Author: Publisher:
ISBN:
Category : Art
Languages : en
Pages : 462
Book Description
English Miscellany
Author: An English Miscellany
Author: William Paton KerPublisher:
ISBN:
Category : English language
Languages : en
Pages : 558
Book Description
An Old English Miscellany
Author: MorrisAn Old English Miscellany
Author: AnonymousPublisher: BoD – Books on Demand
ISBN: 3382806525
Category : Fiction
Languages : en
Pages : 326
Book Description
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
“An” Old English Miscellany
Author: Richard MorrisAn old English miscellany: containing a Bestiary, Kentish sermons, proverbs of Alfred, religious poems of the thirteenth century ...
Author: Early English Text SocietyPublisher:
ISBN:
Category : Animals
Languages : en
Pages : 334
Book Description
Delinquent Chacha
Author: Ved MehtaLiterary Miscellany
Author: Alex PalmerPublisher: Skyhorse
ISBN: 9781510772595
Category : Literary Criticism
Languages : en
Pages : 184
Book Description
Packed with fascinating facts, Literary Miscellany is sure to please both professor and pleasure reader alike. Wouldn’t it be great to be a fly on the wall as the great writers took pen to paper (or fingers to keyboard)? While reading this work, you’ll be just that. Here are behind-the-book stories and facts about authors, publishing and everything literary that will entertain both casual and serious readers. Among the questions asked and answered: • When Did Literature Finally Get Sexy? • Is Coffee or Opium Better for Literary Creativity? • Why Are the Best Autobiographies so Embarrassing? • Why Do Some Detectives Use Their Minds and Others Their Fists? Who knew that bestseller lists and children’s books could be the source of intense controversy? Or that even the biggest writers had to scrape by, with odd jobs and inventions like the Mark Twain Self-Pasting Scrapbook? In Literary Miscellany, examine the trend of “fake memoirs,” with a list of who lied about what, and a rogues’ gallery of hoaxers dating back centuries. From epic poetry and Homer to pulp fiction and Harry Potter, Literary Miscellany, now available for the first time in paperback, is a breezy tour through the literature of today and yesterday, packed with enough interesting facts to entertain both the erudite professor and pleasure reader.
Schott's Quintessential Miscellany
Author: Ben SchottPublisher: Bloomsbury UK
ISBN: 9781408815779
Category : Handbooks, vade-mecums, etc
Languages : en
Pages : 160
Book Description
Introducing the all-new, indispensable collection of necessary trivia, uncommon knowledge, and vital irrelevance from Schott--the inventor of the Miscellany genre.
Making the Miscellany
Author: Megan HeffernanPublisher: University of Pennsylvania Press
ISBN: 0812252802
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
In Making the Miscellany Megan Heffernan examines the poetic design of early modern printed books and explores how volumes of compiled poems, which have always existed in practice, responded to media change in sixteenth- and seventeenth-century England. Heffernan's focus is not only the material organization of printed poetry, but also how those conventions and innovations of arrangement contributed to vernacular poetic craft, the consolidation of ideals of individual authorship, and centuries of literary history. The arrangement of printed compilations contains a largely unstudied and undertheorized archive of poetic form, Heffernan argues. In an evolving system of textual transmission, compilers were experimenting with how to contain individual poems within larger volumes. By paying attention to how they navigated and shaped the exchanges between poems and their organization, she reveals how we can witness the basic power of imaginative writing over the material text. Making the Miscellany is also a study of how this history of textual design has been differently told by the distinct disciplines of bibliography or book history and literary studies, each of which has handled—and obscured—the formal qualities of early modern poetry compilations and the practices that produced them. Revisiting these editorial and critical approaches, this book recovers a moment when compilers, poets, and readers were alert to a poetics of organization that exceeded the limits of the individual poem.