James Ensor PDF Download

Author: James N. Elesh
Publisher:
ISBN: 9780898350005
Category :
Languages : en
Pages : 267

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Author: Luc Tuymans
Publisher: Royal Academy Books
ISBN: 9781910350454
Category : Art
Languages : en
Pages : 176

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Book Description
The theatrical, the satirical and the macabre come together in arresting fashion in the art of James Ensor. He was very successful in his lifetime and exerted considerable influence on the development of Expressionism. An innovator and an outsider, he rebelled against the conservative art teachings of the late 19th century academy in Brussels, drawn instead to the avant-garde salons where his radical creative vision could thrive. The imagery of masks and carnivals runs through much of his work, from vibrant colours and flamboyant costumes to an ever-present sense of drama and satire. Curated by Luc Tuymans, this exhibition will present a truly original body of work, seen through the eyes of one of today's leading painters. Tuymans will look back at Ensor's singular career through a selection of his most bizarrely brilliant and gloriously surreal creations. Exhibition: Royal Academy of Arts, London, Great Britain (29.10.2016 - 29.01.2017).

Author: Xavier Tricot
Publisher:
ISBN: 9780300253979
Category : Belgium artists
Languages : en
Pages : 0

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A Belgian of British origin, James Ensor (1860-1949) is without doubt one of the most complex artists of the second half of the nineteenth century. Without masters or disciples, the completely independent artist broke free from the era's artistic currents as he shifted cultural markers and tested the boundaries of visual arts. When he painted his first pieces, Impressionism reigned over Europe. In the same way as Van Gogh, Gauguin and Munch, James Ensor offers a radically novel vision without equivalent in the modern art of the late nineteenth century. Although James Ensor draws his inspiration from the Bible and historical writings, scholarly reference books and popular magazines, his own fantasies constantly feed his visual language. Unquestionably, carnival masks and skeletons have become his emblems. The concurrently enigmatic and prolific artist drew, engraved and painted still lives, portraits, landscapes, caricatures, as well as fantasy and religious scenes. A true anarchist at heart, he broached satirical, political, religious and historical themes with equal ease. Articulated like a biography, this book based on excerpts from unpublished letters offers an insight into the unusual life of an artist and his greatest masterpieces.

Author: John Ensor
Publisher: Crossway
ISBN: 1433519593
Category : Religion
Languages : en
Pages : 162

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There is a radical, biblical alternative to much of what is taught and practiced today regarding relationships. Doing Things Right in Matters of the Heart presents a bold plan for escaping the swift currents of contemporary patterns of hooking up, shacking up, and breaking up. It draws a compelling vision of complementarity between the sexes. It instructs men on what to do and informs women on what to look for in their mutual pursuit of a healthy, tender, long-term relationship.

Author: Patricia G. Berman
Publisher: Getty Publications
ISBN: 9780892366415
Category : Art
Languages : en
Pages : 120

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The brash young artist James Ensor painted Christ's Entry into Brussels in 1889 during a period of extraordinary artistic and political fomentation in his native Belgium. It is one of the most dazzling, innovative, and perplexing paintings created in Europe in the late nineteenth century, rivaling any work of its period in audacity and ambition. Huge in scale, complex in design and execution, and brimming with social commentary, the startling canvas presents a scene filled with clowns, masked figures, and--barely visible amid the swirling crowds--the tiny figure of Christ on a donkey entering the city of Brussels. This insightful volume examines the painting in light of Belgium's rich artistic, social, political, and theological debates in the late nineteenth century, and in the context of James Ensor's exceptional career, in order to decipher some of the painting's messages and meanings.

Author: James Ensor
Publisher: Getty Publications
ISBN: 9780892365524
Category : Art
Languages : en
Pages : 40

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"The Superhuman Crew" brings together two visionary works of art--Ensor's masterpiece, "Christ's Entry intro Bussels in 1889" and Dylan's "Desolation Row"--in a surprising, thought-provoking format. 48 color illustrations.

Author: Susan M. Canning
Publisher: Bloomsbury Publishing USA
ISBN: 1501339230
Category : Art
Languages : en
Pages : 313

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Book Description
“Vive la Sociale”: This rousing, revolutionary statement, written on a bright red banner across the top of James Ensor's Christ's Entry into Brussels in 1889, served as a visual manifesto and call to action by the Belgian artist (1860-1949), one that announced with an insistent, public voice the centrality of his art practice to the cultural discourse of modern Belgium. This provocative declaration serves as the title for this new study of Ensor's art focusing on its social discourse and the artist's interaction with and at times satirical encounter with his contemporary milieu. Rather than the alienated and traumatized Expressionist given preference in modern art history, Ensor is presented here as an artist of agency and purpose whose art practice engaged the issues and concerns of middle class Belgian life, society and politics and was informed by the values and class, race and gendered perspectives of his time. Ensor's radical vision and oppositional strategy of resistance, self-fashioning and performance remains relevant. This book with its timely, nuanced reading of the art and career of this often misunderstood “artist's artist”, invites a re-evaluation not only of Ensor's social context and expressive critique but also his unique contribution to modernist art practice.

Author: Theresa Papanikolas
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 96

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A sharp send-up of authoritarian hubris--in which bloated, self-satisfied, bare-bottomed public officials excrete a foul diet literally to be swallowed by the masses--the etching "Doctrinal Nourishment" (1889/95) is one of Belgian artist James Ensor's most politically scathing works. Through a close reading of this print in its political context, curator Theresa Papanikolas traces how Ensor's youthful immersion in Belgian anarchist circles led him to develop violent and grotesque imagery through which he hoped to expose the incompetence of unchecked authority and indict a society in crisis. This well-illustrated volume also puts Ensor's work into art-historical context by juxtaposing examples of French Romanticism, German Expressionism and Dada by a variety of artists, including Honoré Daumier, Félicien Rops, George Grosz and Otto Dix.

Author: John Ensor
Publisher: Cruciform Press
ISBN: 1936760312
Category : Religion
Languages : en
Pages : 81

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Book Description
The gospel of Christ is the gospel of life, and the Christian's defining reality. Yet the shedding of innocent blood, primarily through abortion, has now marked an entire generation. Innocent Blood explores a series of questions so as to reveal vital connections between the gospel and the call to defend the unborn. These questions include: What does the Bible mean when it says that "life is in the blood"? What does the Bible say about blood-guilt? How is it that we are all stained by it and accountable for it even though few of us have taken a human life? What remedy does God provide for the guilt of shedding innocent blood? What are we to do when confronted with the shedding of innocent blood, and where does our courage to take action come from? What is the link between protecting the innocent and proclaiming good news to the guilty? Not a book on social issues per se, nor a book on missions, Innocent Blood integrates the two and calls us to courageously challenge the powers of death with the gospel of life.

Author: Bradley E. Ensor
Publisher: University of Arizona Press
ISBN: 0816599262
Category : Social Science
Languages : en
Pages : 391

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Archaeology has been subjected to a wide range of misunderstandings of kinship theory and many of its central concepts. Demonstrating that kinship is the foundation for past societies’ social organization, particularly in non-state societies, Bradley E. Ensor offers a lucid presentation of kinship principles and theories accessible to a broad audience. He provides not only descriptions of what the principles entail but also an understanding of their relevance to past and present topics of interest to archaeologists. His overall goal is always clear: to illustrate how kinship analysis can advance archaeological interpretation and how archaeology can advance kinship theory. The Archaeology of Kinship supports Ensor’s objectives: to demonstrate the relevance of kinship to major archaeological questions, to describe archaeological methods for kinship analysis independent of ethnological interpretation, to illustrate the use of those techniques with a case study, and to provide specific examples of how diachronic analyses address broader theory. As Ensor shows, archaeological diachronic analyses of kinship are independently possible, necessary, and capable of providing new insights into past cultures and broader anthropological theory. Although it is an old subject in anthropology, The Archaeology of Kinship can offer new and exciting frontiers for inquiry. Kinship research in general—and prehistoric kinship in particular—is rapidly reemerging as a topical subject in anthropology. This book is a timely archaeological contribution to that growing literature otherwise dominated by ethnology.