Author: Herbert Warren Wind
Publisher:
ISBN: 9780099747208
Category :
Languages : en
Pages : 92
Book Description
The World of P.G. Wodehouse
Author: Herbert Warren Wind
Publisher:
ISBN: 9780099747208
Category :
Languages : en
Pages : 92
Book Description
Publisher:
ISBN: 9780099747208
Category :
Languages : en
Pages : 92
Book Description
Jeanette Winterson
Author: Susana Onega Jaén
Publisher: Manchester University Press
ISBN: 9780719068393
Category : Biography & Autobiography
Languages : en
Pages : 278
Book Description
This is a study of Jeanette Winterson's work, containing analyses of her nine novels and cross-references to her minor fictional and non-fictional works. It establishes the formal, thematic, and ideological characteristics of the novels, and situates the writer within the panorama of contemporary British fiction.
Publisher: Manchester University Press
ISBN: 9780719068393
Category : Biography & Autobiography
Languages : en
Pages : 278
Book Description
This is a study of Jeanette Winterson's work, containing analyses of her nine novels and cross-references to her minor fictional and non-fictional works. It establishes the formal, thematic, and ideological characteristics of the novels, and situates the writer within the panorama of contemporary British fiction.
Sexing the Cherry
Author: Jeanette Winterson
Publisher: Grove/Atlantic, Inc.
ISBN: 0802198708
Category : Fiction
Languages : en
Pages : 180
Book Description
“The marvelous and the horrific, the mythic and the mundane overlap and intermingle in this wonderfully inventive novel.” —The New York Times Winner of the E. M. Forster Award In a fantastic world that is and is not seventeenth-century England, a baby is found floating in the Thames. The child, Jordan, is rescued by Dog Woman and grows up to travel the globe like Gulliver—though he finds that the most curious oddities come from his own mind. The spiraling tale leads the reader from discussions on the nature of time to Jordan’s fascination with journeys concealed within other journeys, all with a dizzying speed that jumps from epiphany to shimmering epiphany. From the New York Times–bestselling author of Oranges Are Not the Only Fruit and Why Be Happy When You Could Be Normal?, Sexing the Cherry is “a mixture of The Arabian Nights touched by the philosophical form of Milan Kundera and told with the grace of Italo Calvino” (San Francisco Chronicle). “Those who care for fiction that is both idiosyncratic and beautiful will want to read anything [Winterson] writes.” —The Washington Post Book World
Publisher: Grove/Atlantic, Inc.
ISBN: 0802198708
Category : Fiction
Languages : en
Pages : 180
Book Description
“The marvelous and the horrific, the mythic and the mundane overlap and intermingle in this wonderfully inventive novel.” —The New York Times Winner of the E. M. Forster Award In a fantastic world that is and is not seventeenth-century England, a baby is found floating in the Thames. The child, Jordan, is rescued by Dog Woman and grows up to travel the globe like Gulliver—though he finds that the most curious oddities come from his own mind. The spiraling tale leads the reader from discussions on the nature of time to Jordan’s fascination with journeys concealed within other journeys, all with a dizzying speed that jumps from epiphany to shimmering epiphany. From the New York Times–bestselling author of Oranges Are Not the Only Fruit and Why Be Happy When You Could Be Normal?, Sexing the Cherry is “a mixture of The Arabian Nights touched by the philosophical form of Milan Kundera and told with the grace of Italo Calvino” (San Francisco Chronicle). “Those who care for fiction that is both idiosyncratic and beautiful will want to read anything [Winterson] writes.” —The Washington Post Book World
Keep Looking
Author: Ace Remas
Publisher: Page Publishing Inc
ISBN: 1641388161
Category : Fiction
Languages : en
Pages : 274
Book Description
Hector Feck found gold for the first time at age sixty-six. It was a transforming experience. As he pinched the single gold nugget from the black sand collected on the ridges of his pan, he was astounded he felt no satisfaction in this discovery, even after twenty years of occasional gold panning, dredging, and metal detector searches. Instead, he was disappointed. Not because the nugget was too small. It was not. When washed and cleaned, the nugget would fetch at least $1,500, money he sorely needed. He realized as he inspected the nugget carefully, all he had accomplished was to increase his desire for more gold, which meant more searching for it, and even when he found more, he would not be satisfied. He realized he would never be satisfied. Nothing in this world would satisfy. Except, he remembered, as if inspired by a vision, the looking for gold. He was satisfied with the activity. "So why continue to look for gold?" he asked himself. If it was for the money, then gold-hunting was just another job.
Publisher: Page Publishing Inc
ISBN: 1641388161
Category : Fiction
Languages : en
Pages : 274
Book Description
Hector Feck found gold for the first time at age sixty-six. It was a transforming experience. As he pinched the single gold nugget from the black sand collected on the ridges of his pan, he was astounded he felt no satisfaction in this discovery, even after twenty years of occasional gold panning, dredging, and metal detector searches. Instead, he was disappointed. Not because the nugget was too small. It was not. When washed and cleaned, the nugget would fetch at least $1,500, money he sorely needed. He realized as he inspected the nugget carefully, all he had accomplished was to increase his desire for more gold, which meant more searching for it, and even when he found more, he would not be satisfied. He realized he would never be satisfied. Nothing in this world would satisfy. Except, he remembered, as if inspired by a vision, the looking for gold. He was satisfied with the activity. "So why continue to look for gold?" he asked himself. If it was for the money, then gold-hunting was just another job.
Contemporary Fiction and the Fairy Tale
Author: Stephen Benson
Publisher: Wayne State University Press
ISBN: 0814335829
Category : Literary Criticism
Languages : en
Pages : 218
Book Description
Students and teachers of fiction, folklore, and fairy-tale studies will appreciate this insightful volume.
Publisher: Wayne State University Press
ISBN: 0814335829
Category : Literary Criticism
Languages : en
Pages : 218
Book Description
Students and teachers of fiction, folklore, and fairy-tale studies will appreciate this insightful volume.
Stars on the Earth
Author: Richard Leviton
Publisher: iUniverse
ISBN: 0595407811
Category : Body, Mind & Spirit
Languages : en
Pages : 460
Book Description
Discover the wonderful secret the Earth holds for us-that the stars of the galaxy live on our planet. Holograms of high-magnitude stars over holy mountains. Physical travel to other planets through stargates on the Earth's surface. Near instantaneous transportation across the planet through quick-way portals. Outrageous science fiction or sober geomantic fact? Earth Mysteries researcher Richard Leviton takes you on a wild tour of three geomantic features of our planet and reveals that what science fiction has dreamed the Earth in fact offers us. Stars on the Earth combines scholarship, clairvoyance, and field experience with the latest discoveries of geology and astrophysics and the timeless insights of the world's myths to open the planetary door to the stars. It's all part of the Earth's unsuspected but staggeringly rich endowment as a designer planet. Our planet was precisely designed and implemented for us, and it's equipped with a visionary geography that mirrors features of the galaxy and Heavens. Why are so many of the Earth's mountains said to be holy, producing visions and encounters with the "gods?" They all have canopies of light called domes, each transmitting the presence of a galactic star. What is the geomantic origin of the Bermuda Triangle? Two dysfunctional stargates. If working properly, they and the Earth's other two million stargates could transport us rapidly to other planets. Is there a way to travel quickly across the planet without using cars, airplanes, boats, or trains? Yes, and it's called a traversable wormhole, and the Earth has thousands of them awaiting our discovery and use. Come join the tour of a planet you've never seen before: our own star-infused Earth.
Publisher: iUniverse
ISBN: 0595407811
Category : Body, Mind & Spirit
Languages : en
Pages : 460
Book Description
Discover the wonderful secret the Earth holds for us-that the stars of the galaxy live on our planet. Holograms of high-magnitude stars over holy mountains. Physical travel to other planets through stargates on the Earth's surface. Near instantaneous transportation across the planet through quick-way portals. Outrageous science fiction or sober geomantic fact? Earth Mysteries researcher Richard Leviton takes you on a wild tour of three geomantic features of our planet and reveals that what science fiction has dreamed the Earth in fact offers us. Stars on the Earth combines scholarship, clairvoyance, and field experience with the latest discoveries of geology and astrophysics and the timeless insights of the world's myths to open the planetary door to the stars. It's all part of the Earth's unsuspected but staggeringly rich endowment as a designer planet. Our planet was precisely designed and implemented for us, and it's equipped with a visionary geography that mirrors features of the galaxy and Heavens. Why are so many of the Earth's mountains said to be holy, producing visions and encounters with the "gods?" They all have canopies of light called domes, each transmitting the presence of a galactic star. What is the geomantic origin of the Bermuda Triangle? Two dysfunctional stargates. If working properly, they and the Earth's other two million stargates could transport us rapidly to other planets. Is there a way to travel quickly across the planet without using cars, airplanes, boats, or trains? Yes, and it's called a traversable wormhole, and the Earth has thousands of them awaiting our discovery and use. Come join the tour of a planet you've never seen before: our own star-infused Earth.
Rewriting/Reprising
Author: Georges Letissier
Publisher: Cambridge Scholars Publishing
ISBN: 1443816140
Category : Literary Criticism
Languages : en
Pages : 250
Book Description
This volume comprises sixteen essays, preceded by an introductory chapter focusing on the diverse modalities of textual, and more widely, artistic transfer. Whereas the first Rewriting-Reprising volume (coord. by C. Maisonnat, J. Paccaud-Huguet & A. Ramel) underscored the crucial issue of origins, the second purports to address the specificities of hypertextual, and hyperartistic (Genette, 1982) practices. Its common denominator is therefore second degree literature and art. A first section, titled “Pastiche, Parody, Genre and Gender,” delineates what amounts to a poetics of rewriting/reprising, by investigating a whole range of authorial stances, from homage – through a symphonic play of intertexts – to varying degrees of textual deviance, or dissidence. Some genres, like the fairy tale or the Gothic, through their very malleability, are indeed more apt to lend themselves to rewriting/reprising. However, hypertextuality is not merely ornamental, or purely aesthetic; its subversive potential is perceptible notably through its many attempts at emancipating the genre from the ideological fetters of gender. Over the past two decades, Victorian literature and culture has become an inescapable field of investigations to any study on intertextuality in the English-speaking world. In a second part, diversity has been preferred to any single, specific angle to approach the Victorian/neo-Victorian tropism. The purpose is to provide as complete a spectrum as is reasonably possible in such a volume. The practice of rewriting in the Victorian age is thus studied alongside contemporary appropriations of the Victorian canon. The question is raised of whether literary fetishism may not result in a form of counterfeit classicism, while the more challenging neo-Victorian rewritings would make a claim for the need to choose one’s literary heritage and ancestors. This is where the post-colonial agenda comes in. Precisely, the third part investigates the question of rewriting-reprising as a way of writing back. The myth of Frankenstein’s creature bent on wreaking vengeance on his creator is of course seminal as it offers a myth of transgression which, in its turn, becomes a “foundation myth.” Not only are post-colonial responses to their (disclaimed) parent-texts highly theory-informed, but they also evince an awareness of such contemporary issues which are direct consequences of the colonial past. In the last section of this volume, the scope of what comes within the range of intertextuality per se is widened to cover artistic dialogism. In the exchanges between theatrical texts, reprise may be construed as a metaphor standing for the pleasure inherent in the process of recreation. The interaction between embedded paintings and the embedding canvas offers yet another variation on the reprise motif, as does the meta-aesthetic discourse of the critic on the work of art. What begins as mere repetition is soon colored by the personal inflections of the interpreter. In operatic performances, updating a classical text to make it suitable to contemporary audiences, and in close harmony with the role assigned to music, is liable to spur on the creativity of recreation.
Publisher: Cambridge Scholars Publishing
ISBN: 1443816140
Category : Literary Criticism
Languages : en
Pages : 250
Book Description
This volume comprises sixteen essays, preceded by an introductory chapter focusing on the diverse modalities of textual, and more widely, artistic transfer. Whereas the first Rewriting-Reprising volume (coord. by C. Maisonnat, J. Paccaud-Huguet & A. Ramel) underscored the crucial issue of origins, the second purports to address the specificities of hypertextual, and hyperartistic (Genette, 1982) practices. Its common denominator is therefore second degree literature and art. A first section, titled “Pastiche, Parody, Genre and Gender,” delineates what amounts to a poetics of rewriting/reprising, by investigating a whole range of authorial stances, from homage – through a symphonic play of intertexts – to varying degrees of textual deviance, or dissidence. Some genres, like the fairy tale or the Gothic, through their very malleability, are indeed more apt to lend themselves to rewriting/reprising. However, hypertextuality is not merely ornamental, or purely aesthetic; its subversive potential is perceptible notably through its many attempts at emancipating the genre from the ideological fetters of gender. Over the past two decades, Victorian literature and culture has become an inescapable field of investigations to any study on intertextuality in the English-speaking world. In a second part, diversity has been preferred to any single, specific angle to approach the Victorian/neo-Victorian tropism. The purpose is to provide as complete a spectrum as is reasonably possible in such a volume. The practice of rewriting in the Victorian age is thus studied alongside contemporary appropriations of the Victorian canon. The question is raised of whether literary fetishism may not result in a form of counterfeit classicism, while the more challenging neo-Victorian rewritings would make a claim for the need to choose one’s literary heritage and ancestors. This is where the post-colonial agenda comes in. Precisely, the third part investigates the question of rewriting-reprising as a way of writing back. The myth of Frankenstein’s creature bent on wreaking vengeance on his creator is of course seminal as it offers a myth of transgression which, in its turn, becomes a “foundation myth.” Not only are post-colonial responses to their (disclaimed) parent-texts highly theory-informed, but they also evince an awareness of such contemporary issues which are direct consequences of the colonial past. In the last section of this volume, the scope of what comes within the range of intertextuality per se is widened to cover artistic dialogism. In the exchanges between theatrical texts, reprise may be construed as a metaphor standing for the pleasure inherent in the process of recreation. The interaction between embedded paintings and the embedding canvas offers yet another variation on the reprise motif, as does the meta-aesthetic discourse of the critic on the work of art. What begins as mere repetition is soon colored by the personal inflections of the interpreter. In operatic performances, updating a classical text to make it suitable to contemporary audiences, and in close harmony with the role assigned to music, is liable to spur on the creativity of recreation.
Pamphlets, Religious
Heterosexual Plots and Lesbian Narratives
Author: Marilyn Farwell
Publisher: NYU Press
ISBN: 0814728030
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
What is lesbian literature? Must it contain overtly lesbian characters, and portray them in a positive light? Must the author be overtly (or covertly) lesbian? Does there have to be a lesbian theme and must it be politically acceptable? Marilyn Farwell here examines the work of such writers as Adrienne Rich, Marion Zimmer Bradley, Jeanette Winterson, Gloria Naylor, and Marilyn Hacker to address these questions. Dividing their writings into two genres--the romantic story and the heroic, or quest, story, Farwell addresses some of the most problematic issues at the intersection of literature, sex, gender, and postmodernism. Illustrating how the generational conflict between the lesbian- feminists of twenty years ago and the queer theorists of today stokes the critical fires of contemporary lesbian and literary theory, Heterosexual Plots and Lesbian Narratives concludes by arguing for a broad and generous definition of lesbian writing.
Publisher: NYU Press
ISBN: 0814728030
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
What is lesbian literature? Must it contain overtly lesbian characters, and portray them in a positive light? Must the author be overtly (or covertly) lesbian? Does there have to be a lesbian theme and must it be politically acceptable? Marilyn Farwell here examines the work of such writers as Adrienne Rich, Marion Zimmer Bradley, Jeanette Winterson, Gloria Naylor, and Marilyn Hacker to address these questions. Dividing their writings into two genres--the romantic story and the heroic, or quest, story, Farwell addresses some of the most problematic issues at the intersection of literature, sex, gender, and postmodernism. Illustrating how the generational conflict between the lesbian- feminists of twenty years ago and the queer theorists of today stokes the critical fires of contemporary lesbian and literary theory, Heterosexual Plots and Lesbian Narratives concludes by arguing for a broad and generous definition of lesbian writing.
Everything is Now
Author: Bill Spence
Publisher: CRC Press
ISBN: 1000195821
Category : Mathematics
Languages : en
Pages : 83
Book Description
This engaging and beautifully written book gives an authoritative but accessible account of some of the most exciting and unexpected recent developments in theoretical physics. – Professor Lionel J Mason, Mathematical Institute, University of Oxford String theory is often paraded as a theory of everything, but there are a large number of untold stories in which string theory gives us insight into other areas of physics. Here, Bill Spence does an excellent job of explaining the deep connections between string theory, particle physics, and the novel way of viewing space and time. – Professor David Tong, Department of Applied Mathematics and Theoretical Physics, University of Cambridge Foremost amongst Nature’s closest-guarded secrets is how to unite Einstein’s theory of gravity with quantum theory – thereby creating a ‘quantum space-time’. This problem has been unsolved now for more than a century, with the standard methods of physics making little headway. It is clear that much more radical ideas are needed, and our front-line researchers are showing that string theory provides these. This book describes these extraordinary developments, which are helping us to think in entirely new ways about how physical reality may be structured at its deepest level. Amongst these ideas are that Everything can happen at the same time – it is all Now; Hidden spaces, large and small, are everywhere amongst us; The basic objects are ‘membranes’ that behave like soap bubbles and can explore the shape of spacetime in new ways; We are holographic projections from higher dimensions; You can take the ‘square root’ of gravity; Ideas from the ancient Greeks are resurfacing in a beautiful new form; And the very latest work shows that ‘staying positive’ is essential. The book is aimed at a general audience, using analogies, diagrams, and simple examples throughout. It is intended as a brief tour, enabling the reader to become aware of the main ideas and recent work. A full list of further resources is supplied. Bill Spence is the founding Director of the Centre for Research in String Theory at Queen Mary University of London. He has worked on string theory for over three decades.
Publisher: CRC Press
ISBN: 1000195821
Category : Mathematics
Languages : en
Pages : 83
Book Description
This engaging and beautifully written book gives an authoritative but accessible account of some of the most exciting and unexpected recent developments in theoretical physics. – Professor Lionel J Mason, Mathematical Institute, University of Oxford String theory is often paraded as a theory of everything, but there are a large number of untold stories in which string theory gives us insight into other areas of physics. Here, Bill Spence does an excellent job of explaining the deep connections between string theory, particle physics, and the novel way of viewing space and time. – Professor David Tong, Department of Applied Mathematics and Theoretical Physics, University of Cambridge Foremost amongst Nature’s closest-guarded secrets is how to unite Einstein’s theory of gravity with quantum theory – thereby creating a ‘quantum space-time’. This problem has been unsolved now for more than a century, with the standard methods of physics making little headway. It is clear that much more radical ideas are needed, and our front-line researchers are showing that string theory provides these. This book describes these extraordinary developments, which are helping us to think in entirely new ways about how physical reality may be structured at its deepest level. Amongst these ideas are that Everything can happen at the same time – it is all Now; Hidden spaces, large and small, are everywhere amongst us; The basic objects are ‘membranes’ that behave like soap bubbles and can explore the shape of spacetime in new ways; We are holographic projections from higher dimensions; You can take the ‘square root’ of gravity; Ideas from the ancient Greeks are resurfacing in a beautiful new form; And the very latest work shows that ‘staying positive’ is essential. The book is aimed at a general audience, using analogies, diagrams, and simple examples throughout. It is intended as a brief tour, enabling the reader to become aware of the main ideas and recent work. A full list of further resources is supplied. Bill Spence is the founding Director of the Centre for Research in String Theory at Queen Mary University of London. He has worked on string theory for over three decades.