El Arte de la imagen en movimiento PDF Download

Author: Vachel Lindsay
Publisher:
ISBN: 9788488951038
Category :
Languages : es
Pages : 325

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Author: María José Martínez de Pisón Ramón
Publisher:
ISBN: 9788497055437
Category :
Languages : es
Pages :

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Author: Víctor Silva Echeto
Publisher: Editorial GEDISA
ISBN: 8416572852
Category : Language Arts & Disciplines
Languages : en
Pages : 122

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Book Description
La desilusión de la imagen. Arqueología, cuerpo(s) y mirada(s), plantea que las imágenes son vínculos entre distintas épocas y culturas, son síntomas e indicios que dejan huellas en el imaginario cultural. Son la elegíaca memoria como musa que deambula por los tiempos pero fuera de los tiempos (genealogía) o, en otros términos, las imágenes son Mnemosyne, es decir, la musa de todas las musas. Una arqueología de la imagen, implica considerar a la imagen desde la intermedialidad (entre-medios), los cuerpos y las miradas. Concebirla desde una crítica de la cultura en una contemporaneidad atravesada por la crisis. La pregunta ¿qué son las imágenes? que se formula desde la debilidad de cierta inocencia de la escritura, adquiere toda su dimensión desde el momento en que se confunde imagen con visualidad o imagen con medios audiovisuales, dejando por el camino todos los restos de imágenes que no son visuales. Aún más, ese debate se torna más complejo, cuando en su trasfondo está la «memoria» del holocausto (o de los holocaustos); las imágenes de la crisis política, económica y social o los miles de refugiados, en la paradigmática imagen de un niño muerto en la playa, deambulando por geografías europeas. La imagen es, en efecto, «nómada», viaja por territorios y culturas. Entonces, la inocencia de la pregunta se transforma en la imagen frágil de los que no tienen imagen. «La propuesta de Víctor Silva Echeto, es una de las mejor articuladas que conozco para pensar posibles alternativas a la situación de impasse a que parece abocarnos el mundo contemporáneo.» JENARO TALENS (escritor).

Author: José Luis Caramés Lage
Publisher: Universidad de Oviedo
ISBN: 9788483172025
Category : Performing Arts
Languages : es
Pages : 484

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Author: Dina Riccò
Publisher: Artecittà International Foundation Publishing
ISBN: 8494307193
Category : Art
Languages : en
Pages : 158

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MuVi5 is the fifth edition of Visual Music dedicated videos – following upon MuVi (Granada, 2007), MuVi2 (Granada, 2009), MuVi3 (Almeria, 2012) and MuVi4 (Alcalá la Real, Jaén, 2015) – an event that completes the Fifth International Conference Sinestesia: Ciencia y Arte, which took place at Alcalá la Real, Jaén (Convento Capuchinos) and the “Victoria Eugenia” Conservatory of Music of Granada, in Spain, from May 18th to 21th.This is a collection of kinetic works in visual, audiovisual, or interactive fields, from artists, musicians, designers, and performers, designed on music. Alongside the videos from professionals are also works produced in the academic field, presented by professors, or directly by university students, academies of fine arts, and music conservatories. The catalog contains an extensive selection of photographs and videos submitted by participants whose home countries are European, including England (London), Hungary (Pécs), Ireland (Dublin), Italy (Milan), Poland (Warsaw), and Spain (Granada, Girona), as well as outside of Europe, including China (Hong Kong), New Zealand (Auckland), and the USA (Alabama, Massachusetts, Oregon). Links included about 100 minutes of online video. Direction and coordination Dina Riccò (Design Department, School of Design, Politecnico di Milano, Italy) Organizational direction María José de Córdoba Serrano (University of Granada, Drawing Department / Artecittà International Foundation, Granada, Spain), Francisco Toro Ceballos (Área de Cultura, Ayuntamiento de Alcalá la Real, Jaén) Scientific committee of the exposition Giovanni Baule (Design Department, School of Design, Politecnico di Milano, Italy) María José de Córdoba Serrano (University of Granada / Fundación Internacional Artecittà, Granada, Spain) José López Montes (Real Conservatorio Superior de Música “Victoria Eugenia” de Granada, Spain) Jesús Pertíñez López (Drawing Department, University of Granada, Spain) Dina Riccò (Design Department, School of Design, Politecnico di Milano, Italy) Juan García Villar (Painting Department, University of Granada, Spain) Collaborators Elena Caratti (Design Department, School of Design, Politecnico di Milano, Italy), Tremedad Gnecco Suarez (Faculty of Educational Sciences, University of Granada, Spain), Reynaldo Fernández Manzano (Centro de Documentación musical, Junta de Andalucía, Spain), Victor Parra (Univ. Pedagógica experimental libertador, Barquesimeto, Venezuela), Umberto Tolino (Design Department, School of Design, Politecnico di Milano, Italy), Concejalía de Cultura, Ayuntamiento de Alcalá la Real, Jaén, Spain Planning and running of exhibition María José de Córdoba Serrano, Francisco Toro Ceballos, Julia López de la Torre Lucha, Comisión artística Teatro Martinez Montañéz. Organizers Artecittà International Foundation (Granada, Spain), University of Granada (Faculty of Fine Arts, Faculty of Educational Sciences, Department of Drawing, Granada Spain), Politecnico di Milano (Design Department, School of Design, Italy) Patrons Ayuntamiento de Alcalá la Real (Jaén, Spain) Real Conservatorio Superior de Música “Victoria Eugenia” de Granada (Spain) Universidad Pedagógica experimental libertador (Instituto pedagógico “Luis Beltrán Prieto Figueroa”, Barquesimeto, Venezuela) Master’s Degree in Drawing: Creation, Production and Dissemination, University of Granada American Synesthesia Association (New York, US) IASAS International Association of Synaesthetes, Artists, and Scientists (San Francisco, US) Editorial staff Book and DVD edited by Dina Riccò and María José de Córdoba Serrano. The two editors have worked in collaboration for the whole book, more particularly: Dina Riccò has edited the pp. 15-40, 71-111; Maria José de Cordoba Serrano the pp. 41-70, 112-152. The videos, the texts descriptions of the videos and the figures are by the respective participants and authors Editing English texts: by Sean Day Editing Spanish texts: by María José de Córdoba, Julia López de la Torre Lucha Editing Italian texts: Dina Riccò Art direction: Dina Riccò Graphic design of the book and cover: Giulia Martimucci Motion graphic design: Gianluca Balzerano Interface design of the Dvd: Alessandro Zamperini Interaction design of the Dvd: Alberto Barone Web platform (www.muvi-visualmusic.tumblr.com): Elena Caratti, Dina Riccò, Umberto Tolino ISBN 13 (Book + Dvd): 978-84-943071-7-1 ISBN 13 (Ebook): 978-84-943071-9-5 © 2018 Artecittà International Foundation, Granada (Spain) www.artecitta.es, [email protected] Print: Imprenta del Carmen, Granada Printed in Spain. First edition: March 2018

Author: Art Basel
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 578

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Description: Le Figarocalls it "l'antichambre du paradis," and indeed Art Basel Miami Beach, the sister-event of Art Basel (in Basel, natch), is one of the hottest fairs around. With an exclusive selection of 160 leading international galleries exhibiting 20th and 21st century work by over 1,000 artists, the fair--and the accompanying catalogue--provides an essential reference for professionals and collectors with a special focus on the Americas.

Author: Elena Shtromberg
Publisher: Getty Publications
ISBN: 1606067915
Category : Art
Languages : en
Pages : 290

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With insightful essays and interviews, this volume examines how artists have experimented with the medium of video across different regions of Latin America since the 1960s. The emergence of video art in Latin America is marked by multiple points of development, across more than a dozen artistic centers, over a period of more than twenty-five years. When first introduced during the 1960s, video was seen as empowering: the portability of early equipment and the possibility of instant playback allowed artists to challenge and at times subvert the mainstream media. Video art in Latin America was—and still is—closely related to the desire for social change. Themes related to gender, ethnic, and racial identity as well as the consequences of social inequality and ecological disasters have been fundamental to many artists’ practices. This compendium explores the history and current state of artistic experimentation with video throughout Latin America. Departing from the relatively small body of existing scholarship in English, much of which focuses on individual countries, this volume approaches the topic thematically, positioning video artworks from different periods and regions throughout Latin America in dialogue with each other. Organized in four broad sections—Encounters, Networks and Archives, Memory and Crisis, and Indigenous Perspectives—the book’s essays and interviews encourage readers to examine the medium of video across varied chronologies and geographies.

Author: Tavo y Maythe
Publisher: Lulu.com
ISBN: 1312273771
Category : Education
Languages : en
Pages : 128

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Cada persona es como una piedra, en un rió que fluye de forma infinita, y al paso del agua, que es la fuerza de El Systema, es como nos tallamos entre nosotros y nos vamos puliendo hasta quedar con una superficie lisa y suave en nuestras capas exteriores. Cuando aprendo a fluir con la corriente del rio, actuó sin sentirme lastimado, y sin lastimar a los demás con mis actos y mis palabras, me deslizo por el rio de la vida disfrutando del viaje. Art He Sys nos enseña de forma sencilla, a mirarnos como parte de un todo, para aprender como interactuar mejor entre nosotros, de que manera nuestras acciones cuentan y a percibir las causas de los acontecimientos que nos suceden.

Author:
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 704

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Author: José María Castillo-Pomeda
Publisher: Babelcube Inc.
ISBN: 1071526928
Category : Photography
Languages : en
Pages : 175

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Beauty is a subject that has obsessed man since ancient times. While the concept of "the beautiful" is true is relative and depends on each social group and each era, it is also true that our perception of beauty is subject to the harmony of the measures. In any facet of our life, we instictively seek harmony and balance. Why, before two seemingly equal or similar images, one attracts us more than the other? The information they transmit to us is the same but... one is better, we like it more... The answer is inside, in its geometry, in its structure, in short: in its composition. By studying the basic components of an image, the fundamental elements of visual communication, we find a universal language. Knowing how to recognize them in our frame, relocate them and compose with them is as much or more important than the correct handling of the camera. There is still for some the common place that the image does not articulate a language itself, it does not go beyond being an illustration and that it is necessary to "explain" it. I once heard José Saramago, affirm the absolute superiority of the word over the image and condemn the old saying "worth a picture more than a thousand words" to the garbage can. This view, which seems logical in a Nobel Prize for literature, can underline the superiority of written language in the field of abstraction or mental creation. But it is to want to close your eyes (and never better) to the communicative and poetic value of the image. Of course, this controversy settled it, already in the Renaissance, Leonardo da Vinci when he said: "Write the name of God next to his image and see where they look," (da Vinci 187:98)