The Monist PDF Download

Author: Paul Carus
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 644

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Vols. 2 and 5 include appendices.

Author: Ryan Linkof
Publisher: Routledge
ISBN: 1000211452
Category : Language Arts & Disciplines
Languages : en
Pages : 254

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Book Description
The stolen snapshot is a staple of the modern tabloid press, as ubiquitous as it is notorious. The first in-depth history of British tabloid photojournalism, this book explores the origin of the unauthorised celebrity photograph in the early 20th century, tracing its rise in the 1900s through to the first legal trial concerning the right to privacy from photographers shortly after the Second World War. Packed with case studies from the glamorous to the infamous, the book argues that the candid snap was a tabloid innovation that drew its power from Britain's unique class tensions. Used by papers such as the Daily Mirror and Daily Sketch as a vehicle of mass communication, this new form of image played an important and often overlooked role in constructing the idea of the press photographer as a documentary eyewitness. From Edward VIII and Wallis Simpson to aristocratic debutantes Lady Diana Cooper and Margaret Whigham, the rage of the social elite at being pictured so intimately without permission was matched only by the fascination of working class readers, while the relationship of the British press to social, economic and political power was changed forever.Initially pioneered in the metropole, tabloid-style photojournalism soon penetrated the journalistic culture of most of the globe. This in-depth account of its social and cultural history is an invaluable source of new research for historians of photography, journalism, visual culture, media and celebrity studies.

Author: Paul Slack
Publisher: Oxford University Press
ISBN: 0192644491
Category : Medical
Languages : en
Pages : 160

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Book Description
Very Short Introductions: Brilliant, Sharp, Inspiring Throughout history plague has been the cause of many major catastrophes. It was responsible for the 'Plague of Justinian' in 542, the Black Death of 1348, and the Great Plague of London in 1665, as well as for devastating epidemics in China and India between the 1890s and 1920s. In the 21st century Coronavirus pandemics have served as a powerful reminder that we have not escaped the global impact of epidemic diseases. In this Very Short Introduction, Paul Slack takes a global approach to explore the historical and social impact of plague over the centuries, looking at the ways in which it has been interpreted, and the powerful images it has left behind in art and literature. Examining what plague meant for those who suffered from it, and how governments began to fight against it, he demonstrates the impact plague has had on modern notions of public health, and how it has shaped our history. This new edition also includes evidence on the nature of plague taken from recent discoveries in ancient DNA as well as new research on plague in the Middle East. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Author: Frederick Alexander Manchester
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 926

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Book Description
A collection of literature from acclaimed authors like Thackeray, Plato, and Goethe.

Author: Marie Romero Cash
Publisher: University Press of Colorado
ISBN: 0870817485
Category : Art
Languages : en
Pages : 293

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Book Description
Richly illustrated with examples of eighteenth- and nineteenth-century art from northern New Mexico's village churches, Santos is an in-depth investigation into the artistic heritage of the New Mexican santero (saint maker). It is also an important study of northern New Mexican artisans and their craft. Along with photographer Jack Parsons, Marie Romero Cash visited every church in the region and documented, identified, and measured each santos. Together they photographed more than 500 pieces, including 19 moradas (places of worship for Penitentes) and the Archdiocese of Santa Fe Collection housed at the Museum of International Folk Art. Cash's extensive research into these formerly "anonymous" artisans fills a gap in the study of this unique form, making Santos indispensable for art historians and the general reader interested in the culture and art of the American Southwest.

Author: Maria Elizabeth Grabe
Publisher: Oxford University Press
ISBN: 019045167X
Category : Psychology
Languages : en
Pages : 344

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Book Description
Image Bite Politics is the first book to systematically assess the visual presentation of presidential candidates in network news coverage of elections and to connect these visual images with shifts in public opinion. Presenting the results of a comprehensive visual analysis of general election news from 1992-2004, encompassing four presidential campaigns, the authors highlight the remarkably potent influence of television images when it comes to evaluating leaders. The book draws from a variety of disciplines, including political science, behavioral biology, cognitive neuroscience, and media studies, to investigate the visual framing of elections in an incisive, fresh, and interdisciplinary fashion. Moreover, the book presents findings that are counterintuitive and challenge widely held assumptions--yet are supported by systematic data. For example, Republicans receive consistently more favorable visual treatment than Democrats, countering the conventional wisdom of a "liberal media bias"; and image bites are more prevalent, and in some elections more potent, in shaping voter opinions of candidates than sound bites. Finally, the authors provide a foundation for promoting visual literacy among news audiences and bring the importance of visual analysis to the forefront of research.

Author: Matthew Fox-Amato
Publisher: Oxford University Press
ISBN: 0190663944
Category : History
Languages : en
Pages : 358

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Book Description
Within a few years of the introduction of photography into the United States in 1839, slaveholders had already begun commissioning photographic portraits of their slaves. Ex-slaves-turned-abolitionists such as Frederick Douglass had come to see how sitting for a portrait could help them project humanity and dignity amidst northern racism. In the first decade of the medium, enslaved people had begun entering southern daguerreotype studios of their own volition, posing for cameras, and leaving with visual treasures they could keep in their pockets. And, as the Civil War raged, Union soldiers would orchestrate pictures with fugitive slaves that envisioned racial hierarchy as slavery fell. In these ways and others, from the earliest days of the medium to the first moments of emancipation, photography powerfully influenced how bondage and freedom were documented, imagined, and contested. By 1865, it would be difficult for many Americans to look back upon slavery and its fall without thinking of a photograph. Exposing Slavery explores how photography altered and was, in turn, shaped by conflicts over human bondage. Drawing on an original source base that includes hundreds of unpublished and little-studied photographs of slaves, ex-slaves, free African Americans, and abolitionists, as well as written archival materials, it puts visual culture at the center of understanding the experience of late slavery. It assesses how photography helped southerners to defend slavery, enslaved people to shape their social ties, abolitionists to strengthen their movement, and soldiers to pictorially enact interracial society during the Civil War. With diverse goals, these peoples transformed photography from a scientific curiosity into a political tool over only a few decades. This creative first book sheds new light on conflicts over late American slavery, while also revealing a key moment in the relationship between modern visual culture and racialized forms of power and resistance.

Author: Roger S. Gottlieb
Publisher: Rowman & Littlefield
ISBN: 9780742525351
Category : Nature
Languages : en
Pages : 694

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Table of contents

Author: Katarzyna Paszkiewicz
Publisher: Springer Nature
ISBN: 3030315231
Category : Performing Arts
Languages : en
Pages : 281

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Book Description
This volume examines contemporary reformulations of the ‘Final Girl’ in film, TV, literature and comic, expanding the discussion of the trope beyond the slasher subgenre. Focusing specifically on popular texts that emerged in the 21st century, the volume asks: What is the sociocultural context that facilitated the remarkable proliferation of the Final Girls? What kinds of stories are told in these narratives and can they help us make sense of feminism? What are the roles of literature and media in the reconsiderations of Carol J. Clover’s term of thirty years ago and how does this term continue to inform our understanding of popular culture? The contributors to this collection take up these concerns from diverse perspectives and with different answers, notably spanning theories of genre, posthumanism, gender, sexuality and race, as well as audience reception and spectatorship.

Author: Luis I. Reyes
Publisher: Rowman & Littlefield
ISBN: 1493082744
Category : Performing Arts
Languages : en
Pages : 306

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Book Description
For more than a century, directors from both sides of the border have chosen Mexico as the location to create their cinematic art, leaving an indelible imprint on the imaginations of moviegoers and filmmakers worldwide. Now, for the first time, Made in Mexico: Hollywood South of the Border presents a comprehensive examination of more than one hundred Hollywood theatrical feature films made in Mexico between 1914 and the present day. Lavishly illustrated throughout, Made in Mexico examines how Hollywood films depicted Mexico and how Mexico represented itself in relation to the films shot on location. It pulls back the curtain on how Hollywood filmmakers influenced Mexican films and Mexican filmmakers influenced Hollywood. Listed chronologically and featuring cast, credits, synopsis, and contemporary reviews along with a production history for each entry, this book highlights the concept of “crossing borders ” in which artists from both nations collaborated with one another. Made in Mexico also provides a brief historical perspective on the aesthetics, economics, and politics of the film industries in each country, giving readers a glimpse of the external forces at play in the production of these films. With motion pictures permeating the cultural and historical landscape of both Mexico and the United States, this compulsively readable compendium demonstrates the far-reaching influences of the featured films on the popular culture of both nations.