Author: Felicia Gordon
Publisher: Edward Elgar Publishing
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 312
Book Description
A compilation of writings by five key figures in French political thought and women's rights. Selections are excerpted from journals, letters, and diaries as well as published material, and are introduced by biographical and historical overviews linking the writers to contemporary feminist and socialist debates. For students and scholars of women's studies and modern French history. Annotation copyright by Book News, Inc., Portland, OR
Early French Feminisms, 1830-1940
Author: Felicia Gordon
Publisher: Edward Elgar Publishing
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 312
Book Description
A compilation of writings by five key figures in French political thought and women's rights. Selections are excerpted from journals, letters, and diaries as well as published material, and are introduced by biographical and historical overviews linking the writers to contemporary feminist and socialist debates. For students and scholars of women's studies and modern French history. Annotation copyright by Book News, Inc., Portland, OR
Publisher: Edward Elgar Publishing
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 312
Book Description
A compilation of writings by five key figures in French political thought and women's rights. Selections are excerpted from journals, letters, and diaries as well as published material, and are introduced by biographical and historical overviews linking the writers to contemporary feminist and socialist debates. For students and scholars of women's studies and modern French history. Annotation copyright by Book News, Inc., Portland, OR
Early French Feminisms, 1830-1940
Author: Felicia Gordon
Publisher: Edward Elgar Publishing
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 312
Book Description
A compilation of writings by five key figures in French political thought and women's rights. Selections are excerpted from journals, letters, and diaries as well as published material, and are introduced by biographical and historical overviews linking the writers to contemporary feminist and socialist debates. For students and scholars of women's studies and modern French history. Annotation copyright by Book News, Inc., Portland, OR
Publisher: Edward Elgar Publishing
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 312
Book Description
A compilation of writings by five key figures in French political thought and women's rights. Selections are excerpted from journals, letters, and diaries as well as published material, and are introduced by biographical and historical overviews linking the writers to contemporary feminist and socialist debates. For students and scholars of women's studies and modern French history. Annotation copyright by Book News, Inc., Portland, OR
Figurations of the Feminine in the Early French Women's Press, 1758-1848
Author: Siobhán McIlvanney
Publisher: Contemporary French and Franco
ISBN: 1786941880
Category : History
Languages : en
Pages : 280
Book Description
The origins and early years of the French women's press represent a pivotal period in the history of French women's self-expression and their feminist and cultural consciousness. Through a range of insightful textual analyses, this book highlights the political significance of this critically neglected literary medium.
Publisher: Contemporary French and Franco
ISBN: 1786941880
Category : History
Languages : en
Pages : 280
Book Description
The origins and early years of the French women's press represent a pivotal period in the history of French women's self-expression and their feminist and cultural consciousness. Through a range of insightful textual analyses, this book highlights the political significance of this critically neglected literary medium.
The Feminist Encyclopedia of French Literature
Author: Eva M. Sartori
Publisher: Bloomsbury Publishing USA
ISBN: 0313033455
Category : Literary Criticism
Languages : en
Pages : 673
Book Description
The earliest known literary productions by women living in Europe were probably written by French writers. As early as the 12th century, women troubadours in the south of France were writing poems. French women continued writing through the ages, their number increasing as education became more available to women of all classes. And yet, of the great number of works by women writers who preceded the current feminist movement, very few have survived. A few writers such as Marie de France, George Sand, and Simone de Beauvoir became part of the canon. But critics, mostly male, had judged the works of only a few women writers worthy of recognition. As part of the feminist move to reclaim women writers and to rethink literary history, scholars in French literature began to take a new look at women writers who had been popular during their lifetimes but who had not been admitted into the canon. This reference book provides extensive information about French women writers and the world in which they lived. Included are several hundred alphabetically arranged entries for authors; literary genres, such as the novel, poetry, and the short story; literary movements, such as classicism, realism, and surrealism; life-cycle events particular to women, such as menstruation and menopause; events and institutions which affected women differently than men, such as revolutions, wars, and laws on marriage, divorce, and education. The volume spans French literature from the Middle Ages to the present and covers those writers who lived and worked mainly in France. The entries are written by expert contributors and each includes bibliographical information. The entries focus on each writer's awareness of how her gender shaped her outlook and opportunities, on how categorizations, structures, and terms used to describe literary works have been defined for women, and the ways in which women writers have responded to these definitions. The volume begins with a feminist history of French literature and concludes with a selected, general bibliography and a chronology of women writers.
Publisher: Bloomsbury Publishing USA
ISBN: 0313033455
Category : Literary Criticism
Languages : en
Pages : 673
Book Description
The earliest known literary productions by women living in Europe were probably written by French writers. As early as the 12th century, women troubadours in the south of France were writing poems. French women continued writing through the ages, their number increasing as education became more available to women of all classes. And yet, of the great number of works by women writers who preceded the current feminist movement, very few have survived. A few writers such as Marie de France, George Sand, and Simone de Beauvoir became part of the canon. But critics, mostly male, had judged the works of only a few women writers worthy of recognition. As part of the feminist move to reclaim women writers and to rethink literary history, scholars in French literature began to take a new look at women writers who had been popular during their lifetimes but who had not been admitted into the canon. This reference book provides extensive information about French women writers and the world in which they lived. Included are several hundred alphabetically arranged entries for authors; literary genres, such as the novel, poetry, and the short story; literary movements, such as classicism, realism, and surrealism; life-cycle events particular to women, such as menstruation and menopause; events and institutions which affected women differently than men, such as revolutions, wars, and laws on marriage, divorce, and education. The volume spans French literature from the Middle Ages to the present and covers those writers who lived and worked mainly in France. The entries are written by expert contributors and each includes bibliographical information. The entries focus on each writer's awareness of how her gender shaped her outlook and opportunities, on how categorizations, structures, and terms used to describe literary works have been defined for women, and the ways in which women writers have responded to these definitions. The volume begins with a feminist history of French literature and concludes with a selected, general bibliography and a chronology of women writers.
France and Women, 1789-1914
Author: James McMillan
Publisher: Routledge
ISBN: 1134589573
Category : History
Languages : en
Pages : 310
Book Description
France and Women, 1789-1914 is the first book to offer an authoritative account of women's history throughout the nineteenth century. James McMillan, author of the seminal work Housewife or Harlot, offers a major reinterpretation of the French past in relation to gender throughout these tumultuous decades of revolution and war. This book provides a challenging discussion of the factors which made French political culture so profoundly sexist and in particular, it shows that many of the myths about progress and emancipation associated with modernisation and the coming of mass politics do not stand up to close scrutiny. It also reveals the conservative nature of the republican left and of the ingrained belief throughout french society that women should remain within the domestic sphere. James McMillan considers the role played by French men and women in the politics, culture and society of their country throughout the 1800s.
Publisher: Routledge
ISBN: 1134589573
Category : History
Languages : en
Pages : 310
Book Description
France and Women, 1789-1914 is the first book to offer an authoritative account of women's history throughout the nineteenth century. James McMillan, author of the seminal work Housewife or Harlot, offers a major reinterpretation of the French past in relation to gender throughout these tumultuous decades of revolution and war. This book provides a challenging discussion of the factors which made French political culture so profoundly sexist and in particular, it shows that many of the myths about progress and emancipation associated with modernisation and the coming of mass politics do not stand up to close scrutiny. It also reveals the conservative nature of the republican left and of the ingrained belief throughout french society that women should remain within the domestic sphere. James McMillan considers the role played by French men and women in the politics, culture and society of their country throughout the 1800s.
Political Ideologies in Contemporary France
Author: Christopher Flood
Publisher: A&C Black
ISBN: 9781855672383
Category : Political Science
Languages : en
Pages : 216
Book Description
Contributions contained in this volume discuss seven strains of political thought in France today: democratic socialism, communism, Gaullism and liberalism, national populism, ecologism, feminism, and multiculturalism. Contributors are primarily English scholars of French Studies and their contributions focus on the participants, strategy, and future prospects of each ideological tendency. Distributed by Books International. Annotation copyrighted by Book News, Inc., Portland, OR
Publisher: A&C Black
ISBN: 9781855672383
Category : Political Science
Languages : en
Pages : 216
Book Description
Contributions contained in this volume discuss seven strains of political thought in France today: democratic socialism, communism, Gaullism and liberalism, national populism, ecologism, feminism, and multiculturalism. Contributors are primarily English scholars of French Studies and their contributions focus on the participants, strategy, and future prospects of each ideological tendency. Distributed by Books International. Annotation copyrighted by Book News, Inc., Portland, OR
Women Art Critics in Nineteenth-Century France
Author: Wendelin Guentner
Publisher: University of Delaware
ISBN: 1611494478
Category : Art
Languages : en
Pages : 384
Book Description
Over the past years, studies have begun not only to identify the factors that impeded the full participation of women artists in French cultural life, such as women’s limited access to professional art education, but also to bring to light the considerable artistic accomplishments of women occluded by historians for over a century. A similar effort at historical revision has been under way for French women writers. Works of fiction that enjoyed many editions in the nineteenth-century receded from our field of vision for almost a century before being rediscovered and reissued during the last decades of the twentieth century. Such efforts have resulted in scholarship that has helped revise the history of both artistic and literary expression in nineteenth-century France. Similarly, many women in nineteenth-century France had their art criticism published both in journal reviews and in book form, often for decades, in a number of the most influential venues of their day. However, it is perplexing that they remain almost totally invisible in histories of French culture. Women Art Critics in Nineteenth-Century France: Vanishing Acts is the first sustained effort to bring these prolific and influential critics out from the shadows. Although each of the chapters in this volume results from an interdisciplinary approach, the fact that they are written by scholars in art history and in literature means that there will be inevitable differences in approach and methodology. Thus, we study the women’s reception of specific artworks and aesthetic movements, discuss intersections of aesthetics and politics in their essays and the literary styles and rhetorical strategies of individual critics, explore the social conditions that allowed or impeded their successes, and suggest reasons for their all but disappearance in the twentieth century. In bringing to light for twenty-first-century readers the “vanished” writings of heretofore unrecognized or underrecognized women art critics, the authors hope to contribute to the ongoing revision of women’s role in cultural history. The multifaceted approaches to word/image studies modeled in this book, and the many avenues for further research it identifies, will inspire scholars in a number of disciplines to continue the work of reinscribing women in the history of cultural life.
Publisher: University of Delaware
ISBN: 1611494478
Category : Art
Languages : en
Pages : 384
Book Description
Over the past years, studies have begun not only to identify the factors that impeded the full participation of women artists in French cultural life, such as women’s limited access to professional art education, but also to bring to light the considerable artistic accomplishments of women occluded by historians for over a century. A similar effort at historical revision has been under way for French women writers. Works of fiction that enjoyed many editions in the nineteenth-century receded from our field of vision for almost a century before being rediscovered and reissued during the last decades of the twentieth century. Such efforts have resulted in scholarship that has helped revise the history of both artistic and literary expression in nineteenth-century France. Similarly, many women in nineteenth-century France had their art criticism published both in journal reviews and in book form, often for decades, in a number of the most influential venues of their day. However, it is perplexing that they remain almost totally invisible in histories of French culture. Women Art Critics in Nineteenth-Century France: Vanishing Acts is the first sustained effort to bring these prolific and influential critics out from the shadows. Although each of the chapters in this volume results from an interdisciplinary approach, the fact that they are written by scholars in art history and in literature means that there will be inevitable differences in approach and methodology. Thus, we study the women’s reception of specific artworks and aesthetic movements, discuss intersections of aesthetics and politics in their essays and the literary styles and rhetorical strategies of individual critics, explore the social conditions that allowed or impeded their successes, and suggest reasons for their all but disappearance in the twentieth century. In bringing to light for twenty-first-century readers the “vanished” writings of heretofore unrecognized or underrecognized women art critics, the authors hope to contribute to the ongoing revision of women’s role in cultural history. The multifaceted approaches to word/image studies modeled in this book, and the many avenues for further research it identifies, will inspire scholars in a number of disciplines to continue the work of reinscribing women in the history of cultural life.
Exiles from European Revolutions
Author: Sabine Freitag
Publisher: Berghahn Books
ISBN: 9781571813305
Category : Biography & Autobiography
Languages : en
Pages : 340
Book Description
Studies on exile in the 19th century tend to be restricted to national histories. This volume is the first to offer a broader view by looking at French, Italian, Hungarian, Polish, Czech and German political refugees who fled to England after the European revolutions of 1848/49. The contributors examine various aspects of their lives in exile such as their opportunities for political activities, the forms of political cooperation that existed between exiles from different European countries on the one hand and with organizations and politicians in England on the other and, finally, the attitude of the host country towards the refugees, and their perceptions of the country which had granted them asylum. Sabine Freitag is Research Fellow at the German Historical Institute in London. Rudolf Muhs is Lecturer in German History at the University of London (Royal Holloway).
Publisher: Berghahn Books
ISBN: 9781571813305
Category : Biography & Autobiography
Languages : en
Pages : 340
Book Description
Studies on exile in the 19th century tend to be restricted to national histories. This volume is the first to offer a broader view by looking at French, Italian, Hungarian, Polish, Czech and German political refugees who fled to England after the European revolutions of 1848/49. The contributors examine various aspects of their lives in exile such as their opportunities for political activities, the forms of political cooperation that existed between exiles from different European countries on the one hand and with organizations and politicians in England on the other and, finally, the attitude of the host country towards the refugees, and their perceptions of the country which had granted them asylum. Sabine Freitag is Research Fellow at the German Historical Institute in London. Rudolf Muhs is Lecturer in German History at the University of London (Royal Holloway).
Claude Cahun
Author: Gen Doy
Publisher: Routledge
ISBN: 1000213439
Category : Art
Languages : en
Pages : 278
Book Description
This is the first single-authored book in English on the photographer Claude Cahun, whose work was rediscovered in the 1980s. Doy moves beyond standard postmodern approaches, instead repositioning the artist, born Lucy Schwob, in the context of the turbulent times in which she lived and seeing the photographs as part of Cahun's wider life as an artist and writer, a woman and lesbian and as a political activist in the early twentieth century. Doy rethinks Cahun's approach to dress and masquerade, looking at the images in light of the situation of women at the time and within the prevailing 'beauty' culture. Addressing Cahun's ambivalent relationship with Symbolism and later relationship with Surrealism, this highly readable book also looks at Cahun's unusual approach to the domestic object.
Publisher: Routledge
ISBN: 1000213439
Category : Art
Languages : en
Pages : 278
Book Description
This is the first single-authored book in English on the photographer Claude Cahun, whose work was rediscovered in the 1980s. Doy moves beyond standard postmodern approaches, instead repositioning the artist, born Lucy Schwob, in the context of the turbulent times in which she lived and seeing the photographs as part of Cahun's wider life as an artist and writer, a woman and lesbian and as a political activist in the early twentieth century. Doy rethinks Cahun's approach to dress and masquerade, looking at the images in light of the situation of women at the time and within the prevailing 'beauty' culture. Addressing Cahun's ambivalent relationship with Symbolism and later relationship with Surrealism, this highly readable book also looks at Cahun's unusual approach to the domestic object.
Vocal Virtuosity
Author: Sean M. Parr
Publisher: Oxford University Press
ISBN: 0197542646
Category : Music
Languages : en
Pages : 325
Book Description
Introduction. Coloratura and Female Vocality -- The New Franco-Italian School of Singing -- Verdi and the End of Italian Coloratura -- Melismatic Madness and Technology -- Caroline Carvalho and Her World -- Carvalho, Gounod, and the Waltz -- Vestiges of Virtuosity : The French Coloratura Soprano -- Epilogue. Unending Coloratura.
Publisher: Oxford University Press
ISBN: 0197542646
Category : Music
Languages : en
Pages : 325
Book Description
Introduction. Coloratura and Female Vocality -- The New Franco-Italian School of Singing -- Verdi and the End of Italian Coloratura -- Melismatic Madness and Technology -- Caroline Carvalho and Her World -- Carvalho, Gounod, and the Waltz -- Vestiges of Virtuosity : The French Coloratura Soprano -- Epilogue. Unending Coloratura.