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Author: Ebenezer Prout Publisher: ISBN: Category : Canon (Musical form) Languages : en Pages : 302
Book Description
The study of double counterpoint & of the various forms of imitation is an invaluable & indispensable introduction to the higher branches of composition.
Author: Ebenezer Prout Publisher: ISBN: Category : Canon (Musical form) Languages : en Pages : 302
Book Description
The study of double counterpoint & of the various forms of imitation is an invaluable & indispensable introduction to the higher branches of composition.
Author: David Yearsley Publisher: Cambridge University Press ISBN: 9780521803465 Category : Music Languages : en Pages : 284
Book Description
In Bach's Germany musical counterpoint was an art involving much more than the sophisticated use of advanced compositional techniques. A range of theological, cultural, social and political meanings attached themselves to the use of complex procedures such as canon and double counterpoint. This book explores the significance of Bach's counterpoint in a range of interrelated contexts: its use as a means of reflecting on death; its parallels to alchemy; its vexed status in the galant music culture of the first half of the eighteenth century; its value as a representation of political power; and its central importance in the creation of Bach's image in the nineteenth and twentieth centuries. Touching on a wide array of contemporary literary, philosophical, critical, and musical texts, the book includes new readings of many of Bach's late works in order to re-evaluate the status and meaning of counterpoint in Bach's work and legacy.
Author: Beth Denisch Publisher: Hal Leonard Corporation ISBN: 1540012239 Category : Music Languages : en Pages : 184
Book Description
(Berklee Guide). Use counterpoint to make your music more engaging and creative. Counterpoint the relationship between musical voices is among the core principles for writing music, and it has been central to the study of composition for many centuries. Whether you are a composer, arranger, film composer, orchestrator, music director, bandleader, or improvising musician, this book will help hone your craft, gain control, and lead you to new creative possibilities. You will learn "tricks of the trade" from the masters and apply these skills to contemporary styles. Online audio examples illustrate the principles being discussed, and many recommended listening lists point you to additional examples of how these principles have been used in music over the past thousand years.
Author: Thomas Benjamin Publisher: Routledge ISBN: 1135946620 Category : Music Languages : en Pages : 595
Book Description
First Published in 2003. The Craft of Tonal Counterpoint is an introductory text to the analysis and composition of tonal counterpoint. Using examples from the music of J.S. Bach - the master of this style - the author takes students through a series of carefully graded, cumulative exercises that stress both analysis and writing. Benjamin covers chromaticism and fugal writing in exceptional detail. The exercises cover a wide range of formats, including error detection, linear pitch reduction, analysis and composition. The book also incorporates a 100-page anthology of scores, effective for analysis, in-class performance, and compositional models.
Author: Arnold Schoenberg Publisher: Oxford University Press ISBN: 0195382218 Category : Music Languages : en Pages : 273
Book Description
Models for Beginners in Composition (1943) represents one of Arnold Schoenberg's earliest attempts to reach a broad American audience through his pedagogical ideas. In this newly revised edition, Gordon Root incorporates many of Schoenberg's corrections to the original manuscript. Significant commentary also traces Schoenberg's development of the two-measure phrase as the main component of his pedagogical method.
Author: Katelijne Schiltz Publisher: Peeters Publishers ISBN: 9789042916814 Category : Art Languages : en Pages : 546
Book Description
Although canons pervade music of the Middle Ages and the Renaissance, they have not received proportionate attention in the musicological literature. The contributions in this book shed light on canons and canonic techniques from a wide range of perspectives, such as music theory and analysis, compositional and performance practice, palaeography and notation, as well as listening expectations and strategies. Especially in the case of riddle canons, insights from other disciplines such as literature, theology, iconography, emblematics, and philosophy have proved crucial for a better understanding and interpretation of how such pieces were created. The essays extend from the early period of canonic writing to the seventeenth century, ending with three contributions concerned with the reception history of medieval and Renaissance canons in music and writings on music from the Age of Enlightenment to the present. This book was awarded the Special Citation by the Society for Music Theory in November 2008.
Author: Ebenezer Prout
Author: Ebenezer Prout
Author: Frederick Bridge
Author: Ebenezer Prout
Author: Hugo Riemann
Author: David Yearsley
Author: Hugo Norden
Author: Beth Denisch
Author: Thomas Benjamin
Author: Arnold Schoenberg
Author: Katelijne Schiltz