Echoes of Glasnost in Soviet Ukraine PDF Download

Author: Romana M. Bahry
Publisher: North York, Ont. : Captus University Publications
ISBN:
Category : History
Languages : en
Pages : 272

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Author: David R. Marples
Publisher: Springer
ISBN: 1349108804
Category : Political Science
Languages : en
Pages : 270

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Book Description
This volume highlights the problems of the environment and industry in Ukraine from 1985 to 1990. The main theme of the book is the close link between the damage to nature and the growth of political activism and patriotism in Ukraine.

Author: Yuri Andrukhovych
Publisher: CIUS Press
ISBN: 9781895571240
Category : Fiction
Languages : en
Pages : 136

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Book Description
A celebration of newly found freedom and reflections upon the contradictions of post-Soviet society.

Author: Nataliya Kibita
Publisher: Oxford University Press
ISBN: 0192654136
Category : History
Languages : en
Pages : 400

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Book Description
Ukraine and Russia are today at opposite points of the political spectrum: Despite 300 years of contact with Russian authoritarian politics, Ukraine's post-independence period has been characterised by pluralism. To explain why and how Ukraine's and Russia's paths diverged, this monograph investigates the century-long and Soviet origins of regionalism in Ukraine, which the author argues are at the foundation of the modern Ukrainian institutional system. Drawing on unused archival material, the book re-examines the relationship between Moscow, Kyiv, and the Ukrainian regions in the period from spring 1917 to summer 1994 to demonstrate how interlinked political and economic incentives and constraints determined the opportunities and institutional interests of both the Ukrainian leadership and those of the Ukrainian regions, and how this institutional framework affected in turn the dynamic of the relationship between the central leadership in Moscow, the Ukrainian leadership, and the regions. The result - weak central authority and pronounced regionalism - was Ukraine's Soviet legacy, and the established power of regional clans made (post-Soviet) Ukrainian politics resistant to Russian?style authoritarianism, even when the Soviet centralised party-state system collapsed. This innovative and wide-ranging approach to the history of economic management highlights the importance of considering long-term historical trends for understanding both the complicated nature of Soviet institutions and their varied and contested legacies across post-Soviet space.

Author: T. Kuzio
Publisher: Springer
ISBN: 033398434X
Category : Political Science
Languages : en
Pages : 288

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Book Description
The Ukrainian vote for independence in December 1991 effectively ended the existence of the Soviet Union, and propelled one of Europe's submerged nations on to the world stage. The main theme of the book is the transition in Ukraine from the policies of 'Perestroika' and 'Glasnost' to the ultimate break with Moscow.

Author: Friederike Kind-Kovács
Publisher: Berghahn Books
ISBN: 0857455869
Category : History
Languages : en
Pages : 380

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In many ways what is identified today as “cultural globalization” in Eastern Europe has its roots in the Cold War phenomena of samizdat (“do-it-yourself” underground publishing) and tamizdat (publishing abroad). This volume offers a new understanding of how information flowed between East and West during the Cold War, as well as the much broader circulation of cultural products instigated and sustained by these practices. By expanding the definitions of samizdat and tamizdat from explicitly political print publications to include other forms and genres, this volume investigates the wider cultural sphere of alternative and semi-official texts, broadcast media, reproductions of visual art and music, and, in the post-1989 period, new media. The underground circulation of uncensored texts in the Cold War era serves as a useful foundation for comparison when looking at current examples of censorship, independent media, and the use of new media in countries like China, Iran, and the former Yugoslavia.

Author: Serhii Plokhy
Publisher: Basic Books
ISBN: 1541617088
Category : History
Languages : en
Pages : 424

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A Chernobyl survivor and the New York Times bestselling author of The Gates of Europe "mercilessly chronicles the absurdities of the Soviet system" in this "vividly empathetic" account of the worst nuclear accident in history (Wall Street Journal). On the morning of April 26, 1986, Europe witnessed the worst nuclear disaster in history: the explosion of a reactor at the Chernobyl Nuclear Power Plant in Soviet Ukraine. Dozens died of radiation poisoning, fallout contaminated half the continent, and thousands fell ill. In Chernobyl, Serhii Plokhy draws on new sources to tell the dramatic stories of the firefighters, scientists, and soldiers who heroically extinguished the nuclear inferno. He lays bare the flaws of the Soviet nuclear industry, tracing the disaster to the authoritarian character of the Communist party rule, the regime's control over scientific information, and its emphasis on economic development over all else. Today, the risk of another Chernobyl looms in the mismanagement of nuclear power in the developing world. A moving and definitive account, Chernobyl is also an urgent call to action.

Author: Svitlana Biedarieva
Publisher: BoD – Books on Demand
ISBN: 3838215265
Category : Art
Languages : en
Pages : 224

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Book Description
This volume focuses on political and social expressions in contemporary art of Ukraine, Estonia, Lithuania, and Latvia. It explores the transformations that art in Ukraine and the Baltic states has undergone since their independence in 1991, discussing how the conflicts and challenges of the last three decades have impacted the reconsideration of identity and fostered resistance of culture against economic and political crises. It analyzes connections between the past and the present as seen by the artists in these countries and looks at their visions of the future. Contemporary Ukrainian art portrays various perspectives, addressing issues from controversial historical topics to the present military conflict in the East of the country. Baltic art speaks out against the erasure of past historical traumas and analyzes the pertinence of its cultural scene to the European community. The contributions in this collection open a discussion of whether there is a single paradigm that describes the contemporary processes of art production in Ukraine and the Baltic countries. With contributions by Ieva Astahovska, Svitlana Biedarieva, Kateryna Botanova, Olena Martynyuk, Vytautas Michelkevičius, Lina Michelkevičė, Margaret Tali, and Jessica Zychowicz.

Author: Andrew Horton
Publisher: Princeton University Press
ISBN: 0691227861
Category : Performing Arts
Languages : en
Pages : 320

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Book Description
Now faced with the "zero hour" created by a new freedom of expression and the dramatic breakup of the Soviet Union, Soviet cinema has recently become one of the most interesting in the world, aesthetically as well as politically. How have Soviet filmmakers responded to the challenges of glasnost? To answer this question, the American film scholar Andrew Horton and the Soviet critic Michael Brashinsky offer the first book-length study of the rapid changes in Soviet cinema that have been taking place since 1985. What emerges from their collaborative dialogue is not only a valuable work of film criticism but also a fascinating study of contemporary Soviet culture in general. Horton and Brashinsky examine a wide variety of films from BOMZH (initials standing for homeless drifter) through Taxi Blues and the glasnost blockbuster Little Vera to the Latvian documentary Is It Easy to Be Young? and the "new wave" productions of the "Wild Kazakh boys." The authors argue that the medium that once served the Party became a major catalyst for the deconstruction of socialism, especially through documentary filmmaking. Special attention is paid to how filmmakers from 1985 through 1990 represent the newly "discovered" past of the pre-glasnost era and how they depict troubled youth and conflicts over the role of women in society. The book also emphasizes the evolving uses of comedy and satire and the incorporation of "genre film" techniques into a new popular cinema. An intriguing discussion of films of Georgia, Estonia, Latvia, Lithuania, and Kazakhstan ends the work.

Author: Tamara Hundorova
Publisher: Academic Studies PRess
ISBN: 1644692406
Category : Literary Criticism
Languages : en
Pages : 291

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Book Description
Honorable Mention - American Association for Ukrainian Studies (AAUS) 2018-2019 Book Prize Having exploded on the margins of Europe, Chornobyl marked the end of the Soviet Union and tied the era of postmodernism in Western Europe with nuclear consciousness. The Post-Chornobyl Library in Tamara Hundorova’s book becomes a metaphor of a new Ukrainian literature of the 1990s, which emerges out of the Chornobyl nuclear trauma of the 26th of April, 1986. Ukrainian postmodernism turns into a writing of trauma and reflects the collisions of the post-Soviet time as well as the processes of decolonization of the national culture. A carnivalization of the apocalypse is the main paradigm of the post-Chornobyl text, which appeals to “homelessness” and the repetition of “the end of histories.” Ironic language game, polymorphism of characters, taboo breaking, and filling in the gaps of national culture testify to the fact that the Ukrainians were liberating themselves from the totalitarian past and entering the society of the spectacle. Along this way, the post-Chornobyl character turns into an ironist, meets with the Other, experiences a split of his or her self, and witnesses a shift of geo-cultural landscapes.