Author: John Philip O'Neill
Publisher: Metropolitan Museum of Art
ISBN: 0870997580
Category : Art metal-work
Languages : en
Pages : 480
Book Description
Treasuries of France, and other sources. The works of Limoges were created for important ecclesiastical and royal patrons. The wealth of enameling preserved from the Treasury of the abbey of Grandmont, just outside Limoges, is due chiefly to the Plantagenet patronage of Henry II and his queen, Eleanor of Aquitaine. Enamels created during their reign resonate with the elegant style of the court, and the dramatic history of Henry's monarchy is evoked by such works as the.
Enamels of Limoges
Author: John Philip O'Neill
Publisher: Metropolitan Museum of Art
ISBN: 0870997580
Category : Art metal-work
Languages : en
Pages : 480
Book Description
Treasuries of France, and other sources. The works of Limoges were created for important ecclesiastical and royal patrons. The wealth of enameling preserved from the Treasury of the abbey of Grandmont, just outside Limoges, is due chiefly to the Plantagenet patronage of Henry II and his queen, Eleanor of Aquitaine. Enamels created during their reign resonate with the elegant style of the court, and the dramatic history of Henry's monarchy is evoked by such works as the.
Publisher: Metropolitan Museum of Art
ISBN: 0870997580
Category : Art metal-work
Languages : en
Pages : 480
Book Description
Treasuries of France, and other sources. The works of Limoges were created for important ecclesiastical and royal patrons. The wealth of enameling preserved from the Treasury of the abbey of Grandmont, just outside Limoges, is due chiefly to the Plantagenet patronage of Henry II and his queen, Eleanor of Aquitaine. Enamels created during their reign resonate with the elegant style of the court, and the dramatic history of Henry's monarchy is evoked by such works as the.
Enamels of Limoges, 1100-1350 : [Musée du Louvre, Paris, October 23, 1995 - January 22, 1996] : [Metropolitan Museum of Art, New York, March 5 - June 16, 1996]
Author:
Publisher:
ISBN: 9780810965003
Category : Enamel and enameling
Languages : en
Pages : 478
Book Description
Publisher:
ISBN: 9780810965003
Category : Enamel and enameling
Languages : en
Pages : 478
Book Description
Enamels of Limoges
Author: Marie-Madeleine Gauthier
Publisher:
ISBN:
Category :
Languages : en
Pages : 478
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 478
Book Description
The Cult of St Thomas Becket in the Plantagenet World, C.1170-c.1220
Author: Paul Webster (Medievalist)
Publisher: Boydell & Brewer
ISBN: 1783271612
Category : Biography & Autobiography
Languages : en
Pages : 272
Book Description
The extraordinary growth and development of the cult of St Thomas Becket is investigated here, with a particular focus on its material culture. Thomas Becket - the archbishop of Canterbury cut down in his own cathedral just after Christmas 1170 - stands amongst the most renowned royal ministers, churchmen, and saints of the Middle Ages. He inspired the work of medieval writers and artists, and remains a compelling subject for historians today. Yet many of the political, religious, and cultural repercussions of his murder and subsequent canonisation remain to be explored in detail. This book examines the development of the cult and the impact of the legacy of Saint Thomas within the Plantagenet orbit of the late twelfth and early thirteenth centuries - the "Empire" assembled by King Henry II, defended by his son King Richard the Lionheart, and lost by King John. Traditional textual and archival sources, such as miracle collections, charters, and royal and papal letters, are used in conjunction with the material culture inspired by the cult, toemphasise the wide-ranging impact of the murder and of the cult's emergence in the century following the martyrdom. From the archiepiscopal church at Canterbury, to writers and religious houses across the Plantagenet lands, to thecourts of Henry II, his children, and the bishops of the Angevin world, individuals and communities adapted and responded to one of the most extraordinary religious phenomena of the age. Dr Paul Webster is currently Lecturer in Medieval History and Project Manager of the Exploring the Past adult learners progression pathway at Cardiff University; Dr Marie-Pierre Gelin is a Teaching Fellow in the History Department at University College London. Contributors: Colette Bowie, Elma Brenner, José Manuel Cerda, Anne J. Duggan, Marie-Pierre Gelin, Alyce A. Jordan, Michael Staunton, Paul Webster.
Publisher: Boydell & Brewer
ISBN: 1783271612
Category : Biography & Autobiography
Languages : en
Pages : 272
Book Description
The extraordinary growth and development of the cult of St Thomas Becket is investigated here, with a particular focus on its material culture. Thomas Becket - the archbishop of Canterbury cut down in his own cathedral just after Christmas 1170 - stands amongst the most renowned royal ministers, churchmen, and saints of the Middle Ages. He inspired the work of medieval writers and artists, and remains a compelling subject for historians today. Yet many of the political, religious, and cultural repercussions of his murder and subsequent canonisation remain to be explored in detail. This book examines the development of the cult and the impact of the legacy of Saint Thomas within the Plantagenet orbit of the late twelfth and early thirteenth centuries - the "Empire" assembled by King Henry II, defended by his son King Richard the Lionheart, and lost by King John. Traditional textual and archival sources, such as miracle collections, charters, and royal and papal letters, are used in conjunction with the material culture inspired by the cult, toemphasise the wide-ranging impact of the murder and of the cult's emergence in the century following the martyrdom. From the archiepiscopal church at Canterbury, to writers and religious houses across the Plantagenet lands, to thecourts of Henry II, his children, and the bishops of the Angevin world, individuals and communities adapted and responded to one of the most extraordinary religious phenomena of the age. Dr Paul Webster is currently Lecturer in Medieval History and Project Manager of the Exploring the Past adult learners progression pathway at Cardiff University; Dr Marie-Pierre Gelin is a Teaching Fellow in the History Department at University College London. Contributors: Colette Bowie, Elma Brenner, José Manuel Cerda, Anne J. Duggan, Marie-Pierre Gelin, Alyce A. Jordan, Michael Staunton, Paul Webster.
The Art of Enameling
Author: Linda Darty
Publisher: Sterling Publishing Company, Inc.
ISBN: 9781579909543
Category : Crafts & Hobbies
Languages : en
Pages : 180
Book Description
Enamelling is the art of fusing glass onto metal to create colourful designs and is one of the most ancient art methods. This guide covers basic instructions in the technique, how to set up a studio and what equipment is needed and finishes with 12 projects to try.
Publisher: Sterling Publishing Company, Inc.
ISBN: 9781579909543
Category : Crafts & Hobbies
Languages : en
Pages : 180
Book Description
Enamelling is the art of fusing glass onto metal to create colourful designs and is one of the most ancient art methods. This guide covers basic instructions in the technique, how to set up a studio and what equipment is needed and finishes with 12 projects to try.
Handbook of Medieval Studies
Author: Albrecht Classen
Publisher: Walter de Gruyter
ISBN: 3110215586
Category : Literary Criticism
Languages : en
Pages : 2822
Book Description
This interdisciplinary handbook provides extensive information about research in medieval studies and its most important results over the last decades. The handbook is a reference work which enables the readers to quickly and purposely gain insight into the important research discussions and to inform themselves about the current status of research in the field. The handbook consists of four parts. The first, large section offers articles on all of the main disciplines and discussions of the field. The second section presents articles on the key concepts of modern medieval studies and the debates therein. The third section is a lexicon of the most important text genres of the Middle Ages. The fourth section provides an international bio-bibliographical lexicon of the most prominent medievalists in all disciplines. A comprehensive bibliography rounds off the compendium. The result is a reference work which exhaustively documents the current status of research in medieval studies and brings the disciplines and experts of the field together.
Publisher: Walter de Gruyter
ISBN: 3110215586
Category : Literary Criticism
Languages : en
Pages : 2822
Book Description
This interdisciplinary handbook provides extensive information about research in medieval studies and its most important results over the last decades. The handbook is a reference work which enables the readers to quickly and purposely gain insight into the important research discussions and to inform themselves about the current status of research in the field. The handbook consists of four parts. The first, large section offers articles on all of the main disciplines and discussions of the field. The second section presents articles on the key concepts of modern medieval studies and the debates therein. The third section is a lexicon of the most important text genres of the Middle Ages. The fourth section provides an international bio-bibliographical lexicon of the most prominent medievalists in all disciplines. A comprehensive bibliography rounds off the compendium. The result is a reference work which exhaustively documents the current status of research in medieval studies and brings the disciplines and experts of the field together.
Binding Words
Author: Don C. Skemer
Publisher: Penn State Press
ISBN: 9780271046969
Category : Language Arts & Disciplines
Languages : en
Pages : 344
Book Description
In the Middle Ages, textual amulets--short texts written on parchment or paper and worn on the body--were thought to protect the bearer against enemies, to heal afflictions caused by demonic invasions, and to bring the wearer good fortune. In Binding Words, Don C. Skemer provides the first book-length study of this once-common means of harnessing the magical power of words. Textual amulets were a unique source of empowerment, promising the believer safe passage through a precarious world by means of an ever-changing mix of scriptural quotations, divine names, common prayers, and liturgical formulas. Although theologians and canon lawyers frequently derided textual amulets as ignorant superstition, many literate clergy played a central role in producing and disseminating them. The texts were, in turn, embraced by a broad cross-section of Western Europe. Saints and parish priests, physicians and village healers, landowners and peasants alike believed in their efficacy. Skemer offers careful analysis of several dozen surviving textual amulets along with other contemporary medieval source materials. In the process, Binding Words enriches our understanding of popular religion and magic in everyday medieval life.
Publisher: Penn State Press
ISBN: 9780271046969
Category : Language Arts & Disciplines
Languages : en
Pages : 344
Book Description
In the Middle Ages, textual amulets--short texts written on parchment or paper and worn on the body--were thought to protect the bearer against enemies, to heal afflictions caused by demonic invasions, and to bring the wearer good fortune. In Binding Words, Don C. Skemer provides the first book-length study of this once-common means of harnessing the magical power of words. Textual amulets were a unique source of empowerment, promising the believer safe passage through a precarious world by means of an ever-changing mix of scriptural quotations, divine names, common prayers, and liturgical formulas. Although theologians and canon lawyers frequently derided textual amulets as ignorant superstition, many literate clergy played a central role in producing and disseminating them. The texts were, in turn, embraced by a broad cross-section of Western Europe. Saints and parish priests, physicians and village healers, landowners and peasants alike believed in their efficacy. Skemer offers careful analysis of several dozen surviving textual amulets along with other contemporary medieval source materials. In the process, Binding Words enriches our understanding of popular religion and magic in everyday medieval life.
Binding the Absent Body in Medieval and Modern Art
Author: Emily Kelley
Publisher: Routledge
ISBN: 1351573756
Category : Art
Languages : en
Pages : 376
Book Description
This collection of essays considers artistic works that deal with the body without a visual representation. It explores a range of ways to represent this absence of the figure: from abject elements such as bodily fluids and waste to surrogate forms including reliquaries, manuscripts, and cloth. The collection focuses on two eras, medieval and modern, when images referencing the absent body have been far more prolific in the history of art. In medieval times, works of art became direct references to the absent corporal essence of a divine being, like Christ, or were used as devotional aids. By contrast, in the modern era artists often reject depictions of the physical body in order to distance themselves from the history of the idealized human form. Through these essays, it becomes apparent, even when the body is not visible in a work of art, it is often still present tangentially. Though the essays in this volume bridge two historical periods, they have coherent thematic links dealing with abjection, embodiment, and phenomenology. Whether figurative or abstract, sacred or secular, medieval or modern, the body maintains a presence in these works even when it is not at first apparent.
Publisher: Routledge
ISBN: 1351573756
Category : Art
Languages : en
Pages : 376
Book Description
This collection of essays considers artistic works that deal with the body without a visual representation. It explores a range of ways to represent this absence of the figure: from abject elements such as bodily fluids and waste to surrogate forms including reliquaries, manuscripts, and cloth. The collection focuses on two eras, medieval and modern, when images referencing the absent body have been far more prolific in the history of art. In medieval times, works of art became direct references to the absent corporal essence of a divine being, like Christ, or were used as devotional aids. By contrast, in the modern era artists often reject depictions of the physical body in order to distance themselves from the history of the idealized human form. Through these essays, it becomes apparent, even when the body is not visible in a work of art, it is often still present tangentially. Though the essays in this volume bridge two historical periods, they have coherent thematic links dealing with abjection, embodiment, and phenomenology. Whether figurative or abstract, sacred or secular, medieval or modern, the body maintains a presence in these works even when it is not at first apparent.
The Medieval Chronicle 16
Author:
Publisher: BRILL
ISBN: 9004686266
Category : History
Languages : en
Pages : 316
Book Description
Alongside annals, chronicles were the main genre of historical writing in the Middle Ages. All chronicles raise such questions as by whom, for whom, or for what purpose they were written, how they reconstruct the past, or which literary influences are discernible in them. Their significance as sources for the study of history, literature, linguistics, and art is widely appreciated. The series The Medieval Chronicle, published in cooperation with the Medieval Chronicle Society (medievalchronicle.org), provides a representative survey of on-going research in the field of chronicle studies, illustrated by examples from a wide variety of countries, periods, and cultural backgrounds.
Publisher: BRILL
ISBN: 9004686266
Category : History
Languages : en
Pages : 316
Book Description
Alongside annals, chronicles were the main genre of historical writing in the Middle Ages. All chronicles raise such questions as by whom, for whom, or for what purpose they were written, how they reconstruct the past, or which literary influences are discernible in them. Their significance as sources for the study of history, literature, linguistics, and art is widely appreciated. The series The Medieval Chronicle, published in cooperation with the Medieval Chronicle Society (medievalchronicle.org), provides a representative survey of on-going research in the field of chronicle studies, illustrated by examples from a wide variety of countries, periods, and cultural backgrounds.
The Nature and Function of Water, Baths, Bathing and Hygiene from Antiquity through the Renaissance
Author:
Publisher: BRILL
ISBN: 9047427033
Category : History
Languages : en
Pages : 546
Book Description
These essays offer scholars, teachers, and students a new basis for discussing attitudes toward, and technological expertise concerning, water in antiquity through the early Modern period, and they examine historical water use and ideology both diachronically and cross regionally. Topics include gender roles and water usage; attitudes, practices, and innovations in baths and bathing; water and the formation of identity and policy; ancient and medieval water sources and resources; and religious and literary water imagery. The authors describe how ideas about the nature and function of water created and shaped social relationships, and how religion, politics, and science transformed, and were themselves transformed by, the manipulation of, uses of, and disputes over water in daily life, ceremonies, and literature. Contributors are Rabun Taylor, Sandra Lucore, Robert F. Sutton, Jr., Cynthia K Kosso, Kevin Lawton, Evy Johanne Håland, Hélène Cazes, Alexandra Cuffel, Mark Munn, Brenda Longfellow, Gretchen Meyers, Sara Saba, Scott John McDonough, Etienne Dunant, E. J. Owens , Mehmet Taşlıalan, Deborah Chatr Aryamontri, John Stephenson, Lin A. Ferrand, Paul Trio, Anne Scott, Misty Rae Urban, Ruth Stevenson, Charles Connell, Alyce Jordan, Ronald Cooley, and Irene Matthews.
Publisher: BRILL
ISBN: 9047427033
Category : History
Languages : en
Pages : 546
Book Description
These essays offer scholars, teachers, and students a new basis for discussing attitudes toward, and technological expertise concerning, water in antiquity through the early Modern period, and they examine historical water use and ideology both diachronically and cross regionally. Topics include gender roles and water usage; attitudes, practices, and innovations in baths and bathing; water and the formation of identity and policy; ancient and medieval water sources and resources; and religious and literary water imagery. The authors describe how ideas about the nature and function of water created and shaped social relationships, and how religion, politics, and science transformed, and were themselves transformed by, the manipulation of, uses of, and disputes over water in daily life, ceremonies, and literature. Contributors are Rabun Taylor, Sandra Lucore, Robert F. Sutton, Jr., Cynthia K Kosso, Kevin Lawton, Evy Johanne Håland, Hélène Cazes, Alexandra Cuffel, Mark Munn, Brenda Longfellow, Gretchen Meyers, Sara Saba, Scott John McDonough, Etienne Dunant, E. J. Owens , Mehmet Taşlıalan, Deborah Chatr Aryamontri, John Stephenson, Lin A. Ferrand, Paul Trio, Anne Scott, Misty Rae Urban, Ruth Stevenson, Charles Connell, Alyce Jordan, Ronald Cooley, and Irene Matthews.