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Author: B. Overton Publisher: Springer ISBN: 0230593461 Category : Literary Criticism Languages : en Pages : 313
Book Description
This is the first book to cover the whole range of epistolary verse in the period, including the discursive type favoured by Pope and the familiar and dramatic epistles. It advances a new model for defining the form, demonstrates the form's importance in the period, and pays attention to non-canonical epistles by women and labouring-class writers.
Author: B. Overton Publisher: Springer ISBN: 0230593461 Category : Literary Criticism Languages : en Pages : 313
Book Description
This is the first book to cover the whole range of epistolary verse in the period, including the discursive type favoured by Pope and the familiar and dramatic epistles. It advances a new model for defining the form, demonstrates the form's importance in the period, and pays attention to non-canonical epistles by women and labouring-class writers.
Author: Bernard Mandeville Publisher: A&C Black ISBN: 9781855066137 Category : Social Science Languages : en Pages : 280
Book Description
"This edition can therefore be regarded as the most important republication of a Mandeville text in the last few decades, and should be required reading for anyone seriously concerned to understand the growth of his challenging ideas. " —Professor Irwin Primer in History of Political Thought Volume XXI Issue 4 "Mandeville's contributions to The Female Tatler are almost unknown but they are of fundamental importance for understanding The Fable of the Bees and a social theory that was to be of central importance to the Enlightenment's conception of modernity. The letters belong to the polemical world of early eighteenth-century journalism and have the energy, intelligence and gaiety characteristic of Grub Street at its best. They deal with many of the subjects which Mandeville was to make his own. Unexpectedly and excitedly, they also show how closely his thinking about society was bound up with his interest in the position in contemporary society. Vintage Mandeville, in fact." —Professor Nicholas Phillipson This book collects for the first time since their original publication the 32 papers which Bernard Mandeville (1670-1733), author of The Fable of the Bees (1st ed., 1714), contributed to The Female Tatler (1709-10), one of the many imitators of Richard Steele's Tatler. In these papers, Mandeville's protagonists, the sisters Lucinda and Artesia, discuss and debate the origin and basis of human society and its progress, honour and courage, the value of a life devoted to making money, and most importantly, the position and the virtues of women. The essays are fully annotated, providing significant information about Mandeville's sources and identifying historical and literary references. The volume also includes a substantive introduction by Maurice Goldsmith, a leading expert on Mandeville, explaining the relation of the papers to the social thought of the period and the development of Mandeville's views. The Female Tatler essays systematically address themes further developed in The Fable of the Bees, a work very widely read in the eighteenth century and which was a stimulus to the theories of (among others) David Hume and Adam Smith. The collection will be of interest to scholars of eighteenth-century English literature, history, political and economic thought, women's studies and philosophy. —first publication of these essays since the eighteenth century and the only available edition —extended debate on female virtue is an important element in the development of feminism —Mandeville's defence of luxury and consumption is significant in the history of the discussion of commercial society and capitalism
Author: D. L. Wilson Publisher: Princeton University Press ISBN: 1400860091 Category : History Languages : en Pages : 263
Book Description
This work is a new edition of Thomas Jefferson's literary commonplace book, a notebook of his literary and philosophical reading. Unlike the only previous edition, published in 1928, it contains full annotation, pertinent information on the authors and works commonplaced, and a rationale for dating the entries. Thus it is now possible to show that most of the four hundred seven passages were entered when Jefferson was a young man, between the ages of fifteen and thirty. As such, they reflect the range of his literary interests from his school days to about the time of his marriage and involvement in politics. As one of the few surviving documents from Jefferson's early years, this notebook assumes special importance as a source of insight into the least known period of his life. In the introduction the editor presents reasons for thinking that the commonplace book was more to Jefferson than a literary sampler and was in some respects a deeply personal notebook with direct connections to the emotional events and preoccupations of his formative years. In addition to the text and annotation, the book contains a register of authors and an illustrated essay on Jefferson's handwriting that provides the rationale for assigning approximate dates to the entries of the commonplace book. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: A. C. Elias Publisher: Rutgers University Press ISBN: 1644530260 Category : Literary Criticism Languages : en Pages : 265
Book Description
This Word-Book is presumably the only work of Jonathan Swift’s not in print, until now. Since the 1690s, Swift had been formulating a list of words and definitions for his protégé Esther Johnson, beginning with terms from the Book of Common Prayer. His was apparently an ongoing list, kept rather haphazardly, with open spaces for adding new words. About 1710, when Swift was in London, Johnson, in Dublin, set out to formalize the dictionary, copying out Swift’s words and definitions to make an orderly and careful book with no blank spaces. Probably in 1713, when Swift returned to Ireland, Johnson presented her Word-Book to him, but his school-masterly corrections of her work may have offended her. After Johnson’s death in 1728, Swift gave the Word-Book to their mutual friend, Elizabeth Sican. It was passed down over generations, until in 1976, the young American Swiftian A. C. Elias, Jr., bought it, intending to edit it in his old age. Before his early death in 2008, Elias asked John Fischer to assume the challenge of bringing the book into print. Fischer took on the task until 2015, when he too passed away, after which his wife Panthea Reid completed the task. This volume includes illustrations from the original book, a transcript of it with schematic indications of Swift’s corrections, as well as essays and appendices by Fischer and Elias tracing provenance, exploring the social and psychological milieu in which the book was written, and tracking Swift’s work as a lexicographer. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Author: Claude Willan Publisher: Stanford University Press ISBN: 1503635279 Category : Literary Criticism Languages : en Pages : 376
Book Description
This book is the cultural history of an idea which now seems so self-evident as barely to be worth stating: through writing imaginative literature, an author can accrue significant and lasting economic and cultural power. We take for granted, now, that authority dwells in literature and in being its author. This state of affairs was not naturally occurring, but deliberately invented. This book tells the story of that invention. The story's central figures are Alexander Pope and Samuel Johnson. But its narrative begins in the 1680s, with the last gasp of the bond linking literary to political authority. While Jacobite poets celebrated (and mourned) the Stuart dynasty, Whig writers traced the philosophical and aesthetic consequences of the accession of William of Orange. Both groups left behind sets of literary devices ready-made to confer and validate authority. Claude Willan challenges the continued reign of the "Scriblerian" model of the period and shows how that reign was engineered. In so doing he historicizes the relationship between "good" and "bad" writing, and suggests how we might think about literature and beauty had Pope and Johnson not taken literary authority for themselves. What might literature have looked like, and what could we use it like for, he provocatively asks.
Author: Anja-Silvia Goeing Publisher: BRILL ISBN: 900444405X Category : History Languages : en Pages : 519
Book Description
Early Modern Universities: Networks of Higher Education contains twenty essays by experts on early modern academic networks. Using a variety of approaches to universities, schools, and academies throughout Europe and in Central America, the book suggests pathways for future research.
Author: Charles-Alphonse Dufresnoy Publisher: Librairie Droz ISBN: 9782600009034 Category : Art Languages : en Pages : 566
Book Description
Edition commentée de ce poème latin de 549 vers sur l'art de la peinture qui connut un succès considérable aux XVIIe et XVIIIe siècles.
Author: Kevin Lee Cope Publisher: Lexington Books ISBN: 1611484421 Category : Computers Languages : en Pages : 291
Book Description
Textual Studies and the Enlarged Eighteenth Century scrutinizes the culture and sometimes the cult of electronic and other technology-assisted scholarship with respect to eighteenth-century studies.
Author: Valerie Rumbold Publisher: Cambridge University Press ISBN: 9780521363082 Category : Biography & Autobiography Languages : en Pages : 342
Book Description
How was Alexander Pope's personal experience of women transformed into poetry? How characteristic of his age was Pope's attitude toward women? What was the influence of individual women such as his mother, Patty Blount and Lady Mary Montagu on his life and work? Valerie Rumbold's is the first full-length study to address these issues. Referring to previously unexploited manuscripts, she focuses both on Pope's own life and art, and on early eighteenth-century assumptions about women and gender. She offers readings of some of the well-known poems in which women feature prominently, and follows Pope's response throughout his writings in general. The poet's own alienation from the dominant culture (through religion, politics and physical handicap), and his troubled fascination with certain kinds of women, make this subject complex and compelling, with wide implications. Dr. Rumbold provides new insight, and shows how women with whom Pope dealt can themselves be seen as individuals with presence and dignity.
Author: B. Overton
Author: B. Overton
Author: Bernard Mandeville
Author: Roger Lonsdale
Author: D. L. Wilson
Author: A. C. Elias
Author: Claude Willan
Author: Anja-Silvia Goeing
Author: Charles-Alphonse Dufresnoy
Author: Kevin Lee Cope
Author: Valerie Rumbold