Author: Denise Coleman
Publisher: Melodrama Publishing
ISBN: 1934157325
Category : Fiction
Languages : en
Pages : 274
Book Description
Lonnie, a strong, independent, career-minded sista isn't one for drama or unnecessary bull. In fact, she's not even sure if having a man in her life is worth the trouble it can cause. However, when she meets John, everything changes. She's in love and things couldn't be better. Then all hell breaks loose. John becomes the nightmare she can't wake up from. Then drama rears its ugly head yet again at her job. Lonnie goes from the put-together woman in charge to a petty, dramatic diva and soon she doesn't recognize herself--P. [4] of cover.
Drama with a Capital D
Author: Denise Coleman
Publisher: Melodrama Publishing
ISBN: 1934157325
Category : Fiction
Languages : en
Pages : 274
Book Description
Lonnie, a strong, independent, career-minded sista isn't one for drama or unnecessary bull. In fact, she's not even sure if having a man in her life is worth the trouble it can cause. However, when she meets John, everything changes. She's in love and things couldn't be better. Then all hell breaks loose. John becomes the nightmare she can't wake up from. Then drama rears its ugly head yet again at her job. Lonnie goes from the put-together woman in charge to a petty, dramatic diva and soon she doesn't recognize herself--P. [4] of cover.
Publisher: Melodrama Publishing
ISBN: 1934157325
Category : Fiction
Languages : en
Pages : 274
Book Description
Lonnie, a strong, independent, career-minded sista isn't one for drama or unnecessary bull. In fact, she's not even sure if having a man in her life is worth the trouble it can cause. However, when she meets John, everything changes. She's in love and things couldn't be better. Then all hell breaks loose. John becomes the nightmare she can't wake up from. Then drama rears its ugly head yet again at her job. Lonnie goes from the put-together woman in charge to a petty, dramatic diva and soon she doesn't recognize herself--P. [4] of cover.
Wid's Year Book
Critical Themes in Drama
Author: Kelly Freebody
Publisher: Taylor & Francis
ISBN: 100038179X
Category : Education
Languages : en
Pages : 243
Book Description
Critical Themes in Drama is concerned with the relationship between drama and the current socio-political context. It builds on and contributes to ongoing scholarly conversations regarding the use, benefit, challenges and opportunities for drama and theatre as a social, cultural, educational and political act. The intention of this book is to canvas current theory and practice in drama, to provide an extended examination of how drama as a pro-social practice intersects with socio-cultural institutions, to link critical discourse and examine ways drama may contribute to a broader social justice agenda. Authors draw on a variety of theoretical tools from the fields of sociology, anthropology and cultural studies. This combines with an exploration of work from drama practitioners across a variety of countries and practices to provide a map of how the field is shaped and how we might understand drama praxis as a social, cultural and political force for change. This book offers drama scholars, practitioners, researchers and teachers a critical exploration which is both hopeful and critical; acknowledging the complexities and potential pitfalls, while celebrating the opportunities for drama as a practice for social action and positive change.
Publisher: Taylor & Francis
ISBN: 100038179X
Category : Education
Languages : en
Pages : 243
Book Description
Critical Themes in Drama is concerned with the relationship between drama and the current socio-political context. It builds on and contributes to ongoing scholarly conversations regarding the use, benefit, challenges and opportunities for drama and theatre as a social, cultural, educational and political act. The intention of this book is to canvas current theory and practice in drama, to provide an extended examination of how drama as a pro-social practice intersects with socio-cultural institutions, to link critical discourse and examine ways drama may contribute to a broader social justice agenda. Authors draw on a variety of theoretical tools from the fields of sociology, anthropology and cultural studies. This combines with an exploration of work from drama practitioners across a variety of countries and practices to provide a map of how the field is shaped and how we might understand drama praxis as a social, cultural and political force for change. This book offers drama scholars, practitioners, researchers and teachers a critical exploration which is both hopeful and critical; acknowledging the complexities and potential pitfalls, while celebrating the opportunities for drama as a practice for social action and positive change.
Drama in the People's Republic of China
Author: Constantine Tung
Publisher: SUNY Press
ISBN: 9780887063909
Category : Performing Arts
Languages : en
Pages : 372
Book Description
This is the first book ever published in the West on drama in the Peoples Republic of China. The plays, playwrights, theories, and performances range from the play that inflamed the Cultural Revolution to a post-Mao satiric drama that upset party leaders; from Jiang Qings drama theory for her model plays to the discovery of Bertolt Brecht; from the problems and dilemmas that confront theater reform in the post-Mao era to the performance of Ibsens Peer Gynt and Viennese operettas; and from a historical play glorifying Maos supremacy to a playwright calling for individualism and womens rights. This book not only depicts aspects of drama in the Peoples Republic of China, it also provides analyses of the political and social conditions that shaped and are represented in this drama.
Publisher: SUNY Press
ISBN: 9780887063909
Category : Performing Arts
Languages : en
Pages : 372
Book Description
This is the first book ever published in the West on drama in the Peoples Republic of China. The plays, playwrights, theories, and performances range from the play that inflamed the Cultural Revolution to a post-Mao satiric drama that upset party leaders; from Jiang Qings drama theory for her model plays to the discovery of Bertolt Brecht; from the problems and dilemmas that confront theater reform in the post-Mao era to the performance of Ibsens Peer Gynt and Viennese operettas; and from a historical play glorifying Maos supremacy to a playwright calling for individualism and womens rights. This book not only depicts aspects of drama in the Peoples Republic of China, it also provides analyses of the political and social conditions that shaped and are represented in this drama.
Television Drama in Israel
Author: Itay Harlap
Publisher: Bloomsbury Publishing USA
ISBN: 150132893X
Category : Performing Arts
Languages : en
Pages : 225
Book Description
Israeli television, currently celebrating fifty years of broadcasting, has become one of the most important content sources on the international TV drama market, when serials such as Homeland, Hostages, Fauda, Zaguory Empire and In Treatment were bought by international networks, HBO included. Offering both a textual reading and discourse analysis of contemporary Israeli television dramas, Itay Harlap adopts a case study approach in order to address production, reception and technological developments in its accounts. His premise is that the meeting point between social trends within Israeli society (primarily the rise of opposition groups to the hegemony of the Zionist-Jewish-masculine-Ashkenazi ideologies) and major changes in the medium in Israel (which are comparable to international changes that have been titled "post-TV"), led to the creation of television dramas characterized by controversial themes and complex narratives, which present identities in ways never seen before on television or in other Israeli mediums.
Publisher: Bloomsbury Publishing USA
ISBN: 150132893X
Category : Performing Arts
Languages : en
Pages : 225
Book Description
Israeli television, currently celebrating fifty years of broadcasting, has become one of the most important content sources on the international TV drama market, when serials such as Homeland, Hostages, Fauda, Zaguory Empire and In Treatment were bought by international networks, HBO included. Offering both a textual reading and discourse analysis of contemporary Israeli television dramas, Itay Harlap adopts a case study approach in order to address production, reception and technological developments in its accounts. His premise is that the meeting point between social trends within Israeli society (primarily the rise of opposition groups to the hegemony of the Zionist-Jewish-masculine-Ashkenazi ideologies) and major changes in the medium in Israel (which are comparable to international changes that have been titled "post-TV"), led to the creation of television dramas characterized by controversial themes and complex narratives, which present identities in ways never seen before on television or in other Israeli mediums.
Transatlantic Television Drama
Author: Matt Hills
Publisher:
ISBN: 019066312X
Category : Performing Arts
Languages : en
Pages : 337
Book Description
In 2014, the UK science-fiction television series Black Mirror was released on Netflix worldwide, quickly becoming a hit with US audiences. Like other beloved British imports, this series piqued Americans' interest with hints of dark comedy, clever plotlines, and six-episode seasons that left audiences frantic for more. In Transatlantic Television Drama, volume editors Michele Hilmes, Matt Hills, and Roberta Pearson team up with leading scholars in TV studies and transnational television to look at how serial dramas like Black Mirror captivate US audiences, and what this reveals about the ways Americans and Brits relate to each other on and off the screen. Focusing on production strategies, performance styles, and audience reception, chapters delve into some of the most widely-discussed programs on the transatlantic circuit, from ongoing series like Game of Thrones, Downton Abbey, Orphan Black, and Sherlock, to those with long histories of transnational circulation like Masterpiece and Doctor Who, to others whose transnational success speaks to the process of exchange, adaptation, and cooperation such as Rome, Parade's End, Broadchurch, and Gracepoint. The book's first section investigates the platforms that support British/American exchange, from distribution partnerships and satellite providers to streaming services. The second section concentrates on the shift in meaning across cultural contexts, such as invocations of heritage, genre shifts in adaptation, performance styles, and, in the case of Episodes, actual dramatized depiction of the process of transatlantic television production. In section three, attention turns to contexts of audience reception, ranging from fan conventions and fiction to television criticism, the effects of national branding on audiences, and the role of social media in de- or re-contextualizing fans' response to transnational programs.
Publisher:
ISBN: 019066312X
Category : Performing Arts
Languages : en
Pages : 337
Book Description
In 2014, the UK science-fiction television series Black Mirror was released on Netflix worldwide, quickly becoming a hit with US audiences. Like other beloved British imports, this series piqued Americans' interest with hints of dark comedy, clever plotlines, and six-episode seasons that left audiences frantic for more. In Transatlantic Television Drama, volume editors Michele Hilmes, Matt Hills, and Roberta Pearson team up with leading scholars in TV studies and transnational television to look at how serial dramas like Black Mirror captivate US audiences, and what this reveals about the ways Americans and Brits relate to each other on and off the screen. Focusing on production strategies, performance styles, and audience reception, chapters delve into some of the most widely-discussed programs on the transatlantic circuit, from ongoing series like Game of Thrones, Downton Abbey, Orphan Black, and Sherlock, to those with long histories of transnational circulation like Masterpiece and Doctor Who, to others whose transnational success speaks to the process of exchange, adaptation, and cooperation such as Rome, Parade's End, Broadchurch, and Gracepoint. The book's first section investigates the platforms that support British/American exchange, from distribution partnerships and satellite providers to streaming services. The second section concentrates on the shift in meaning across cultural contexts, such as invocations of heritage, genre shifts in adaptation, performance styles, and, in the case of Episodes, actual dramatized depiction of the process of transatlantic television production. In section three, attention turns to contexts of audience reception, ranging from fan conventions and fiction to television criticism, the effects of national branding on audiences, and the role of social media in de- or re-contextualizing fans' response to transnational programs.
MasterClass in Drama Education
Author: Michael Anderson
Publisher: A&C Black
ISBN: 1441167005
Category : Education
Languages : en
Pages : 178
Book Description
A comprehensive guide to drama education, ensuring a solid foundation for supporting effective learning and teaching.
Publisher: A&C Black
ISBN: 1441167005
Category : Education
Languages : en
Pages : 178
Book Description
A comprehensive guide to drama education, ensuring a solid foundation for supporting effective learning and teaching.
Theater of Capital
Author: Alisa Zhulina
Publisher: Northwestern University Press
ISBN: 0810146363
Category : Performing Arts
Languages : en
Pages : 302
Book Description
Reads canonical works of modern drama in relation to the economic ideas of their era Emerging amid the turbulent rise of market finance and wider socioeconomic changes, modern drama enacted vital critiques of art and life under capitalism. Alisa Zhulina shows how fin-de-siècle playwrights such as Henrik Ibsen, August Strindberg, Anton Chekhov, George Bernard Shaw, and Gerhart Hauptmann interrogated the meaning of this newly coined economic concept. Acutely aware of their complicity in the system they sought to challenge, these playwrights staged economic questions as moral and political concerns, using their plays to explore the theories of Adam Smith, Karl Marx and Friedrich Engels, Max Weber, and others within the boundaries of bourgeois theater. Theater of Capital: Modern Drama and Economic Life reveals the prescient and unsettling visions of life in a new financial and societal reality in now-canonical plays such as A Doll’s House, Miss Julie, and The Cherry Orchard, as well as in lesser-known and long-overlooked works. This wide-ranging study prompts us to reevaluate modern drama and its legacy for the urgent economic and political questions that haunt our present moment.
Publisher: Northwestern University Press
ISBN: 0810146363
Category : Performing Arts
Languages : en
Pages : 302
Book Description
Reads canonical works of modern drama in relation to the economic ideas of their era Emerging amid the turbulent rise of market finance and wider socioeconomic changes, modern drama enacted vital critiques of art and life under capitalism. Alisa Zhulina shows how fin-de-siècle playwrights such as Henrik Ibsen, August Strindberg, Anton Chekhov, George Bernard Shaw, and Gerhart Hauptmann interrogated the meaning of this newly coined economic concept. Acutely aware of their complicity in the system they sought to challenge, these playwrights staged economic questions as moral and political concerns, using their plays to explore the theories of Adam Smith, Karl Marx and Friedrich Engels, Max Weber, and others within the boundaries of bourgeois theater. Theater of Capital: Modern Drama and Economic Life reveals the prescient and unsettling visions of life in a new financial and societal reality in now-canonical plays such as A Doll’s House, Miss Julie, and The Cherry Orchard, as well as in lesser-known and long-overlooked works. This wide-ranging study prompts us to reevaluate modern drama and its legacy for the urgent economic and political questions that haunt our present moment.
Drama and Writing Ages 5-11
Author: Larraine S. Harrison
Publisher: Taylor & Francis
ISBN: 1000851176
Category : Education
Languages : en
Pages : 161
Book Description
Drama and Writing Ages 5-11 is a practical guide for teachers to develop and inspire writing through using drama in the classroom. Each of the ten chapters provides step-by-step guidance and creative prompts for writing that apply to both key stage one and key stage two, enabling teachers to motivate their pupils by creating meaningful contexts, audiences and purposes to encourage writing. With a wide range of ideas to apply to the classroom, from simple classroom strategies to more complex units of work, this book is suitable for all teachers – including those who hold limited experience of using drama in the classroom. Including key definitions of drama strategies and practical advice to apply to the classroom, chapters are presented in two parts: Part I provides short and simple drama strategies to act as a helping hand, stimulating the focus of a writing lesson Part II provides longer dramatic contexts with a compelling sense of audience and purpose, including a range of opportunities for writing. These prompts may span two or more lessons Drama and Writing Ages 5-11 is an essential read for any primary school teacher seeking practical strategies to incorporate drama into the classroom, teaching the craft of writing in a creative, fun and meaningful way.
Publisher: Taylor & Francis
ISBN: 1000851176
Category : Education
Languages : en
Pages : 161
Book Description
Drama and Writing Ages 5-11 is a practical guide for teachers to develop and inspire writing through using drama in the classroom. Each of the ten chapters provides step-by-step guidance and creative prompts for writing that apply to both key stage one and key stage two, enabling teachers to motivate their pupils by creating meaningful contexts, audiences and purposes to encourage writing. With a wide range of ideas to apply to the classroom, from simple classroom strategies to more complex units of work, this book is suitable for all teachers – including those who hold limited experience of using drama in the classroom. Including key definitions of drama strategies and practical advice to apply to the classroom, chapters are presented in two parts: Part I provides short and simple drama strategies to act as a helping hand, stimulating the focus of a writing lesson Part II provides longer dramatic contexts with a compelling sense of audience and purpose, including a range of opportunities for writing. These prompts may span two or more lessons Drama and Writing Ages 5-11 is an essential read for any primary school teacher seeking practical strategies to incorporate drama into the classroom, teaching the craft of writing in a creative, fun and meaningful way.
Drama Kings
Author: Joshua Goldstein
Publisher: Univ of California Press
ISBN: 0520247523
Category : History
Languages : en
Pages : 384
Book Description
Describes the formation of the Peking opera in late Qing and its subsequent rise and re-creation as the epitome of the Chinese national culture in Republican era China. This book looks into the lives of some of the opera's key actors, and explores their methods for earning a living, and their status in an ever-changing society.
Publisher: Univ of California Press
ISBN: 0520247523
Category : History
Languages : en
Pages : 384
Book Description
Describes the formation of the Peking opera in late Qing and its subsequent rise and re-creation as the epitome of the Chinese national culture in Republican era China. This book looks into the lives of some of the opera's key actors, and explores their methods for earning a living, and their status in an ever-changing society.