who have a disdain for birds or bird lovers with a sense of humor, this snarky, illustrated handbook is equal parts profane, funny, and—let's face it—true. Featuring common North American birds, such as the White-Breasted Butt Nugget and the Goddamned Canada Goose (or White-Breasted Nuthatch and Canada Goose for the layperson), Matt Kracht identifies all the idiots in your backyard and details exactly why they suck with humorous, yet angry, ink drawings. With The Field Guide to Dumb Birds of North America, you won't need to wonder what all that racket is anymore! • Each entry is accompanied by facts about a bird's (annoying) call, its (dumb) migratory pattern, its (downright tacky) markings, and more. • The essential guide to all things wings with migratory maps, tips for birding, musings on the avian population, and the ethics of birdwatching. • Matt Kracht is an amateur birder, writer, and illustrator who enjoys creating books that celebrate the humor inherent in life's absurdities. Based in Seattle, he enjoys gazing out the window at the beautiful waters of Puget Sound and making fun of birds. "There are loads of books out there for bird lovers, but until now, nothing for those that love to hate birds. The Field Guide to Dumb Birds of North America fills the void, packed with snarky illustrations that chastise the flying animals in a funny, profane way. " – Uncrate A humorous animal book with 50 common North American birds for people who love birds and also those who love to hate birds • A perfect coffee table or bar top conversation-starting book • Makes a great Mother's Day, Father's Day, birthday, or retirement gift
Author: J. Hoberman
Author: J. Hoberman
Author: Michael Eric Dyson
Author: Rosa Pryor-Trusty
Author: Stacy Takacs
Author: Janet M. Davis
Author: Kristin Thompson
Author: Andrea Most
Author: Donna R. Braden
Author: LeRoy Ashby
Author: Matt Kracht