Driving While Black: African American Travel and the Road to Civil Rights PDF Download

Author: Gretchen Sorin
Publisher: Liveright Publishing
ISBN: 1631495704
Category : History
Languages : en
Pages : 332

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Book Description
Bloomberg • Best Nonfiction Books of 2020: "[A] tour de force." The basis of a major PBS documentary by Ric Burns, this “excellent history” (The New Yorker) reveals how the automobile fundamentally changed African American life. Driving While Black demonstrates that the car—the ultimate symbol of independence and possibility—has always held particular importance for African Americans, allowing black families to evade the dangers presented by an entrenched racist society and to enjoy, in some measure, the freedom of the open road. Melding new archival research with her family’s story, Gretchen Sorin recovers a lost history, demonstrating how, when combined with black travel guides—including the famous Green Book—the automobile encouraged a new way of resisting oppression.

Author: Isabel Kalous
Publisher: transcript Verlag
ISBN: 3839459532
Category : Literary Criticism
Languages : en
Pages : 275

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Book Description
What does it mean for Black diasporic writers to travel to Africa? Focusing on the period between the 1990s and 2010s, Isabel Kalous examines autobiographical narratives of travel to Africa by African American and Black British authors. She places the texts within the long tradition of Black diasporic engagement with the continent, scrutinizes the significance of Black mobility, and demonstrates that travel writing serves as a means to negotiate questions of identity, belonging, history, and cultural memory. To provide a framework for the analyses of contemporary narratives, her study outlines the emergence, development, and key characteristics of the multifaceted genre of Black travel writing. Authors discussed include, among others, Saidiya Hartman, Barack Obama, and Caryl Phillips.

Author: Mia Bay
Publisher: Harvard University Press
ISBN: 0674979966
Category : History
Languages : en
Pages : 401

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Book Description
A riveting, character-rich account of racial segregation in America that reveals just how central travel restrictions were to the creation of Jim Crow laws—and why “traveling Black” has been at the heart of the quest for racial justice ever since. Why have white supremacists and civil rights activists been so focused on Black mobility? From Plessy v. Ferguson to #DrivingWhileBlack, African Americans have fought for over a century to move freely around the United States. Curious as to why so many cases contesting the doctrine of “separate but equal” involved trains and buses, Mia Bay went back to the sources with some basic questions: How did travel segregation begin? Why were so many of those who challenged it in court women? How did it move from one form of transport to another, and what was it like to be caught up in this web of contradictory rules? From stagecoaches, steamships, and trains to buses, cars, and planes, Traveling Black explores when, how, and why racial restrictions took shape and brilliantly portrays what it was like to live with them. “There is not in the world a more disgraceful denial of human brotherhood than the ‘Jim Crow’ car of the southern United States,” W. E. B. Du Bois famously declared. Bay unearths troves of supporting evidence, rescuing forgotten stories of undaunted passengers who made it back home despite being insulted, stranded, re-routed, and ignored. Black travelers never stopped challenging these humiliations and insisting on justice in the courts. Traveling Black upends our understanding of Black resistance, documenting a sustained fight that falls outside the traditional boundaries of the Civil Rights Movement. A masterpiece of scholarly and human insight, this book helps explain why the long, unfinished journey to racial equality so often takes place on the road.

Author: Joseph A. Rodriguez
Publisher: Rowman & Littlefield
ISBN: 1666927759
Category : History
Languages : en
Pages : 285

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Book Description
Car ownership is central to the U.S. culture wars about global warming and urban sprawl. While the environmental issues surrounding car use are well known, the car is also the focus of debates about urban redevelopment, racially biased policing, women’s employment, immigration, homelessness, and disability rights. Right to the Road: How Marginalized American Motorists Fought to Drive and Park by Joseph A. Rodriguez discusses the central role of automobiles to determine how enforced automobile regulations have affected marginalized Americans both in the past and present day. Each chapter focuses on issues such as: Milwaukee’s parking policies after World War II and urban redevelopment; Chicago’s traffic and parking policies and the post-war rise in crime; white and Black women’s increased employment post-war and the harassment they endured by police officers and motorists; the policing of Latino drivers and how anti-immigrant activists sensationalized automobile accidents to demonize Latinos as criminals; the disabled communities push for driving rights; the debates in cities and suburbs over the right to park overnight in safe parking spaces; and the use of the automobile and parking lots during the COVID-19 pandemic. This book highlights the various roles of the car in society throughout history.

Author: Andrew T. Fede
Publisher: University of Georgia Press
ISBN: 0820374563
Category : Law
Languages : en
Pages : 307

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A Degraded Caste of Society traces the origins of twenty-first-century cases of interracial violence to the separate and unequal protection principles of the criminal law of enslavement in the southern United States. Andrew T. Fede explains how antebellum appellate court opinions and statutes, when read in a context that includes newspaper articles and trial court and census records, extended this doctrine to the South’s free Black people, consigning them to what South Carolina justice John Belton O’Neall called “a degraded caste of society,” in which they were “in no respect, on a perfect equality with the white man.” This written law either criminalized Black insolence or privileged private white interracial violence, which became a badge of slavery that continued to influence the law in action, contrary to the Constitution’s mandate of equal protection of the criminal law. The U.S. Supreme Court enabled this denial of equal justice, as did Congress, which did not make all private white racially motivated violence a crime until 2009, when it adopted the Matthew Shepard and James Byrd Jr. Hate Crimes Prevention Act. Fede’s analysis supports that law’s constitutionality under the Thirteenth Amendment, while suggesting why—during the Jim Crow era and beyond—equal protection of the criminal law was not always realized, and why the curse of interracial violence has been a lingering badge of slavery.

Author: Phoebe S.K. Young
Publisher: Oxford University Press
ISBN: 0190093579
Category : History
Languages : en
Pages : 501

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An exploration of the hidden history of camping in American life that connects a familiar recreational pastime to camps for functional needs and political purposes. Camping appears to be a simple proposition, a time-honored way of getting away from it all. Pack up the car and hit the road in search of a shady spot in the great outdoors. For a modest fee, reserve the basic infrastructure--a picnic table, a parking spot, and a place to build a fire. Pitch the tent and unroll the sleeping bags. Sit under the stars with friends or family and roast some marshmallows. This book reveals that, for all its appeal, the simplicity of camping is deceptive, its history and meanings far from obvious. Why do some Americans find pleasure in sleeping outside, particularly when so many others, past and present, have had to do so for reasons other than recreation? Never only a vacation choice, camping has been something people do out of dire necessity and as a tactic of political protest. Yet the dominant interpretation of camping as a modern recreational ideal has obscured the connections to these other roles. A closer look at the history of camping since the Civil War reveals a deeper significance of this American tradition and its links to core beliefs about nature and national belonging. Camping Grounds rediscovers unexpected and interwoven histories of sleeping outside. It uses extensive research to trace surprising links between veterans, tramps, John Muir, African American freedpeople, Indian communities, and early leisure campers in the nineteenth century; tin-can tourists, federal campground designers, Depression-era transients, family campers, backpacking enthusiasts, and political activists in the twentieth century; and the crisis of the unsheltered and the tent-based Occupy Movement in the twenty-first. These entwined stories show how Americans camp to claim a place in the American republic and why the outdoors is critical to how we relate to nature, the nation, and each other.

Author: Ed Brockenbrough
Publisher: Harvard Education Press
ISBN: 1682539083
Category : Education
Languages : en
Pages : 107

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Research-based guidance for educators, teacher educators, and community learning partners to effectively support LGBTQ+ students of color

Author: Faith Mitchell
Publisher: Univ. Press of Mississippi
ISBN: 1496843207
Category : History
Languages : en
Pages : 254

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BCALA 2023 Outstanding Contribution to Publishing Citation Award winner The turn of the twentieth century was an extraordinarily difficult period for African Americans, a time of unchecked lynchings, mob attacks, and rampant Jim Crow segregation. During these bleak years, Emma Crawford, a young African American woman living in Pennsylvania, corresponded by postcard with friends and family members and collected the cards she received from all over the country. Her album—spanning from 1906 to 1910 and analyzed in Emma's Postcard Album—becomes an entry point into a deeply textured understanding of the nuances and complexities of African American lives and the survival strategies that enabled people “to make a way from no way.” As snippets of lived experience, eye-catching visual images, and reflections of historical moments, the cards in the collection become sources for understanding not only African American life, but also broader American history and culture. In Emma's Postcard Album, Faith Mitchell innovatively places the contents of this postcard collection into specific historic and biographical contexts and provides a new interpretation of postcards as life writings, a much-neglected aspect of scholarship. Through these techniques, a riveting world that is far too little known is revealed, and new insights are gained into the perspectives and experience of African Americans. Capping off these contributions, the text is a visual feast, illustrated with arresting images from the Golden Age of postcards as well as newspaper clippings and other archival material.

Author: DeRon S. Williams
Publisher: Bloomsbury Publishing
ISBN: 135025293X
Category : Performing Arts
Languages : en
Pages : 265

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Book Description
How are Black artists, activists, and pedagogues wielding acts of rebellion, activism, and solidarity to precipitate change? How have contemporary performances impacted Black cultural, social, and political struggles? What are the ways in which these acts and artists engage varied Black identities and explore shared histories? Contemporary Black Theatre and Performance investigates these questions to illuminate the relationship between performance, identity, intersectionality, and activism in North America and beyond. It features contributions from scholars, artists, and activists from across disciplines who explore the nuances and varied forms of Black performance in the 21st century while incorporating performance-based methodologies and queer and black feminist theories. Among the many topics addressed by contributors are antiracist pedagogy, Black queer identity formation in Black playwriting, digital blackface, and Black women's subversive practices within contemporary popular culture. It encompasses dramatic analysis of Lynn Nottage's Sweat, Tarell Alvin McCraney's Choir Boy, and acts of resistance during the Black Lives Matter summer 2020 highway protests. A series of conversations with artists and scholars are woven throughout the book's three sections, including with playwrights Christina Anderson and Donja R. Love, and Willa Taylor, Director of Education and Community Engagement at the Goodman Theatre, Chicago.

Author: RJ Smith
Publisher: Hachette Books
ISBN: 0306921618
Category : Biography & Autobiography
Languages : en
Pages : 500

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Book Description
The definitive biography of Chuck Berry, legendary performer and inventor of rock and roll Best known as the groundbreaking artist behind classics like “Johnny B. Goode,” “Maybellene,” “You Never Can Tell” and “Roll Over Beethoven,” Chuck Berry was a man of wild contradictions, whose motives and motivations were often shrouded in mystery. After all, how did a teenage delinquent come to write so many songs that transformed American culture? And, once he achieved fame and recognition, why did he put his career in danger with a lifetime’s worth of reckless personal behavior? Throughout his life, Berry refused to shed light on either the mastery or the missteps, leaving the complexity that encapsulated his life and underscored his music largely unexplored—until now. In Chuck Berry, biographer RJ Smith crafts a comprehensive portrait of one of the great American entertainers, guitarists, and lyricists of the 20th century, bringing Chuck Berry to life in vivid detail. Based on interviews, archival research, legal documents, and a deep understanding of Berry’s St. Louis (his birthplace, and the place where he died in March 2017), Smith sheds new light on a man few have ever really understood. By placing his life within the context of the American culture he made and eventually withdrew from, we understand how Berry became such a groundbreaking figure in music, erasing racial boundaries, crafting subtle political commentary, and paying a great price for his success. While celebrating his accomplishments, the book also does not shy away from troubling aspects of his public and private life, asking profound questions about how and why we separate the art from the artist. Berry declined to call himself an artist, shrugging that he was good at what he did. But the man's achievement was the rarest kind, the kind that had social and political resonance, the kind that made America want to get up and dance. At long last, Chuck Berry brings the man and the music together.