Author: Walker Art Center
Publisher:
ISBN:
Category : Sculptors
Languages : en
Pages : 48
Book Description
Eight Sculptors: the Ambiguous Image
Eight Sculptors
Author: Walker Art Center
Publisher:
ISBN:
Category : Sculptors
Languages : en
Pages : 20
Book Description
Publisher:
ISBN:
Category : Sculptors
Languages : en
Pages : 20
Book Description
Christo and Jeanne-Claude
Author: Burt Chernow
Publisher: St. Martin's Press
ISBN: 9780312340940
Category : Biography & Autobiography
Languages : en
Pages : 424
Book Description
For their sheer scale and breathtaking audacity, their works have made them among the most celebrated and controversial artists in the world. Valley Curtain stretched 1,250 feet across a valley in Rifle, Colorado; Wrapped Coast covered a mile and a half of Australian coastline with a million square feet of fabric; The Umbrellas deployed 3,100 umbrellas set in Japan and California, each nearly twenty feet tall; Surrounded Islands encircled eleven islands in Biscayne Bay, Florida with six and a half million square feet of bright pink fabric; and Wrapped Reichstag enveloped the entire German parliament in shimmering silver fabric. For more than forty years, these and many other works by Christo and Jeanne-Claude have reconceived the art of the possible, turned natural and human monuments-streets, bridges, hills, trees, buildings, parks, and islands-into sculptures and paintings, and created dazzling new landscapes and startling new vistas. Often requiring years, even decades, of preparation and planning, these works-not merely feats of aesthetic daring but engineering and organizational marvels-exist for only a few weeks or less. Yet what makes these transient creations linger forever in the mind is their overwhelming and magisterial beauty. They are, in every sense, transformative, and, for the millions who have experienced them in person, unforgettable. Christo and Jeanne-Claude have been the frequent subjects of films, videos, catalogues, cartoons, monographs, exhibitions, and editorials. Until this biography by Burt Chernow, however, written with the full cooperation of the artists, nothing has connected the intimate details of their lives and the spectacular dimensions of their projects. Christo, the penniless Bulgarian refugee who made his way to Paris during the 1950s, and Jeanne-Claude, the socialite daughter of a prominent French general, seemed an unlikely couple, yet together they forged one of the most enduring partnerships in contemporary art. When they arrived in New York in 1964, Christo was already becoming well known in avant-garde circles for his wrappings of everyday objects; Jeanne-Claude acted as manager, dealer, and accountant. Over time, as Chernow reveals, the fusion of their prodigious gifts-his drawings and her ability to draw things together-produced the works for which today they are known the world over. Chernow recounts their rise from relative obscurity to international renown, revealing both the sources of their art and the heights to which it has quite literally aspired. An epilogue by Wolfgang Volz, a longtime and close collaborator of the artists, as well as their exclusive photographer, provides a fascinating insider's view of what it is like to work, and dream, with them. Christo and Jeanne-Claude is an indelible portrait of the artists and their work, and a moving account of an extraordinary couple.
Publisher: St. Martin's Press
ISBN: 9780312340940
Category : Biography & Autobiography
Languages : en
Pages : 424
Book Description
For their sheer scale and breathtaking audacity, their works have made them among the most celebrated and controversial artists in the world. Valley Curtain stretched 1,250 feet across a valley in Rifle, Colorado; Wrapped Coast covered a mile and a half of Australian coastline with a million square feet of fabric; The Umbrellas deployed 3,100 umbrellas set in Japan and California, each nearly twenty feet tall; Surrounded Islands encircled eleven islands in Biscayne Bay, Florida with six and a half million square feet of bright pink fabric; and Wrapped Reichstag enveloped the entire German parliament in shimmering silver fabric. For more than forty years, these and many other works by Christo and Jeanne-Claude have reconceived the art of the possible, turned natural and human monuments-streets, bridges, hills, trees, buildings, parks, and islands-into sculptures and paintings, and created dazzling new landscapes and startling new vistas. Often requiring years, even decades, of preparation and planning, these works-not merely feats of aesthetic daring but engineering and organizational marvels-exist for only a few weeks or less. Yet what makes these transient creations linger forever in the mind is their overwhelming and magisterial beauty. They are, in every sense, transformative, and, for the millions who have experienced them in person, unforgettable. Christo and Jeanne-Claude have been the frequent subjects of films, videos, catalogues, cartoons, monographs, exhibitions, and editorials. Until this biography by Burt Chernow, however, written with the full cooperation of the artists, nothing has connected the intimate details of their lives and the spectacular dimensions of their projects. Christo, the penniless Bulgarian refugee who made his way to Paris during the 1950s, and Jeanne-Claude, the socialite daughter of a prominent French general, seemed an unlikely couple, yet together they forged one of the most enduring partnerships in contemporary art. When they arrived in New York in 1964, Christo was already becoming well known in avant-garde circles for his wrappings of everyday objects; Jeanne-Claude acted as manager, dealer, and accountant. Over time, as Chernow reveals, the fusion of their prodigious gifts-his drawings and her ability to draw things together-produced the works for which today they are known the world over. Chernow recounts their rise from relative obscurity to international renown, revealing both the sources of their art and the heights to which it has quite literally aspired. An epilogue by Wolfgang Volz, a longtime and close collaborator of the artists, as well as their exclusive photographer, provides a fascinating insider's view of what it is like to work, and dream, with them. Christo and Jeanne-Claude is an indelible portrait of the artists and their work, and a moving account of an extraordinary couple.
The Figurative Tradition and the Whitney Museum of American Art
Author: Patricia Hills
Publisher: University of Delaware Press
ISBN: 9780874131840
Category : Art
Languages : en
Pages : 204
Book Description
This volume, the catalog of the fiftieth-anniversary exhibition at the Whitney, charts the main currents of twentieth-century American figurative art. More than 200 illustration, 32 in color, are included.
Publisher: University of Delaware Press
ISBN: 9780874131840
Category : Art
Languages : en
Pages : 204
Book Description
This volume, the catalog of the fiftieth-anniversary exhibition at the Whitney, charts the main currents of twentieth-century American figurative art. More than 200 illustration, 32 in color, are included.
Anglo-American Exchange in Postwar Sculpture, 1945–1975
Author: Rebecca Peabody
Publisher: Getty Publications
ISBN: 1606060694
Category : Sculpture, American
Languages : en
Pages : 189
Book Description
Anglo-American Exchange in Postwar Sculpture, 1945-1975 redresses an important art historical oversight. Histories of American and British sculpture are usually told separately, with artists and their work divided by nationality; yet such boundaries obscure a vibrant exchange of ideas, individuals, and aesthetic influences. In reality, the postwar art world saw dynamic interactions between British and American sculptors, critics, curators, teachers, and institutions. Using works of art as points of departure, this book explores the international movement of people, objects, and ideas, demonstrating the importance of Anglo-American exchange to the history of postwar sculpture.
Publisher: Getty Publications
ISBN: 1606060694
Category : Sculpture, American
Languages : en
Pages : 189
Book Description
Anglo-American Exchange in Postwar Sculpture, 1945-1975 redresses an important art historical oversight. Histories of American and British sculpture are usually told separately, with artists and their work divided by nationality; yet such boundaries obscure a vibrant exchange of ideas, individuals, and aesthetic influences. In reality, the postwar art world saw dynamic interactions between British and American sculptors, critics, curators, teachers, and institutions. Using works of art as points of departure, this book explores the international movement of people, objects, and ideas, demonstrating the importance of Anglo-American exchange to the history of postwar sculpture.
Catalog of Copyright Entries. Third Series
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1140
Book Description
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1140
Book Description
Trova: the Profile Cantos
Christo and Jeanne-Claude
Author: Jonathan David Fineberg
Publisher: Yale University Press
ISBN: 0300104057
Category : Art
Languages : en
Pages : 237
Book Description
Examines the planning stages of The Gates, an installation art project by Christo and Jeanne-Claude designed to adorn the walkways of New York's Central Park, and includes interviews with the artists.
Publisher: Yale University Press
ISBN: 0300104057
Category : Art
Languages : en
Pages : 237
Book Description
Examines the planning stages of The Gates, an installation art project by Christo and Jeanne-Claude designed to adorn the walkways of New York's Central Park, and includes interviews with the artists.
Hinge Pictures
Author: Andrea Andersson
Publisher: Siglio Press
ISBN: 9781938221224
Category : Art
Languages : en
Pages : 124
Book Description
In 1960 George Heard Hamilton published the first complete typographic translation of Duchamp's Green Box in English. This landmark publication translated Duchamp's notes and conceptual ambitions for his masterwork, The Bride Stripped Bare by Her Bachelors, Even. And as a book, designed to hinge at its binding, the work fulfilled Duchamp's conceptual proposal for art that would move from two- into three-dimensional space. Hinge Pictures is an artist's book in eight parts--a gorgeous, palimpsestual publication that layers the practices of Sarah Crowner, Julia Dault, Leslie Hewitt, Tomashi Jackson, Erin Shirreff, Ulla von Brandenburg, Adriana Varejão and Claudia Wieser over the pages of Duchamp's imagination. It is also a companion publication to an exhibition in eight parts, a confrontation with the patrimony of European modernism. A literal reading of Duchamp positions the Bride, a nude woman, suspended above a host of ogling bachelors. In his writing, Duchamp narrates both social and physical constraint ("The Bride accepts this stripping...") and formal liberation ("discover true form...develop the principle of the hinge."). The artists of Hinge Pictures use formal constraint--a commitment to abstraction--in a demonstration of social liberation. With a Swiss binding that unveils the spine of the book and multiple vellum overlays that create layered interlocutions, the book's physical qualities mirror its conceptual occupations.
Publisher: Siglio Press
ISBN: 9781938221224
Category : Art
Languages : en
Pages : 124
Book Description
In 1960 George Heard Hamilton published the first complete typographic translation of Duchamp's Green Box in English. This landmark publication translated Duchamp's notes and conceptual ambitions for his masterwork, The Bride Stripped Bare by Her Bachelors, Even. And as a book, designed to hinge at its binding, the work fulfilled Duchamp's conceptual proposal for art that would move from two- into three-dimensional space. Hinge Pictures is an artist's book in eight parts--a gorgeous, palimpsestual publication that layers the practices of Sarah Crowner, Julia Dault, Leslie Hewitt, Tomashi Jackson, Erin Shirreff, Ulla von Brandenburg, Adriana Varejão and Claudia Wieser over the pages of Duchamp's imagination. It is also a companion publication to an exhibition in eight parts, a confrontation with the patrimony of European modernism. A literal reading of Duchamp positions the Bride, a nude woman, suspended above a host of ogling bachelors. In his writing, Duchamp narrates both social and physical constraint ("The Bride accepts this stripping...") and formal liberation ("discover true form...develop the principle of the hinge."). The artists of Hinge Pictures use formal constraint--a commitment to abstraction--in a demonstration of social liberation. With a Swiss binding that unveils the spine of the book and multiple vellum overlays that create layered interlocutions, the book's physical qualities mirror its conceptual occupations.
Who's Who in American Art, 1991-1992
Author: Bowker Editorial Staff
Publisher: R. R. Bowker
ISBN: 9780835228978
Category : Art
Languages : en
Pages : 1420
Book Description
Publisher: R. R. Bowker
ISBN: 9780835228978
Category : Art
Languages : en
Pages : 1420
Book Description