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Author: Beverley Spears Publisher: University of New Mexico Press ISBN: 0826358187 Category : Architecture Languages : en Pages : 408
Book Description
Following the Spanish conquest of Mexico in the early 1500s, Franciscan, Dominican, and Augustinian friars fanned out across the central and southern areas of the country, founding hundreds of mission churches and monasteries to evangelize the Native population. This book documents more than 120 of these remarkable sixteenth-century sites in duotone black-and-white photographs. Virtually unknown outside Mexico, these complexes unite architecture, landscape, mural painting, and sculpture on a grand scale, in some ways rivaling the archaeological sites of the Maya and Aztecs. They represent a fascinating period in history when two distinct cultures began interweaving to form the fabric of modern Mexico. Many were founded on the sites of ancient temples and reused their masonry, and they were ornamented with architectural murals and sculptures that owe much to the existing Native tradition—almost all the construction was done by indigenous artisans. With these photos, Spears celebrates this unique architectural and cultural heritage to help ensure its protection and survival.
Author: Beverley Spears Publisher: University of New Mexico Press ISBN: 0826358187 Category : Architecture Languages : en Pages : 408
Book Description
Following the Spanish conquest of Mexico in the early 1500s, Franciscan, Dominican, and Augustinian friars fanned out across the central and southern areas of the country, founding hundreds of mission churches and monasteries to evangelize the Native population. This book documents more than 120 of these remarkable sixteenth-century sites in duotone black-and-white photographs. Virtually unknown outside Mexico, these complexes unite architecture, landscape, mural painting, and sculpture on a grand scale, in some ways rivaling the archaeological sites of the Maya and Aztecs. They represent a fascinating period in history when two distinct cultures began interweaving to form the fabric of modern Mexico. Many were founded on the sites of ancient temples and reused their masonry, and they were ornamented with architectural murals and sculptures that owe much to the existing Native tradition—almost all the construction was done by indigenous artisans. With these photos, Spears celebrates this unique architectural and cultural heritage to help ensure its protection and survival.
Author: Joseph Armstrong Baird Jr. Publisher: Univ of California Press ISBN: 0520321340 Category : Architecture Languages : en Pages : 558
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1962.
Author: Eleanor Wake Publisher: University of Oklahoma Press ISBN: 0806186607 Category : Architecture Languages : en Pages : 362
Book Description
Christian churches erected in Mexico during the early colonial era represented the triumph of European conquest and religious domination. Or did they? Building on recent research that questions the “cultural” conquest of Mesoamerica, Eleanor Wake shows that colonial Mexican churches also reflected the beliefs of the indigenous communities that built them. European authorities failed to recognize that the meaning of the edifices they so admired was being challenged: pre-Columbian iconography integrated into Christian imagery, altars oriented toward indigenous sacred landmarks, and carefully recycled masonry. In Framing the Sacred, Wake examines how the art and architecture of Mexico’s religious structures reveals the indigenous people’s own decisions regarding the conversion program and their accommodation of the Christian message. As Wake shows, native peoples selected aspects of the invading culture to secure their own culture’s survival. In focusing on anomalies present in indigenous art and their relationship to orthodox Christian iconography, she draws on a wide geographical sampling across various forms of Indian artistic expression, including religious sculpture and painting, innovative architectural detail, cartography, and devotional poetry. She also offers a detailed analysis of documented native ritual practices that—she argues—assist in the interpretation of the imagery. With more than 200 illustrations, including 24 in color, Framing the Sacred is the most extensive study to date of the indigenous aspects of these churches and fosters a more complete understanding of Christianity’s influence on Mexican peoples.
Author: Juan Francisco Martínez Publisher: University of North Texas Press ISBN: 1574412221 Category : Mexican American Protestants Languages : en Pages : 210
Book Description
"Mexican Protestantism was born in the encounter between Mexican Catholics and Anglo American Protestants, after the United States ventured into the Southwest and wrested territory from Mexico in the early nineteenth century. In Sea la Luz, Juan Francisco Martinez traces the birth and initial development of this ethno-religious community brought through the westward expansion of the United States. Using the records of Protestant missionaries, he uncovers the story of Mexican converts and the churches they developed. Those same records reveal Protestant attitudes toward the war with Mexico, the conquest of the Southwest, and the Mexican population that became U.S. citizens with the signing of the Treaty of Guadalupe-Hidalgo (1848)."--BOOK JACKET.
Author: Marie Romero Cash Publisher: ISBN: Category : Architecture Languages : en Pages : 316
Book Description
Richly illustrated with examples of eighteenth- and nineteenth-century art from northern New Mexico's village churches, Santos is an in-depth investigation into the artistic heritage of the New Mexican santero (saint maker). It is also an important study of northern New Mexican artisans and their craft. Along with photographer Jack Parsons, Marie Romero Cash visited every church in the region and documented, identified, and measured each santos. Together they photographed more than 500 pieces, including 19 moradas (places of worship for Penitentes) and the Archdiocese of Santa Fe Collection housed at the Museum of International Folk Art. Cash's extensive research into these formerly "anonymous" artisans fills a gap in the study of this unique form, making Santos indispensable for art historians and the general reader interested in the culture and art of the American Southwest.
Author: Logan Wagner Publisher: University of Texas Press ISBN: 029274983X Category : Architecture Languages : en Pages : 273
Book Description
The plaza has been a defining feature of Mexican urban architecture and culture for at least 4,000 years. Ancient Mesoamericans conducted most of their communal life in outdoor public spaces, and today the plaza is still the public living room in every Mexican neighborhood, town, and city—the place where friends meet, news is shared, and personal and communal rituals and celebrations happen. The site of a community’s most important architecture—church, government buildings, and marketplace—the plaza is both sacred and secular space and thus the very heart of the community. This extensively illustrated book traces the evolution of the Mexican plaza from Mesoamerican sacred space to modern public gathering place. The authors led teams of volunteers who measured and documented nearly one hundred traditional Mexican town centers. The resulting plans reveal the layers of Mesoamerican and European history that underlie the contemporary plaza. The authors describe how Mesoamericans designed their ceremonial centers as embodiments of creation myths—the plaza as the primordial sea from which the earth emerged. They discuss how Europeans, even though they sought to eradicate native culture, actually preserved it as they overlaid the Mesoamerican sacred plaza with the Renaissance urban concept of an orthogonal grid with a central open space. The authors also show how the plaza’s historic, architectural, social, and economic qualities can contribute to mainstream urban design and architecture today.
Author: Beverley Spears
Author: Beverley Spears
Author: Joseph Armstrong Baird Jr.
Author: Eleanor Wake
Author: 
Author: John McAndrew
Author: Juan Francisco Martínez
Author: A. Parke Burgess
Author: Marie Romero Cash
Author: Joseph Armstrong Baird (Jr.)
Author: Logan Wagner