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Author: A. Azfar Moin Publisher: Columbia University Press ISBN: 0231555407 Category : History Languages : en Pages : 653
Book Description
Sacred kingship has been the core political form, in small-scale societies and in vast empires, for much of world history. This collaborative and interdisciplinary book recasts the relationship between religion and politics by exploring this institution in long-term and global comparative perspective. Editors A. Azfar Moin and Alan Strathern present a theoretical framework for understanding sacred kingship, which leading scholars reflect on and respond to in a series of essays. They distinguish between two separate but complementary religious tendencies, immanentism and transcendentalism, which mold kings into divinized or righteous rulers, respectively. Whereas immanence demands priestly and cosmic rites from kings to sustain the flourishing of life, transcendence turns the focus to salvation and subordinates rulers to higher ethical objectives. Secular modernity does not end the struggle between immanence and transcendence—flourishing and righteousness—but only displaces it from kings onto nations and individuals. After an essay by Marshall Sahlins that ranges from the Pacific to the Arctic, the book contains chapters on religion and kingship in settings as far-flung as ancient Egypt, classical Greece, medieval Islam, Mughal India, modern European drama, and ISIS. Sacred Kingship in World History sheds new light on how religion has constructed rulership, with implications spanning global history, religious studies, political theory, and anthropology.
Author: A. Azfar Moin Publisher: Columbia University Press ISBN: 0231555407 Category : History Languages : en Pages : 653
Book Description
Sacred kingship has been the core political form, in small-scale societies and in vast empires, for much of world history. This collaborative and interdisciplinary book recasts the relationship between religion and politics by exploring this institution in long-term and global comparative perspective. Editors A. Azfar Moin and Alan Strathern present a theoretical framework for understanding sacred kingship, which leading scholars reflect on and respond to in a series of essays. They distinguish between two separate but complementary religious tendencies, immanentism and transcendentalism, which mold kings into divinized or righteous rulers, respectively. Whereas immanence demands priestly and cosmic rites from kings to sustain the flourishing of life, transcendence turns the focus to salvation and subordinates rulers to higher ethical objectives. Secular modernity does not end the struggle between immanence and transcendence—flourishing and righteousness—but only displaces it from kings onto nations and individuals. After an essay by Marshall Sahlins that ranges from the Pacific to the Arctic, the book contains chapters on religion and kingship in settings as far-flung as ancient Egypt, classical Greece, medieval Islam, Mughal India, modern European drama, and ISIS. Sacred Kingship in World History sheds new light on how religion has constructed rulership, with implications spanning global history, religious studies, political theory, and anthropology.
Author: Juilan the Apostate Publisher: ISBN: 9781915645197 Category : Languages : en Pages : 0
Book Description
Against the Galileans (where "Galileans" meant the followers of the man from Galilee, or Christians) was written by the last pagan Emperor of Rome, Flavius Claudius Julianus, who lived from 331-363 AD, as part of his attempts to reverse the Empire's conversion to Christianity started by Emperor Constantine in 313 AD. This work was acknowledged by one of Julian's greatest critics, Cyril, the Patriarch of Alexandria, as one of the most powerful books of its sort ever written. Even though Cyril was Patriarch nearly 90 years after Julian's death, he was motivated to write a refutation titled Contra Iulianum ("Against Julian"). For more than 200 years, Julian's book remained the standard criticism of Christianity. Finally, in an attempt to suppress the work, the Emperor Justinian I (527-565) ordered all copies of the book destroyed. As a result, the only record of Julian's book remained in the parts quoted from in it in Cyril's criticism. It was only more than 1,200 years later that the English classical scholar Thomas Taylor (1758-1835) first translated Cyril's work into English-and from that, attempted a reconstruction of Julian's book based on Julian's quotes from Cyril's work. Taylor titled this manuscript "The Arguments of the Emperor Julian against the Christians, translated from the Greek fragments preserved from the Greek fragments preserved by Cyril Bishop of Alexandria, to which are added, Extracts from the other works of Julian relative to the Christians" and privately published his reconstruction in 1809 for a very limited circle of friends. Taylor's reconstruction was finally published for a larger audience by William Nevis in 1873. This new edition contains the full Taylor reconstruction, along with his original appendices. From 1913 to 1923, British-American classical philologist and Professor of Greek at Bryn Mawr College, Pennsylvania, Wilmer Cave Wright, retranslated all of Julian's works. Wright included a new translation of the exact quotes only from Julian, as reproduced by Cyril, and some other remaining fragments. Wright's original manuscript is also included in this new edition, making it to be the most complete reconstruction of Julian's book ever printed.
Author: Ivo de Figueiredo Publisher: Yale University Press ISBN: 0300245025 Category : Biography & Autobiography Languages : en Pages : 721
Book Description
A magnificent new biography of Henrik Ibsen, among the greatest of modern playwrights Henrik Ibsen (1820–1908) is arguably the most important playwright of the nineteenth century. Globally he remains the most performed playwright after Shakespeare, and Hedda Gabler, A Doll’s House, Peer Gynt, and Ghosts are all masterpieces of psychological insight. This is the first full-scale biography to take a literary as well as historical approach to the works, life, and times of Ibsen. Ivo de Figueiredo shows how, as a man, Ibsen was drawn toward authoritarianism, was absolute in his judgments over others, and resisted the ideas of equality and human rights that formed the bases of the emerging democracies in Europe. And yet as an artist, he advanced debates about the modern individual’s freedom and responsibility—and cultivated his own image accordingly. Where other biographies try to show how the artist creates the art, this book reveals how, in Ibsen’s case, the art shaped the artist.
Author: Toril Moi Publisher: OUP Oxford ISBN: 0191502642 Category : Literary Criticism Languages : en Pages : 416
Book Description
Henrik Ibsen (1828-1906) is the founder of modern theater, and his plays are performed all over the world. Yet in spite of his unquestioned status as a classic of the stage, Ibsen is often dismissed as a fuddy-duddy old realist, whose plays are of interest only because they remain the gateway to modern theater. In Henrik Ibsen and the Birth of Modernism , Toril Moi makes a powerful case not just for Ibsen's modernity, but for his modernism. Situating Ibsen in his cultural context, she shows how unexpected his rise to world fame was, and the extent of his influence on writers such Shaw, Wilde, and Joyce who were seeking to escape the shackles of Victorianism. Henrik Ibsen and the Birth of Modernism also rewrites nineteenth-century literary history; positioning Ibsen between visual art and philosophy, the book offers a critique of traditional theories of the opposition between realism and modernism. Modernism, Moi argues, arose from the ruins of idealism, the dominant aesthetic paradigm of the nineteenth century. She also shows why Ibsen still matters to us today, by focusing on two major themes-his explorations of women, men, and marriage and his clear-eyed chronicling of the tension between skepticism and the everyday. This radical new account places Ibsen in his rightful place alongside Baudelaire, Flaubert, and Manet as a founder of European modernism.
Author: Robert Peter Kennedy Publisher: Lexington Books ISBN: 9780739113844 Category : Biography & Autobiography Languages : en Pages : 430
Book Description
The influence of Christianity on literature has been great throughout history, as has been the influence of the great Christian, Augustine. Augustine and Literature considers the influence of Augustine on the theory and practice of an academic discipline of which he himself was not a practitioner-literature, especially poetry and fiction. The essays in this volume explore the many influences of Augustine on literature, most obviously in terms of themes and symbols, but also more pervasively perhaps in proving that literature strives for meaning through and beyond the fictional or metaphorical surface. The authors discussed in these essays, from Dante and Milton to O'Connor and Faulkner, all demonstrate a common concern that literature must be attentive to the highest things and the deepest journeys of the soul. Together these essays offer a compelling argument that literature and Augustine do belong together in the common task of guiding the soul toward the truth it desires.
Author: Brian Johnston Publisher: Penn State Press ISBN: 9780271008097 Category : Literary Criticism Languages : en Pages : 440
Book Description
'Attempting no less a task than to demonstrate that Ibsen planned his last twelve plays, beginning with Pillars of Society, as a cycle paralleling exactly Hegel's account of the evolution of the human consciousness, The Phenomenology of Mind, Johnston offers a fresh look at the Norwegian master. Although there is little specific biographical data in support of the author's thesis, he argues compellingly for it in his analysis of the texts themselves. After discussing Hegel's dramatic method of exposition and Ibsen's philosophy, Johnston examines each of the twelve plays in considerable detail. Provocative and sophisticated in its approach, this volume should be widely available to scholars and advanced students of modern drama. ---Library Journal
Author: Brian Johnston Publisher: U of Minnesota Press ISBN: 081665798X Category : Literary Criticism Languages : en Pages : 354
Book Description
To the Third Empire was first published in 1980. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Critical acclaim greeted Brian Johnston's 1975 book on Ibsen's final phase, The Ibsen Cycle. Choice called it "the single most provocative and critically exciting books of Ibsen criticism in decades." Johnston now turns his attention to the early works, using the same thematic premise - that the plays follow a clear progression, influenced by the Hegalian aesthetic that pervaded Europe in the mid-nineteenth century. The result is an explanation of the early career that demonstrates both its unity and its essential relation to the realistic cycle that followed. In advancing his argument Johnston provides close readings of ten plays, ranging from Cataline to Emperor and Galilean and including Brand and Peer Gynt. Scholars and students of drama, comparative literature, and Ibsen studies will find To the Third Empire an essential work.
Author: A. Azfar Moin
Author: A. Azfar Moin
Author: Juilan the Apostate
Author: Henrik Ibsen
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Author: Ivo de Figueiredo
Author: Toril Moi
Author: Robert Peter Kennedy
Author: Brian Johnston
Author: Brian Johnston
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