Author: Rosa RasielPublisher:
ISBN:
Category :
Languages : en
Pages : 76
Book Description
Elements of the Noh Plays in Yeats' Drama
Author: Rosa RasielYeats and the Noh, with Two Plays for Dancers by Yeats and Two Noh Plays
Author: Akhtar QamberPublisher: Weatherhill, Incorporated
ISBN:
Category : English drama
Languages : en
Pages : 172
Book Description
William Butler Yeats: Elements of the Noh ; Used, Discovered ; Re-used ; a Study of Yeat's Experiments with the Noh Theatre Before 1914
Author: William M. EloshwayYeats and European Drama
Author: Michael McAteerPublisher: Cambridge University Press
ISBN: 0521769116
Category : Drama
Languages : en
Pages : 237
Book Description
Michael McAteer examines the plays of W. B. Yeats, considering their place in European theatre during the late nineteenth and early twentieth century. This original study considers the relationship Yeats's work bore with those of the foremost dramatists of the period, drawing comparisons with Henrik Ibsen, Maurice Maeterlinck, August Strindberg, Luigi Pirandello and Ernst Toller. It also shows how his plays addressed developments in theatre at the time, with regard to the Naturalist, Symbolist, Surrealist and Expressionist movements, and how symbolism identified Yeats's ideas concerning labour, commerce and social alienation. This book is invaluable to graduates and academics studying Yeats but also provides a fascinating account for those in Irish studies and in the wider field of drama.
The Plays of W. B. Yeats
Author: S. EllisPublisher: Springer
ISBN: 1349272248
Category : Literary Criticism
Languages : en
Pages : 393
Book Description
This book investigates Yeats's experiments with the media of language and dance in his plays. He was allied to other artists of the 1890s in his fascination with the biblical dancer Salome and in his preoccupation with things Japanese, particularly 'Noh' Theatre with its central dance. The impact of Diaghliev's Ballets Russes also played its part in influencing Yeats's drama, and his interest in the 'dance-as-meaning' debate places him firmly not only in his time but also in our own.
W.B. Yeats
Author: Sunil Kumar SarkerPublisher: Atlantic Publishers & Dist
ISBN: 9788171566471
Category :
Languages : en
Pages : 372
Book Description
J.M. Cohen Wrote That Yeats Was The Greatest Figure In English Poetry Since The Death Of Tennyson , And Ezra Pound, Who Once Went To Yeats To Learn How To Write Poetry, Wrote About Him : I Dare Say ... That Up To Date No One Has Shown Any Disposition To Supersede Him As The Best Poet In England Or Any Likelihood Of Doing So For Some Time... Yeats Is A Very Complex And Difficult Poet, Because There Is In Him A Curious Intermixture Of Romanticism, Realism, Mythology, Supernaturalism, Magic, Ocultism, Automatic Writing, Nationalism, Private Philosophy , And Even Prejudices. His Poems Are Very Compact, Allowing No Elaborations, And Leaving Gaps For The Reader To Imaginatively Fill Them Up, And Thus Making Them More Difficult. Great Explicators And Commentators Have, Of Course, Come Forward, But They Themselves, Sometimes, Are Either Difficult Or Not Enough. Therefore, The One Single Objective Of This Book Is To Introduce The Poet To The General Reader In An Easy Manner.To Give An Idea Of The Poet, As Many As Forty-One Poems, Selected From His Four Stages Of Poetic Development, Have Been Explained (And All Those Poems Have Been Quoted In Full). Yeats Had Also A Métier For Drama, And Had Been A Pioneer Of One Act Plays, And Wrote No Fewer Than Thirty Plays. And So Yeats Has Also Been Discussed As A Dramatist, And, In Addition, Eight Of His Plays Have Been Discussed At Some Length.
Yeats and Noh
Author: Jean-Paul G. POTETPublisher: Lulu.com
ISBN: 1326459856
Category : Social Science
Languages : en
Pages : 250
Book Description
Under the influence of the lyrical drama of Medieval Japan called "Noh (N'gaku)," William Butler Yeats (1865-1939) wrote ten short plays to be performed for small elite audiences. These plays constitute his "noble theatre." They fall into two generations. Six plays belong to the first generation: At the Hawk's Well (1917), The only Jealousy of Emer (1919), The Dreaming of the Bones (1919), Calvary (1920), The Cat and the Moon (1926), a farce, and Resurrection (1931). The second generation comprises four plays: A Full Moon in March (1935), The King of the Great Clock Tower (1935), Purgatory (1939), and The Death of Cuchulain (1939).
Progress & Identity in the Plays of W.B. Yeats, 1892-1907
Author: Barbara A. SuessPublisher: Routledge
ISBN: 1135454000
Category : Literary Criticism
Languages : en
Pages : 210
Book Description
Progress and Identity in the Poems of W. B. Yeats explores the ways in which Yeats's plays offer an alternative form of progress via a philosophical system of opposites: Always seeking the opposite, the nature of which changes as we change, we continually augment our personalities, and ultimately improve society, with the inclusion of the Other. This system, which eventually became Yeats's doctrine of the mask, provided his contemporaries with a method of changing what science, Platonism, and Victorian bourgeois ideologies claimed to be inescapable qualities of self. Progress and Identityn relocates Yeats's literary, social, and political relevance from his essentializing cultural nationalism to his later, more broad-minded definitions of progress.
Mythopoetic Elements in the Later Plays of W.B. Yeats and the Noh
Author: Myŏng-hwan KimPublisher:
ISBN:
Category : Nō plays
Languages : en
Pages : 460
Book Description
The Influence of the Noh Drama on William Butler Yeats, Bertolt Brecht, and Thornton Niver Wilder
Author: Martha NiemoellerPublisher:
ISBN:
Category : Nō (Japanese drama and theater)
Languages : en
Pages : 392
Book Description