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Author: Edward R. Levenson Publisher: Xlibris Corporation ISBN: 1524579777 Category : Self-Help Languages : en Pages : 130
Book Description
Edwards Humor and More: Humor, Word Play, Personae, Memoirs, and Interpretation contains writings in the five different categories. Each one contains respective elements of the other four. Edward, the main persona of Edward in his nuclear family when he was growing up, gained no fewer than seventeen additional personae in the course of the enrichment of his life. The pieces in Word Play range from the flippant, to the semiserious, to the intellectual. Interpretation has two parts: insights about material from twenty-five Sabbath portions of the week in the five books of Moses and an innovative approach to the relationships of the members of the Hebrew first family. Interpretation extends to the essay in his Memoirs section Three Jewish Women in This Bridge Called My Back. The book has something for everyonefrom grades nine to twelve to adults.
Author: Edward R. Levenson Publisher: Xlibris Corporation ISBN: 1524579777 Category : Self-Help Languages : en Pages : 130
Book Description
Edwards Humor and More: Humor, Word Play, Personae, Memoirs, and Interpretation contains writings in the five different categories. Each one contains respective elements of the other four. Edward, the main persona of Edward in his nuclear family when he was growing up, gained no fewer than seventeen additional personae in the course of the enrichment of his life. The pieces in Word Play range from the flippant, to the semiserious, to the intellectual. Interpretation has two parts: insights about material from twenty-five Sabbath portions of the week in the five books of Moses and an innovative approach to the relationships of the members of the Hebrew first family. Interpretation extends to the essay in his Memoirs section Three Jewish Women in This Bridge Called My Back. The book has something for everyonefrom grades nine to twelve to adults.
Author: Chris Edwards Publisher: ISBN: 9781626343252 Category : BIOGRAPHY & AUTOBIOGRAPHY Languages : en Pages : 0
Book Description
"For Chris Edwards, the decision to transition from female to male was black and white. The question was, did he have the balls to do it? Did he have the balls to come out at a company board meeting made up of white, middle-aged executives? To endure 28 painful and extensive surgeries? Show up at his 10-year high school reunion? Date a member of the Nashville Bikini Team? The answer is yes--yes, he did"--Publisher's website.
Author: Jennifer Aaker Publisher: Crown Currency ISBN: 0593135296 Category : Business & Economics Languages : en Pages : 274
Book Description
WALL STREET JOURNAL, LOS ANGELES TIMES, AND USA TODAY BESTSELLER • Anyone—even you!—can learn how to harness the power of humor in business (and life), based on the popular class at Stanford’s Graduate School of Business. Don’t miss the authors’ TED Talk, “Why great leaders take humor seriously,” online now. “The ultimate guide to using the magical power of funny as a tool for leadership and a force for good.”—Daniel H. Pink, #1 New York Times bestselling author of When and Drive We are living through a period of unprecedented uncertainty and upheaval in both our personal and professional lives. So it should come as a surprise to exactly no one that trust, human connection, and mental well-being are all on the decline. This may seem like no laughing matter. Yet, the research shows that humor and laughter are among the most valuable tools we have at our disposal for strengthening bonds and relationships, diffusing stress and tension, boosting resilience, and performing when the stakes are high. That’s why Jennifer Aaker and Naomi Bagdonas teach the popular course Humor: Serious Business at the Stanford Graduate School of Business, where they help some of the world’s most hard-driving, blazer-wearing business minds infuse more humor and levity into their work and lives. In Humor, Seriously, they draw on findings by behavioral scientists, world-class comedians, and inspiring business leaders to reveal how humor works and—more important—how you can use more of it, better. Aaker and Bagdonas unpack the theory and application of humor: what makes something funny, how to mine your life for material, and simple ways to identify and leverage your unique humor style. They show how to use humor to rebuild vital connections; appear more confident, competent, and authentic at work; and foster cultures where levity and creativity can thrive. President Dwight David Eisenhower once said, “A sense of humor is part of the art of leadership, of getting along with people, of getting things done.” If Dwight David Eisenhower, the second least naturally funny president (after Franklin Pierce), thought humor was necessary to win wars, build highways, and warn against the military-industrial complex, then you might consider learning it too.
Author: Douglas Edwards Publisher: HMH ISBN: 0547549032 Category : Business & Economics Languages : en Pages : 437
Book Description
A marketing director’s story of working at a startup called Google in the early days of the tech boom: “Vivid inside stories . . . Engrossing” (Ken Auletta). Douglas Edwards wasn’t an engineer or a twentysomething fresh out of school when he received a job offer from a small but growing search engine company at the tail end of the 1990s. But founders Larry Page and Sergey Brin needed staff to develop the brand identity of their brainchild, and Edwards fit the bill with his journalistic background at the San Jose Mercury News, the newspaper of Silicon Valley. It was a change of pace for Edwards, to say the least, and put him in a unique position to interact with and observe the staff as Google began its rocket ride to the top. In entertaining, self-deprecating style, he tells his story of participating in this moment of business and technology history, giving readers a chance to fully experience the bizarre mix of camaraderie and competition at this phenomenal company. Edwards, Google’s first director of marketing and brand management, describes the idiosyncratic Page and Brin, the evolution of the famously nonhierarchical structure in which every employee finds a problem to tackle and works independently, the races to develop and implement each new feature, and the many ideas that never came to pass. I’m Feeling Lucky reveals what it’s like to be “indeed lucky, sort of an accidental millionaire, a reluctant bystander in a sea of computer geniuses who changed the world. This is a rare look at what happened inside the building of the most important company of our time” (Seth Godin, author of Linchpin). “An affectionate, compulsively readable recounting of the early years (1999–2005) of Google . . . This lively, thoughtful business memoir is more entertaining than it really has any right to be, and should be required reading for startup aficionados.” —Publishers Weekly, starred review “Edwards recounts Google’s stumbles and rise with verve and humor and a generosity of spirit. He kept me turning the pages of this engrossing tale.” —Ken Auletta, author of Greed and Glory on Wall Street “Funny, revealing, and instructive, with an insider’s perspective I hadn’t seen anywhere before. I thought I had followed the Google story closely, but I realized how much I’d missed after reading—and enjoying—this book.” —James Fallows, author of China Airborne
Author: Edward R. Levenson Publisher: Xlibris Corporation ISBN: 1664164898 Category : Reference Languages : en Pages : 167
Book Description
Edward’s Xlibris Best features 58 of the author’s favorite pieces from among his seven previous Xlibris books. They represent the genres of “Humor,” “Word Play” (a quasi-genre), “Poetry,” “Fiction,” “Memoirs,” and “Interpretation”/“Reviews.” Included are eleven contributions of guest writers from the earlier books. Readers are in for a treat!
Author: Gabriella Oldham Publisher: Univ. Press of Mississippi ISBN: 149681567X Category : Performing Arts Languages : en Pages : 273
Book Description
Blake Edwards (1922-2010) was a multitalented, versatile director constantly exploring who he was, not only in filmmaking but also in life. Often typecast as a comedy director, he also created westerns, thrillers, musicals, and heart-wrenching dramas. His strength as a filmmaker came from his ability to be a triple threat—writer, director, and producer—allowing him full control of his films, especially when the studio system failed him. Blake Edwards: Interviews highlights how the filmmaker created the hugely successful Pink Panther franchise; his long partnership with award-winning composer Henry Mancini; his principles of comedy as influenced by the comic greats of film history, especially silent comedies; his decades-long marriage and film collaborations with Julie Andrews; and his unique philosophy of life. Continually testing his abilities as a writer, which he considered himself to be above all other professions, Edwards did not hesitate to strip comedy from films that clearly and purposefully explored other genres with sharp, dramatic insight. He created thrilling suspense (Experiment in Terror); rugged westerns (Wild Rovers); riveting drama (Days of Wine and Roses); and bittersweet romance (Breakfast at Tiffany's). He also created musicals, namely Darling Lili and Victor/Victoria, showcasing the talents of Andrews. In fact, many of these films have been considered some of Edwards's finest in his appreciable career. Reinventing himself throughout his sixty-year career, Edwards found new outlets of expression that fueled his creativity to the very end. This long-overdue collection of published interviews explores the ups and downs—and ups again—of a sometimes flawed but always gifted and often surprising filmmaker.
Author: Michael Dunne Publisher: LSU Press ISBN: 0807135364 Category : Humor Languages : en Pages : 232
Book Description
Though the phrase "Calvinist humor" may seem to be an oxymoron, Michael Dunne, in highly original and unfailingly interesting readings of major American fiction writers, uncovers and traces two recurrent strands of Calvinist humor descending from Puritan times far into the twentieth century. Calvinist doctrine views mankind as fallen, apt to engage in any number of imperfect behaviors. Calvinist humor, Dunne explains, consists in the perception of this imperfection. When we perceive that only others are imperfect, we participate in the form of Calvinist humor preferred by William Bradford and Nathanael West. When we perceive that others are imperfect, as we all are, we participate in the form preferred by Mark Twain and William Faulkner, for example. Either by noting their characters' inferiority or by observing ways in which we are all far from perfect, Dunne observes, American writers have found much to laugh about and many occasions for Calvinist humor. The two strains of Calvinist humor are alike in making the faults of others more important than their virtues. They differ in terms of what we might think of as the writer/perceiver's disposition: his or her willingness to recognize the same faults in him- or herself. In addition to Bradford, West, Twain and Faulkner, Dunne discovers Calvinist humor in the works of Flannery O'Connor, Herman Melville, Nathaniel Hawthorne, Ernest Hemingway, and many others. For these authors, the world -- and thus their fiction -- is populated with flawed creatures. Even after belief in orthodox Calvinism diminished in the twentieth century, Dunne discovers, American writers continued to mine these veins, irrespective of the authors' religious affiliations -- or lack of them. Dunne notes that even when these writers fail to accept the Calvinist view wholeheartedly, they still have a tendency to see some version of Calvinism as more attractive than an optimistic, idealistic view of life. With an eye for the telling detail and a wry humor of his own, Dunne clearly demonstrates that the fundamental Calvinist assumption -- that human beings are fallen from some putatively better state -- has had a surprising, lingering presence in American literature.
Author: Barbara L. Horn Publisher: Bloomsbury Publishing USA ISBN: 0313052611 Category : Art Languages : en Pages : 339
Book Description
This volume documents the life and works of the acclaimed playwright, Edward Albee. His first four plays were all produced Off Broadway from 1960-1961, creating buzz that he was an up-and-coming avant-garde playwright. But his most notable accomplishment came a year later with his first full-length play, Who's Afraid of Virginia Woolf?. His plays were linked with the philosophies of the European absurdists, Beckett and Ionesco, and the American traditional social criticism of Arthur Miller, Tennessee Williams, and Eugene O'Neill. Intended to serve as a quick reference guide and an exhaustive resource, this collection includes play synopses and critical overviews, production histories and credits, and locator suggestions on unpublished archival material and lists of texts/anthologies that have published Albee's material. The two secondary bibliographies contained within are fully annotated chronologically and alphabetically with the year of publication, presenting a fuller sense of Albee's playwriting career.
Author: Noelle Molé Liston Publisher: Cornell University Press ISBN: 1501750801 Category : Technology & Engineering Languages : en Pages : 139
Book Description
Noelle Molé Liston's The Truth Society seeks to understand how a period of Italian political spectacle, which regularly blurred fact and fiction, has shaped how people understand truth, mass-mediated information, scientific knowledge, and forms of governance. Liston scrutinizes Italy's late twentieth-century political culture, particularly the impact of the former prime minister and media mogul Silvio Berlusconi. By doing so, she examines how this truth-bending political era made science, logic, and rationality into ideas that needed saving. With the prevalence of fake news and our seeming lack of shared reality in the "post-truth" world, many people struggle to figure out where this new normal came from. Liston argues that seemingly disparate events and practices that have unfolded in Italy are historical reactions to mediatized political forms and particular, cultivated ways of knowing. Politics, then, is always sutured to how knowledge is structured, circulated, and processed. The Truth Society offers Italy as a case study for understanding the remaking of politics in an era of disinformation.
Author: Edward R. Levenson
Author: Edward R. Levenson
Author: Chris Edwards
Author: Jennifer Aaker
Author: Douglas Edwards
Author: Edward R. Levenson
Author: Gabriella Oldham
Author: Michael Dunne
Author: Jenny S. Spencer
Author: Barbara L. Horn
Author: Noelle Molé Liston