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Author: Harri Veivo Publisher: Walter de Gruyter GmbH & Co KG ISBN: 311056923X Category : Literary Criticism Languages : en Pages : 424
Book Description
The effort to go beyond given knowledge in different domains – artistic, scientific, political, metaphysical – is a characteristic driving force in modernism and the avant-gardes. Since the late 19th century, artists and writers have frequently investigated their medium and its limits, pursued political and religious aims, and explored hitherto unknown physical, social and conceptual spaces, often in ways that combine these forms of critical inquiry into one and provoke further theoretical and methodological innovations. The fifth volume of the EAM series casts light on the history and actuality of investigations, quests and explorations in the European avant-garde and modernism from the late 19th century to the present day. The authors seek to answer questions such as: How have modernism and the avant-garde appropriated scientific knowledge, religious dogmas and social conventions, pursuing their investigation beyond the limits of given knowledge and conceptions? How have modernism and avant-garde created new conceptual models or representations where other discourses have allegedly failed? In what ways do practises of investigation, quest or exploration shape artistic work or the formal and thematic structures of artworks?
Author: Harri Veivo Publisher: Walter de Gruyter GmbH & Co KG ISBN: 311056923X Category : Literary Criticism Languages : en Pages : 424
Book Description
The effort to go beyond given knowledge in different domains – artistic, scientific, political, metaphysical – is a characteristic driving force in modernism and the avant-gardes. Since the late 19th century, artists and writers have frequently investigated their medium and its limits, pursued political and religious aims, and explored hitherto unknown physical, social and conceptual spaces, often in ways that combine these forms of critical inquiry into one and provoke further theoretical and methodological innovations. The fifth volume of the EAM series casts light on the history and actuality of investigations, quests and explorations in the European avant-garde and modernism from the late 19th century to the present day. The authors seek to answer questions such as: How have modernism and the avant-garde appropriated scientific knowledge, religious dogmas and social conventions, pursuing their investigation beyond the limits of given knowledge and conceptions? How have modernism and avant-garde created new conceptual models or representations where other discourses have allegedly failed? In what ways do practises of investigation, quest or exploration shape artistic work or the formal and thematic structures of artworks?
Author: Magdalena Elisabeth Korecka Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3111299333 Category : Literary Criticism Languages : en Pages : 298
Book Description
This book's goal is to determine the significance of visual culture in the production of contemporary poetry and to sound out the insights poetry might generate into contemporary visual culture. Its main hypothesis is that poetry holds considerable potential for (post-)digital language, image, and media criticism. The visual dimensions of recent poetry encompass, for instance, kinetic writing in digital poetry, visual elements in social media poems, and (spoken and written) text-image interactions in poetry films as well as in book poetry. The articles examine these medial correlations and their political implications by asking how visual culture is applied, exposed, and debated in poetry. This volume brings together contributions by authors from various countries working in disciplines such as literary, media, and film studies, linguistics, cultural and visual culture studies, and in poetic practice. It covers poetry in English, German, Norwegian, Polish, Ukrainian, Russian, Serbian, and also multilingual works. The book thus aims to promote international exchange between poetry researchers and stimulate further investigation into current relations between poetry and visuality from additional research perspectives and languages.
Author: Silke Petersen Publisher: BRILL ISBN: 9047433246 Category : Religion Languages : en Pages : 410
Book Description
This study considers the “I am” sayings in the Gospel of John, interpreted in the context of their reception in late antiquity. It takes an intertextual approach, considering both inner-biblical parallels and extra-biblical texts, which have been much neglected in recent Johannine scholarship. A comparative analysis of the “I am” formula is complemented by the consideration of the metaphors of the predicative “I am” words, focussing particularly on the use of "bread", "light" and "vine" and the context of these metaphors in the Gospel of John and elsewhere. This discussion demonstrates that Johannine Christology is profoundly incarnational. *** Gegenstand der vorliegenden Untersuchung sind die Ich-bin-Worte des Johannesevangeliums. Diese werden in ihrem spätantiken Lese- und Rezeptionskontext interpretiert, wobei die Intertextualitätstheorie als methodische Basis dient und auch außerbiblische Schriften zum Vergleich herangezogen werden, die in der Forschung der vergangenen Jahrzehnte kaum berücksichtigt worden sind. Ergänzend zur vergleichenden Untersuchung der Formel "Ich bin..." werden die prädikativen Ich-bin-Worte als Metaphoren näher bestimmt und exemplarisch drei ausgewählte Prädikationen, nämlich "Brot", "Licht" und "Weinstock" in ihrem jeweiligen Kontext analysiert. Dabei wird deutlich, dass die johanneische Christologie primär als Inkarnationchristologie zu verstehen ist.
Author: Publisher: BRILL ISBN: 9004333703 Category : History Languages : en Pages : 349
Book Description
Zwischen dem Komischen und dem Avantgardistischen gibt es Parallelen, die bislang kaum von der Forschung gewürdigt wurden, in diesem Band aber erstmals im Mittelpunkt stehen. In 19 Beiträgen werden strukturelle, konzeptionelle und personelle Beziehungen zwischen den beiden scheinbar gegensätzlichen Phänomenen an repräsentativen Beispielen aus der französischen, italienischen, spanischen, deutschen und niederländischen Literatur vom Ende des 19. bis zum Ende des 20. Jahrhunderts untersucht. Die Beiträge reichen von der italienischen Scapigliatura über Futurismus, Dadaismus, Expressionismus und Surrealismus bis hin zu Pataphysik, Oulipo und neoavantgardistischen Texten. Auf diese Weise kommen Autoren, Bewegungen und Aspekte, die bisher zu wenig beachtet wurden, in den Blick, bekannte erscheinen in neuem Licht, und auch die beiden Begriffe Avantgarde und Komik gewinnen an Schärfe. Denn weder ist der avantgardistische Impuls auf die sogenannten historischen Avantgarden zu beschränken noch verbleiben komische Verfahren im Harmlosen: Beide überschreiten Grenzen, die es ständig neu zu reflektieren gilt.
Author: Harri Veivo
Author: Harri Veivo
Author: Henri Broms
Author: Magdalena Elisabeth Korecka
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Author: Silke Petersen
Author: Peter Paul Schnierer
Author: Walter A. Koch
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