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Book Description
Is Elvis the most charismatic star ever? What else accounts for his continuing global appeal and media presence, his allure to music lovers of all ages and to fans whose pilgrimages to Graceland make it the most-visited private residence in the USA? Presley's estate now earns more annually than when Elvis was alive. He died at 42, close on half a century ago, but new generations keep discovering him. He rocks and rolls on and on, not necessarily as a movie star—he was the first to dismiss his 31-film output—but as the top-selling singer in history, a pop-culture icon, an ageless sex symbol and a mythic figure who inspires intense, even fanatical devotion (e.g., the First Presbyterian Church of Elvis the Divine). When Elvis died there were some 170 Elvis imitators. A quarter-century later there were an estimated 85,000 Elvis "tribute artists," including a popular Chinese Elvis in London and a gay Mexican American, El Vez, whose re-tooled song performances include "You Ain't Nothin' But a Chihuahua." There are even Elvis performances in "heaven"—some years ago two groups of skydiving impersonators, the Flying Elvises and the Flying Elvis, sued each other in federal court. Elvis Forever offers possibly the most revealing and rounded close-up look yet at the King. The frank, often bold, sometimes shocking or surprising quotes from insiders and outsiders, peers, costars, friends, employees and famous fans took over two decades to collect and cover every phase of the life and legacy of the magnetic man from Memphis.
Book Description
Is Elvis the most charismatic star ever? What else accounts for his continuing global appeal and media presence, his allure to music lovers of all ages and to fans whose pilgrimages to Graceland make it the most-visited private residence in the USA? Presley's estate now earns more annually than when Elvis was alive. He died at 42, close on half a century ago, but new generations keep discovering him. He rocks and rolls on and on, not necessarily as a movie star—he was the first to dismiss his 31-film output—but as the top-selling singer in history, a pop-culture icon, an ageless sex symbol and a mythic figure who inspires intense, even fanatical devotion (e.g., the First Presbyterian Church of Elvis the Divine). When Elvis died there were some 170 Elvis imitators. A quarter-century later there were an estimated 85,000 Elvis "tribute artists," including a popular Chinese Elvis in London and a gay Mexican American, El Vez, whose re-tooled song performances include "You Ain't Nothin' But a Chihuahua." There are even Elvis performances in "heaven"—some years ago two groups of skydiving impersonators, the Flying Elvises and the Flying Elvis, sued each other in federal court. Elvis Forever offers possibly the most revealing and rounded close-up look yet at the King. The frank, often bold, sometimes shocking or surprising quotes from insiders and outsiders, peers, costars, friends, employees and famous fans took over two decades to collect and cover every phase of the life and legacy of the magnetic man from Memphis.
Author: Steven L. Hamelman Publisher: University of Georgia Press ISBN: 9780820325873 Category : Music Languages : en Pages : 292
Book Description
Trash has been blowing across the rock'n'roll landscape since the first amplified guitar riff tore through American mass culture. Throwaway tunes, wasted fans, crappy reviews, junk bins of remaindered albums: much of rock's quintessence is handily conveyed in terms of disposability and impermanence. Steven L. Hamelman sums up these rubbishy affinities as rock's "trash trope." Trash is an obvious physical presence on the rock scene -- think of Woodstock's littered pastures or the many hotel rooms redecorated by the Who. More intriguingly, Hamelman says, trash is the catalyst for a powerful mode of rock composition and criticism. It is, for instance, both cause and effect when performers like the Ramones or Beck at once critique junk culture and revel in it. But Is It Garbage? spills over with challenging insights into how rock's creators, critics, and consumers transform, and are transformed by, trash as a fact and a concept. In the music's preoccupation with its own trashiness readers will perceive a wellspring of rock innovation and inspiration -- one largely overlooked and little understood until now.
Author: David Ketterer Publisher: Praeger ISBN: Category : Literary Criticism Languages : en Pages : 276
Book Description
The 19th International Conference on the Fantastic in the Arts was focused on the centennial of the initial publication of H. G. Wells's The War of the Worlds. Wells's first and fourth novels, The Time Machine and The War of the Worlds, have together largely created the science fiction genre and are arguably the two most influential works of science fiction. But through his works Wells has had an even broader influence on the fantastic, and numerous writers, artists, and musicians are indebted to him. This volume includes selected essays from the 19th annual ICFA and gives special attention to Wells and his legacy. The first section of the book offers fresh interpretations of The War of the Worlds, particularly as a commentary on colonialism. The second provides broader coverage of Wells and his works, with essays examining his A Modern Utopia and looking at texts which his writings inspired in major or minor ways. The third includes essays on noted fantasy writer Peter Straub, the guest of honor at the conference; while the fourth presents discussions of a variety of topics related to the fantastic, including fantastic neomedievalism, Dracula, and dragons.
Author: Gavin Cologne-Brookes Publisher: LSU Press ISBN: 080716948X Category : Music Languages : en Pages : 255
Book Description
American Lonesome: The Work of Bruce Springsteen begins with a visit to the Jersey Shore and ends with a meditation on the international legacy of Springsteen’s writing, music, and performances. Gavin Cologne-Brookes’s innovative study of this popular musician and his position in American culture blends scholarship with personal reflection, providing both an academic examination of Springsteen’s work and a moving account of how it offers a way out of emotional solitude and the potential lonesomeness of modern life. Cologne-Brookes proposes that the American philosophical tradition of pragmatism, which assesses the value of ideas and arguments based on their practical applications, provides a lens for understanding the diversity of perspectives and emotions encountered in Springsteen’s songs and performances. Drawing on pragmatist philosophy from William James to Richard Rorty, Cologne-Brookes examines Springsteen’s formative environment and outsider psychology, arguing that the artist’s confessed tendency toward a self-reliant isolation creates a tension in his work between lonesomeness and community. He considers Springsteen’s portrayals of solitude in relation to classic and contemporary American writers, from Frederick Douglass, Nathaniel Hawthorne, and Emily Dickinson to Richard Wright, Flannery O’Connor, and Joyce Carol Oates. As part of this critique, he discusses the difference between escapist and pragmatic romanticism, the notion of multiple selves as played out both in Springsteen’s work and in our perception of him, and the impact of performances both recorded and live. By drawing on his own experiences seeing Springsteen perform—including on tours showcasing the album The River in 1981 and 2016—Cologne-Brookes creates a book about the intimate relationship between art and everyday life. Blending research, cultural knowledge, and creative thinking, American Lonesome dissolves any imagined barriers between the study of a songwriter, literary criticism, and personal testimony.
Author: Peggy Webb Publisher: Kensington Books ISBN: 0758248202 Category : Fiction Languages : en Pages : 260
Book Description
From a USA Today–bestselling author: First in the mystery series filled with “pure southern lunacy of the best possible kind” (Laurien Berenson). They say you can’t get to Heaven without passing through the Eternal Rest Funeral Home. And no one gets into Eternal Rest without passing muster with Elvis—the basset hound who’s convinced he’s the reincarnation of the King of Rock ’n’ Roll. Brewing up a big ol’ pitcher of Mississippi mystery, Peggy Webb’s delightful new series is as intoxicating as the Delta breeze. Normally, Callie Valentine Jones spends her days fixing up the hairdos of the dead, but when the corpse of prominent local physician Dr. Leonard Laton goes missing, it’s bad for business. So Callie and her cousin Lovie (Eternal Rest’s resident wake caterer) have no choice but to go in hot pursuit of the recently embalmed, last seen bound for Vegas by way of downtown Tupelo. In Vegas, Callie and Lovie hit the jackpot when they find the dearly departed inside a freezer owned by his showgirl mistress, Bubble Malone. But their luck runs out when Bubble decides to join her man in the afterlife. With the poisonous Laton family tree providing plenty of rotten suspects, Callie, along with some help from her basset hound, Elvis, is determined to crack this case—and have a killer singing “Jailhouse Rock” in time for her next haircutting appointment . . .
Author: Boze Hadleigh
Author: Boze Hadleigh
Author: Gianluca Morozzi
Author: Rebecca York
Author: Tina Vasilos
Author: Heather McCann
Author: Steven L. Hamelman
Author: Madelyn Sanders
Author: David Ketterer
Author: Gavin Cologne-Brookes
Author: Peggy Webb