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Author: Steve J. Wurtzler Publisher: Columbia University Press ISBN: 9780231136778 Category : Computers Languages : en Pages : 424
Book Description
The 1920s and 1930s marked some of the most important developments in the history of the American mass media: the film industry's conversion to synchronous sound, the rise of radio networks and advertising-supported broadcasting, the establishment of a federal regulatory framework, and the birth of a new acoustic commodity in which consumers accessed stories, songs, and other products through multiple media formats. The innovations of this period not only restructured and consolidated corporate mass media interests while shifting the conventions of media consumption. They renegotiated the social functions assigned to mass media forms. In this impeccably researched history, Steve J. Wurtzler grasps the full story of sounds media, proving that the ultimate form technology takes is never predetermined but shaped by conflicting visions of technological possibility in economic, cultural, and political realms.
Author: Steve J. Wurtzler Publisher: Columbia University Press ISBN: 9780231136778 Category : Computers Languages : en Pages : 424
Book Description
The 1920s and 1930s marked some of the most important developments in the history of the American mass media: the film industry's conversion to synchronous sound, the rise of radio networks and advertising-supported broadcasting, the establishment of a federal regulatory framework, and the birth of a new acoustic commodity in which consumers accessed stories, songs, and other products through multiple media formats. The innovations of this period not only restructured and consolidated corporate mass media interests while shifting the conventions of media consumption. They renegotiated the social functions assigned to mass media forms. In this impeccably researched history, Steve J. Wurtzler grasps the full story of sounds media, proving that the ultimate form technology takes is never predetermined but shaped by conflicting visions of technological possibility in economic, cultural, and political realms.
Author: Joel Chadabe Publisher: Pearson ISBN: Category : Music Languages : en Pages : 394
Book Description
The author covers the development of the electronic musical instrument from Thaddeus Cahill's Telharmonium at the turn of the last century to the MIDI synthesizers of the 1990s. --book cover.
Author: Andrew Sheppard Publisher: "O'Reilly Media, Inc." ISBN: 059655365X Category : Computers Languages : en Pages : 346
Book Description
If you've heard about Skype--and who hasn't with all the recent media attention devoted to internet telephone services--chances are you've been mighty tempted to try it out. Skype Hacks tells you what all the Skype hype is about, explains the basics, and shows you more than 100 clever tips and tricks for tweaking and tuning Skype to make it do just what you want and more. Millions of people (48 million and counting, in fact) have opted for Skype, which uses peer-to-peer (P2P) technology to turn any PC, Mac, or Pocket PC into a telephone. Skype offers free calls between computers and extremely cheap calls to "old-fashioned" phone numbers (landlines and mobile phones). The sound quality is excellent, and end-to-end encryption means the connection is private and secure. But if you really know what you're doing, Skype can accomplish a whole lot more than that. Software developer and author Andrew Sheppard recently converted his entire house to Skype and uses it for all his personal and business calls, even when he's traveling. In Skype Hacks, he shows you how to do things with the technology that even the engineers at Skype probably never intended. Skype Hacks shows you how to: Get started with Skype Figure out how much money you're saving and maximize your savings Cut the ties to your old phone company Optimize your Skype configuration Integrate Skype with desktop tools like Microsoft Office and your web browser Set up a Skype-based call center The book offers ideas for creating and organizing a contacts list, using Skype to transfer files, taking advantage of chat and voicemail capabilities, turning a PDA into a mobile phone, and automating Skype for even greater efficiency. So whether you'd simply like to give Skype a trial run, you want new Skype ring tones and fun on-hold music, or you're considering wiring your home with Skype to get rid of "regular" phone service altogether, Skype Hacks is your ideal guide.
Author: Dave Hunter Publisher: Hal Leonard Corporation ISBN: 9780879308865 Category : Music Languages : en Pages : 212
Book Description
This book offers an in-depth analysis of the many components of guitar tone. How does an ash body differ from alder? Which bridge hardware maximizes body resonance? How do Gibson P-90 pickups differ from Fender Jazzmaster pickups? Designed for veterans and beginners alike, "Electric Guitar Sound" helps any player understand the myriad kinds of wood, hardware, and electronics available and pick a guitar with a tone and feel that is just right for them.
Author: Leigh Landy Publisher: Taylor & Francis ISBN: 104015218X Category : Music Languages : en Pages : 207
Book Description
This book investigates two areas in which the appreciation of sonic creativity can be easily acquired across diverse cultures, ages and interests: the music of sounds – making music with any sounds, part of today’s sampling culture and the music of things – and the creation of instruments using existent materials (another type of sampling?) involving the notion of ‘instrument as composition’ as part of today’s DIY (or DIT, do it together) culture. The book offers broad discussions regarding the music of things (written by John Richards) followed by the music of sounds (written by Leigh Landy). These chapters are followed by a focus on the workshop demonstrating the collaborative and inclusive potential in both areas, and a spotlight on eight artists with a broad diversity of backgrounds and approaches to sound and music who discuss their perceptions. The book’s conclusion focuses on similarities and differences between the music of sounds and the music of things, suggesting, finally, that both might form part of the 21st- century’s folk music landscape. The book is primarily aimed towards students interested in current forms of sonic creativity but will be of interest to those interested in broader issues of sampling culture, hacking and sound studies.
Author: Samuel Milham MD MPH Publisher: iUniverse ISBN: 1938908198 Category : Biography & Autobiography Languages : en Pages : 131
Book Description
When Thomas Edison began wiring New York City with a direct current electricity distribution system in the 1880s, he gave humankind the magic of electric light, heat, and power; in the process, though, he inadvertently opened a Pandoras Box of unimaginable illness and death. Dirty Electricity tells the story of Dr. Samuel Milham, the scientist who first alerted the world about the frightening link between occupational exposure to electromagnetic fields and human disease. Milham takes readers through his early years and education, following the twisting path that led to his discovery that most of the twentieth century diseases of civilization, including cancer, cardiovascular disease, diabetes, and suicide, are caused by electromagnetic field exposure. In the second edition, he explains how electrical exposure does its damage, and how electricity is causing our current epidemics of asthma, diabetes and obesity. Dr. Milham warns that because of the recent proliferation of radio frequency radiation from cell phones and towers, terrestrial antennas, Wi-Fi and Wi-max systems, broadband internet over power lines, and personal electronic equipment, we may be facing a looming epidemic of morbidity and mortality. In Dirty Electricity, he reveals the steps we must take, personally and as a society, to coexist with this marvelous but dangerous technology.
Author: Bill Gibson Publisher: Rowman & Littlefield ISBN: 1538134659 Category : Music Languages : en Pages : 457
Book Description
The third edition of The Ultimate Live Sound Operator’s Handbook offers new sections on digital concepts, wireless considerations, digital mixers, modern digital snakes, routing schemes, block diagrams, signal paths, plug-ins for live sound, and more. Any live act must sound great to be well received by today’s increasingly demanding audiences. If you’re a sound operator, teacher, musician, or even a music fan who is interested in becoming a sound operator, you know that regardless of the musical genre or venue, high-quality audio is mandatory for an artist or band’s success. This book shows you how to improve your audio skills, including how to build great sounds that form a professional-sounding mix. Revised and updated, The Ultimate Live Sound Operator’s Handbook, 3rd Edition focuses on each modern and classic aspects of live sound operation in a way that is straightforward and easy to understand—from system, component, and acoustic considerations to miking, mixing, and recording the live show. Tightly produced online videos clearly demonstrate key concepts presented in the text. These instructional videos, along with hundreds of detailed illustrations and photographs, provide an incredibly powerful and useful learning experience. An access code to the companion website is provided in the book. The Ultimate Live Sound Operator’s Handbook, 3rd Edition, features: Shaping Instrument and Vocal Sounds Creating an Excellent Mix Mixer Basics Digital Mixers and Snakes Volume Issues and Sound Theory Digital Theory Managing the Signal Path Signal Processors and Effects Modern Plug-ins Microphone Principles, Techniques, and Design Wireless Systems In-Ear versus Floor Monitors Loudspeakers and Amplifiers Acoustic Considerations Miking the Group and Sound Check
Author: Torsten Wissmann Publisher: Routledge ISBN: 1317128915 Category : Social Science Languages : en Pages : 293
Book Description
Traffic, music, language and nature help to create unique soundscapes that are essential to the place-based character of each city. Taking into account both the urban soundscape and the impacts of sound on the urban dweller, this book examines sound not as a by-product of urban life, but as a fundamental part of the urban experience that is crucial to understanding the city ́s sense of place. Illustrated by case studies from Europe and North America, these range from on-site measurements to the construction of audio tours for local tourism, from media analysis of popular culture audio drama to sound-identity and city branding, and from the classification of noise in city planning to a consideration of the complex relationship between sacred sound and the creation of a sense of place. Taking a social geographic perspective, the book focuses on the effects of sounds on the individual and how they influence the ways s/he engages the city as place, especially in their daily routines. In doing so, it uncovers the socio-scientific potential of sound in the urban environment, based on the understanding that sound cannot and must not be seen as detached from the urban landscape, but rather as a constituting element. Sound exists not only ’within the city’: it ’is’ the city.
Author: Thom Holmes Publisher: Routledge ISBN: 1317410238 Category : Music Languages : en Pages : 585
Book Description
Electronic and Experimental Music: Technology, Music, and Culture provides a comprehensive history of electronic music, covering key composers, genres, and techniques used in analog and digital synthesis. This textbook has been extensively revised with the needs of students and instructors in mind. The reader-friendly style, logical organization, and pedagogical features of the fifth edition allow easy access to key ideas, milestones, and concepts. New to this edition: • A companion website, featuring key examples of electronic music, both historical and contemporary. • Listening Guides providing a moment-by-moment annotated exploration of key works of electronic music. • A new chapter—Contemporary Practices in Composing Electronic Music. • Updated presentation of classic electronic music in the United Kingdom, Italy, Latin America, and Asia, covering the history of electronic music globally. • An expanded discussion of early experiments with jazz and electronic music, and the roots of electronic rock. • Additional accounts of the vastly under-reported contributions of women composers in the field. • More photos, scores, and illustrations throughout. The companion website features a number of student and instructor resources, such as additional Listening Guides, links to streaming audio examples and online video resources, PowerPoint slides, and interactive quizzes.
Author: Jens Gerrit Papenburg Publisher: Bloomsbury Publishing USA ISBN: 1501346717 Category : Music Languages : en Pages : 345
Book Description
From 1940 to 1990, new machines and devices radically changed listening to music. Small and large single records, new kinds of jukeboxes and loudspeaker systems not only made it possible to playback music in a different way, they also evidence a fundamental transformation of music and listening itself. Taking the media and machines through which listening took place during this period, Listening Devices develops a new history of listening.Although these devices were (and often still are) easily accessible, up to now we have no concept of them. To address this gap, this volume proposes the term listening device. In conjunction with this concept, the book develops an original and fruitful method for exploring listening as a historical subject that has been increasingly organized in relation to technology. Case studies of four listening devices are the points of departure for the analysis, which leads the reader down unfamiliar paths, traversing the popular sound worlds of 1950s rock 'n' roll culture and the disco and club culture of the 1970s and 1980s. Despite all the characteristics specific to the different listening devices, they can nevertheless be compared because of the fundamental similarities they share: they model and manage listening, they actively mediate between the listener and the music heard, and it is this mediation that brings both listener and the music listened to into being. Ultimately, however, the intention is that the listening devices themselves should not be heard so that the music they playback can be heard. Thus, they take the history of listening to its very limits and confront it with its other-a history of non-listening. The book proposes listening device as a key concept for sound studies, popular music studies, musicology, and media studies. With this conceptual key, a new, productive understanding of past music and sound cultures of the pre-digital era can be unlocked, and, not least, of the listening culture of the digital present.
Author: Steve J. Wurtzler
Author: Steve J. Wurtzler
Author: Joel Chadabe
Author: Andrew Sheppard
Author: Dave Hunter
Author: Leigh Landy
Author: Samuel Milham MD MPH
Author: Bill Gibson
Author: Torsten Wissmann
Author: Thom Holmes
Author: Jens Gerrit Papenburg