Author: Encyclopaedia Britannica
Publisher:
ISBN:
Category :
Languages : en
Pages : 826
Book Description
Encyclopædia Britannica: or, A dictionary of arts and sciences, compiled by a society of gentlemen in Scotland [ed. by W. Smellie]. Suppl. to the 3rd. ed., by G. Gleig
Author: Encyclopaedia Britannica
Publisher:
ISBN:
Category :
Languages : en
Pages : 826
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 826
Book Description
Encyclopædia Britannica: or, A dictionary of arts and sciences, compiled by a society of gentlemen in Scotland [ed. by W. Smellie].
Author: Encyclopaedia Britannica
Publisher:
ISBN:
Category :
Languages : en
Pages : 864
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 864
Book Description
Encyclopædia Britannica: or, A dictionary of arts and sciences, compiled by a society of gentlemen in Scotland [ed. by W. Smellie]. Suppl. to the 4th, 5th, and 6th eds
Author: Encyclopaedia Britannica
Publisher:
ISBN:
Category :
Languages : en
Pages : 846
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 846
Book Description
The First Proofs of the Universal Catalogue of Books on Art Compiled for the Use of the National Art Library and the Schools of Art in the United Kingdom by Order of the Lords of the Committee of Council on Education
Author: Great Britain. Department of Science and Art
Publisher:
ISBN:
Category :
Languages : en
Pages : 1044
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1044
Book Description
The First Proofs of the Universal Catalogue of Books on Art
Author: ohne Autor
Publisher: BoD – Books on Demand
ISBN: 3846048305
Category : Art
Languages : en
Pages : 1034
Book Description
Reprint of the original, first published in 1870.
Publisher: BoD – Books on Demand
ISBN: 3846048305
Category : Art
Languages : en
Pages : 1034
Book Description
Reprint of the original, first published in 1870.
First Proofs of the Universal Catalogue of Books on Art
Author: National Art Library (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1046
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1046
Book Description
Europe and the Other and Europe as the Other
Author: Bo Stråth
Publisher: Peter Lang
ISBN: 9789052016504
Category : History
Languages : en
Pages : 526
Book Description
This book contributes to the debate on what Europe means by demonstrating the complexities and contradictions inherent in the concept. They are seen most clearly when Europe is viewed from a long historical perspective. During the closing decades of the twentieth century Europe emerged as one of the main points of reference in both the cultural and the political constructs of the global community. An obsession with the concept of European identity is readily discernible. This process of identity construction provokes critical questions which the book aims to address. At the same time the book explores the opportunities offered by the concept of Europe to see how it may be used in the construction of the future. The approach is one of both deconstruction and reconstruction. The issue of Europe is closely related in the book to more general issues concerning the cultural construction of community. The book should therefore be seen as the companion of Myth and Memory in the Construction of Community, which is also published by PIE-Peter Lang in the series Multiple Europes. The book appears within the framework of a research project on the cultural construction of community in modernisation processes in comparison. This project is a joint enterprise of the European University Institute in Florence and the Humboldt University in Berlin sponsored by the Bank of Sweden Tercentenary Fund.
Publisher: Peter Lang
ISBN: 9789052016504
Category : History
Languages : en
Pages : 526
Book Description
This book contributes to the debate on what Europe means by demonstrating the complexities and contradictions inherent in the concept. They are seen most clearly when Europe is viewed from a long historical perspective. During the closing decades of the twentieth century Europe emerged as one of the main points of reference in both the cultural and the political constructs of the global community. An obsession with the concept of European identity is readily discernible. This process of identity construction provokes critical questions which the book aims to address. At the same time the book explores the opportunities offered by the concept of Europe to see how it may be used in the construction of the future. The approach is one of both deconstruction and reconstruction. The issue of Europe is closely related in the book to more general issues concerning the cultural construction of community. The book should therefore be seen as the companion of Myth and Memory in the Construction of Community, which is also published by PIE-Peter Lang in the series Multiple Europes. The book appears within the framework of a research project on the cultural construction of community in modernisation processes in comparison. This project is a joint enterprise of the European University Institute in Florence and the Humboldt University in Berlin sponsored by the Bank of Sweden Tercentenary Fund.
British Museum Catalogue of printed Books
Universal Catalogue of Books on Art: A to K
Author: National Art Library (Great Britain)
Publisher: New York : B. Franklin
ISBN:
Category : Art
Languages : en
Pages : 1046
Book Description
Publisher: New York : B. Franklin
ISBN:
Category : Art
Languages : en
Pages : 1046
Book Description
The Story of Pain
Author: Joanna Bourke
Publisher:
ISBN: 0199689423
Category : History
Languages : en
Pages : 411
Book Description
The story of pain and suffering since the eighteenth century. Prize-winning historian Joanna Bourke charts how our understanding of pain (and how to cope with it) has changed completely over the last three centuries.
Publisher:
ISBN: 0199689423
Category : History
Languages : en
Pages : 411
Book Description
The story of pain and suffering since the eighteenth century. Prize-winning historian Joanna Bourke charts how our understanding of pain (and how to cope with it) has changed completely over the last three centuries.