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Author: Elisabeth Dutton Publisher: Narr Francke Attempto Verlag ISBN: 3823379682 Category : Literary Criticism Languages : en Pages : 310
Book Description
This wide-ranging volume explores relationships between drama and pedagogy in the medieval and early modern periods, with contributions from an international ?eld of scholars including a number of leading authorities. Across the medieval and early modern periods, drama is seen to be a way of dissemi-nating theological and philosophical ideas. In medieval England, when literacy was low and the liturgy in Latin, drama translated and transformed spiritual truths, embodying them for a wider audience than could be reached by books alone. In Tudor England, humanist belief in the validity and potential of drama as a pedagogical tool informs the interlude, and examples of dramatized instruction abound on early modern stages. Academic drama is a particularly preg -nant locus for the exploration of drama and peda-gogy: universities and the Inns of Court trained some of the leading playwrights of the early theatre, but also supplied methods and materials that shaped professional playhouse compositions.
Author: David A. Postles Publisher: New Acdemia+ORM ISBN: 1955835225 Category : Drama Languages : en Pages : 201
Book Description
How the repeated social tropes and paradigms of the City comedies give us an in-depth look into everyday London society in the early 17th-century. Although literature is often assumed to belong to the sphere of representation rather than constituting an accurate reflection of social reality, early-modern English drama can tell us much about social attitudes in the early seventeenth century. The City comedies were, in particular, composed by authors who were embedded in the mundane social existence of London, in its quotidian transactions and exchanges, in its less salubrious contexts of debt, drinking, death and incarceration. To elucidate the complex social attitudes of the City urban elite, five particular themes are explored: the symbolism of attire; matrimonial talk; the use of money (coin) as metaphor and metonymy; “over-exuberance” towards the opportunity of the “New World”; and continuing differences of speech and customary language use. Although the dramatists had slightly differing allegiances, their commentaries all illuminate “middling” society in the City of London. “This new work by David Postles raises important questions in an innovative manner. It will certainly be welcomed by the historical community.” —Bernard Capp, FBA, Dept of History, University of Warwick “David Postles is one of the most innovative social historians writing today.” —Nigel Goose, Professor of Social and Economic History, University of Hertfordshire “This book will be significant reading for all those working in the field. It will be warmly received by readers and reviewers, and will remain a work of reference for scholars and students for the future.” —Greg Walker, Regius Professor of Rhetoric and English Literature, University of Edinburgh
Author: Elisabeth Dutton Publisher: Narr Francke Attempto Verlag ISBN: 3823379682 Category : Literary Criticism Languages : en Pages : 310
Book Description
This wide-ranging volume explores relationships between drama and pedagogy in the medieval and early modern periods, with contributions from an international ?eld of scholars including a number of leading authorities. Across the medieval and early modern periods, drama is seen to be a way of dissemi-nating theological and philosophical ideas. In medieval England, when literacy was low and the liturgy in Latin, drama translated and transformed spiritual truths, embodying them for a wider audience than could be reached by books alone. In Tudor England, humanist belief in the validity and potential of drama as a pedagogical tool informs the interlude, and examples of dramatized instruction abound on early modern stages. Academic drama is a particularly preg -nant locus for the exploration of drama and peda-gogy: universities and the Inns of Court trained some of the leading playwrights of the early theatre, but also supplied methods and materials that shaped professional playhouse compositions.
Author: Nadia Thérèse van Pelt Publisher: Routledge ISBN: 042951414X Category : History Languages : en Pages : 192
Book Description
Drama in Medieval and Early Modern Europe moves away from the customary conceptual framework that artificially separates ‘medieval’ from ‘early modern’ drama to explore the role of drama and spectacle in England, France, the Low Countries, Spain, Italy, Switzerland, and the German-speaking areas that now constitute Austria and Germany. This book investigates the ranges of dramatic and performative techniques and strategies that playmakers across Europe used to adapt their work to the changing contexts in which they performed, and to the changing or expanding audiences that they faced. It considers the different views expressed through drama and spectacle on shared historical events, how communities coped with similar issues and why they ritually recycled these themes through reinvented or alternative forms that replaced or existed alongside their predecessors. A wide variety of genres of play are discussed throughout, including visitatio sepulchri (visit to the tomb) plays; Easter and Passion plays and morality plays; the French civic mystère; Italian sacre rappresentazioni performed by choirboys in the context of the church; Bürgertheater from the Swiss Confederacy; drama performed for the purpose of royal entertainment and propaganda; May and summer games; and the commercial, professional theatre of Shakespeare and Lope de Vega. Examining the strength of drama in relation to the larger cultural forces to which it adapted, and demonstrating the use of social, political, economic, and artistic networks to educate and support the social structures of communities, Drama in Medieval and Early Modern Europe offers a broader understanding of a shared European past across the traditional chronological divide of 1500. It is ideal for students of social history, and the history of medieval and early modern drama or literature.
Author: S. Bennett Publisher: Springer ISBN: 1137320176 Category : Performing Arts Languages : en Pages : 250
Book Description
This ground-breaking collection explores the assumptions behind and practices for performance implicit in the manuscripts and playtexts of the medieval and early modern eras, focusing on work which engages with performance-oriented research.
Author: Lawrence M. Clopper Publisher: University of Chicago Press ISBN: 0226110303 Category : Drama Languages : en Pages : 356
Book Description
How was it possible for drama, especially biblical representations, to appear in the Christian West given the church's condemnation of the theatrum of the ancient world?In a book with radical implications for the study of medieval literature, Lawrence Clopper resolves this perplexing question. Drama, Play, and Game demonstrates that the theatrum repudiated by medieval clerics was not "theater" as we understand the term today. Clopper contends that critics have misrepresented Western stage history because they have assumed that theatrum designates a place where drama is performed. While theatrum was thought of as a site of spectacle during the Middle Ages, the term was more closely connected with immodest behavior and lurid forms of festive culture. Clerics were not opposed to liturgical representations in churches, but they strove ardently to suppress May games, ludi, festivals, and liturgical parodies. Medieval drama, then, stemmed from a more vernacular tradition than previously acknowledged-one developed by England's laity outside the boundaries of clerical rule.
Author: Katie Normington Publisher: Polity ISBN: 9780745636030 Category : Drama Languages : en Pages : 0
Book Description
Medieval English Drama provides a fresh introduction to the dramatic and festive practices of England in the late Middle Ages. The book places particular emphasis on the importance of the performance contexts of these events, bringing to life a period before permanent theatre buildings when performances took place in a wide variety of locations and had to fight to attract and maintain the attention of an audience. Showing the interplay between dramatic and everyday life, the book covers performances in convents, churches, parishes, street processions and parades, and in particular distinguishes between modes of outdoor and indoor performance. Katie Normington aids the reader to a fuller understanding of these early English dramatic practices by explaining the significance of the place of performance, the particularities of spectatorship for each event and how the conventions of the form of drama were manipulated to address its reception. Audiences considered range from cloistered members, congregations and parish members to urban citizens, nobles and royalty. Undergraduate students of literature of this period will find this an approachable and illuminating guide.
Author: Claire Sponsler Publisher: U of Minnesota Press ISBN: 1452902658 Category : Languages : en Pages : 233
Book Description
Provides a cultural and historical context for medieval popular drama. In Drama and Resistance, Claire Sponsler explores the intertwined histories of bodily subjectivity, commodity culture, and theatricality in late medieval England. In a fascinating consideration of popular drama in the period from 1350 to 1520, she argues that many types of performances during this time represented cultural evasions of the imposition of disciplinary power. The medieval theater was a social site where resistance, masked from the full scrutiny of authority by theatricality, was practiced, articulated, and enacted. Sponsler examines three key discourses of authoritarian bodily and commodity control -- clothing laws, conduct literature, and Books of Hours -- and pairs them with three kinds of theatrical performances that enact resistance to disciplining codes -- Robin Hood performances, morality plays, and Corpus Christi pageants. She considers the contradictions and inconsistencies in the repressive official discourses and analyzes the ways in which the staging of forbidden acts like cross-dressing, social and sexual misbehavior, and violence against the body challenged these discourses. Drawing on recent social theory, Drama and Resistance is an important contribution to medieval studies and the history of theater.
Author: Elisabeth Dutton Publisher: Boydell & Brewer ISBN: 1843847191 Category : Drama Languages : en Pages : 207
Book Description
Newest research into drama and performance from the Middle Ages and the Tudor period. Medieval English Theatre is the premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to the opening of the London playhouses and the suppression of the civic religious plays, and also includes contributions on European and Latin drama, together with analyses of modern survivals or equivalents, and of research productions of medieval plays. This volume offers new perspectives in three important areas. It opens with an investigation of the tantalising image of the Black Tudor trumpeter, John Blanke, in the Westminster Tournament Roll. Complementing the assessment of the documentary evidence for his employment in our last volume, it uncovers the surprising complexity of how Islamic dress was represented at the court of Henry VIII. Two essays engage with the challenging Croxton Play of the Sacrament, discussing very different issues of bodily integrity. The first revealingly brings together medieval and posthumanist theory, proposing how in performance the play can move to obliterate the distinction between Jewish and Christian bodies. The second considers the play in the light of modern disability theory, before examining the often contrasting evidence of lives lived, and performances informed, by actual disabled performers. The final contributions focus on twentieth- and twenty-first-century performances of medieval material, and how it can be adapted for later times and sensibilities. Investigation of an almost unknown 1924 London performance of a fifteenth-century French nativity play reveals much about early twentieth-century views of medieval drama. Meanwhile, the 2023 coronation of King Charles III prompts an analysis of a spectacular ceremony balanced between asserting its medieval origins and demonstrating its modern relevance. Finally, a review of a story-telling performance assesses how the problematic material of The Seven Sages of Rome might be addressed to modern audiences and preoccupations.
Author: Dr Michelle M Dowd Publisher: Ashgate Publishing, Ltd. ISBN: 1409478378 Category : Performing Arts Languages : en Pages : 314
Book Description
Working Subjects in Early Modern English Drama investigates the ways in which work became a subject of inquiry on the early modern stage and the processes by which the drama began to forge new connections between labor and subjectivity in the period. The essays assembled here address fascinating and hitherto unexplored questions raised by the subject of labor as it was taken up in the drama of the period: How were laboring bodies and the goods they produced, marketed and consumed represented onstage through speech, action, gesture, costumes and properties? How did plays participate in shaping the identities that situated laboring subjects within the social hierarchy? In what ways did the drama engage with contemporary discourses (social, political, economic, religious, etc.) that defined the cultural meanings of work? How did players and playwrights define their own status with respect to the shifting boundaries between high status/low status, legitimate/illegitimate, profitable/unprofitable, skilled/unskilled, formal/informal, male/female, free/bound, paid/unpaid forms of work? Merchants, usurers, clothworkers, cooks, confectioners, shopkeepers, shoemakers, sheepshearers, shipbuilders, sailors, perfumers, players, magicians, servants and slaves are among the many workers examined in this collection. Offering compelling new readings of both canonical and lesser-known plays in a broad range of genres (including history plays, comedies, tragedies, tragi-comedies, travel plays and civic pageants), this collection considers how early modern drama actively participated in a burgeoning, proto-capitalist economy by staging England's newly diverse workforce and exploring the subject of work itself.
Author: Elisabeth Dutton
Author: David A. Postles
Author: Elisabeth Dutton
Author: Nadia Thérèse van Pelt
Author: S. Bennett
Author: Lawrence M. Clopper
Author: Katie Normington
Author: Claire Sponsler
Author: Richard Preiss
Author: Elisabeth Dutton
Author: Dr Michelle M Dowd