Author: Mel GussowPublisher:
ISBN:
Category :
Languages : en
Pages : 376
Book Description
Don't Say Yes Until I Finish Talking
Author: Mel GussowDon't Say Yes Until I Finish Talking
Author: Mel GussowNew York Magazine
Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 64
Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
A Life of Barbara Stanwyck
Author: Victoria WilsonPublisher: Simon and Schuster
ISBN: 1439194068
Category : Biography & Autobiography
Languages : en
Pages : 1056
Book Description
“860 glittering pages” (Janet Maslin, The New York Times): The first volume of the full-scale astonishing life of one of our greatest screen actresses—her work, her world, her Hollywood through an American century. Frank Capra called her, “The greatest emotional actress the screen has yet known.” Now Victoria Wilson gives us the first volume of the rich, complex life of Barbara Stanwyck, an actress whose career in pictures spanned four decades beginning with the coming of sound (eighty-eight motion pictures) and lasted in television from its infancy in the 1950s through the 1980s. Here is Stanwyck, revealed as the quintessential Brooklyn girl whose family was in fact of old New England stock; her years in New York as a dancer and Broadway star; her fraught marriage to Frank Fay, Broadway genius; the adoption of a son, embattled from the outset; her partnership with Zeppo Marx (the “unfunny Marx brother”) who altered the course of Stanwyck’s movie career and with her created one of the finest horse breeding farms in the west; and her fairytale romance and marriage to the younger Robert Taylor, America’s most sought-after male star. Here is the shaping of her career through 1940 with many of Hollywood's most important directors, among them Frank Capra, “Wild Bill” William Wellman, George Stevens, John Ford, King Vidor, Cecil B. Demille, Preston Sturges, set against the times—the Depression, the New Deal, the rise of the unions, the advent of World War II, and a fast-changing, coming-of-age motion picture industry. And at the heart of the book, Stanwyck herself—her strengths, her fears, her frailties, losses, and desires—how she made use of the darkness in her soul, transforming herself from shunned outsider into one of Hollywood’s most revered screen actresses. Fifteen years in the making—and written with full access to Stanwyck’s family, friends, colleagues and never-before-seen letters, journals, and photographs. Wilson’s one-of-a-kind biography—“large, thrilling, and sensitive” (Michael Lindsay-Hogg, Town & Country)—is an “epic Hollywood narrative” (USA TODAY), “so readable, and as direct as its subject” (The New York Times). With 274 photographs, many published for the first time.
Zanuck - Don't Say Yes Until I Finish Talking
Author: Mel GussowPublisher: W H Allen
ISBN: 9780491001793
Category : Motion picture producers and directors
Languages : en
Pages : 322
Book Description
Gussow Dont Say Yes
Author: Mel GussowPublisher: Da Capo Press, Incorporated
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 380
Book Description
The Sound of No Hands Clapping
Author: Toby YoungPublisher: Da Capo Press
ISBN: 0786741724
Category : Biography & Autobiography
Languages : en
Pages : 308
Book Description
Young is back with the eagerly awaited follow-up to his account of a hilariously failed attempt to conquer the Manhattan social and professional scene in How to Lose Friends and Alienate People. All the elements that turned Toby's earlier memoir into a bestseller from coast to coast and on both sides of the Atlantic are back, too. Well, some things have changed for Toby-he has married his girlfriend from How to Lose Friends and Alienate People and now has two kids, and he has moved from the Manhattan that treated him none too kindly to London. But Toby remains Toby, and what Graydon Carter of Vanity Fair called Toby's "brown thumb" continues to work its magic, transforming opportunities into cringeworthy debacles and leading to situations that are classic Toby Young territory. Toby gleefully recounts such dubious journalistic assignments as posing as a patient at a penis-enlargement clinic and as a greeter at a Wal-Mart. He has misadventures in Los Angeles as a screenwriter for films that never quite get made, he's been a contestant on an abysmal reality show that absolutely no one watched, and he has acted in a one-man play that was utterly savaged by the critics. Yes, Toby has become a dutiful husband and a devoted dad, but he's as relentlessly self-sabotaging as ever, with a demonstrated knack for attracting misfortune, publicity-and devoted readers.
The Oxford Handbook of the Hollywood Musical
Author: Dominic Broomfield-McHughPublisher: Oxford University Press
ISBN: 019750342X
Category : Performing Arts
Languages : en
Pages : 665
Book Description
Since the release of Baz Luhrmann's Moulin Rouge! in 2001, the film musical has returned to popularity as one of the most important cinematic genres, a box office hit that appeals to audiences of all ages. Yet the history of the musical on film goes back over seven decades earlier than that, stretching from early examples like The Jazz Singer (1927), the first ever film with synchronized sound, through the Astaire-Rogers musicals of the 1930s, the MGM and Warner Brothers extravaganzas of the 1940s and '50s, and the roadshow era of the 1960s. The genre's renaissance with La La Land (2016) and The Greatest Showman (2017) proves that it remains as appealing as ever, capable of both high critical acclaim and widespread box office success. The Oxford Handbook of the Hollywood Musical, curated by editor Dominic Broomfield-McHugh, reflects and expands on current scholarship on the film musical in a handbook that mixes new discoveries through archival research with new perspectives on familiar titles. It addresses issues such as why audiences accept people bursting into song in musicals; how technology affects the way numbers are staged; and how writers have adapted their material to suit certain stars. It also looks at critical issues such as racism and sexism, and assesses the role and nature of the film musical in the twenty-first century. A remarkable survey at the cutting edge of the field, The Oxford Handbook of the Hollywood Musical will be a resource for students and scholars alike for years to come.
Twentieth Century-Fox
Author: Peter LevPublisher: University of Texas Press
ISBN: 0292744471
Category : Performing Arts
Languages : en
Pages : 327
Book Description
When the Fox Film Corporation merged with Twentieth Century Pictures in 1935, the company posed little threat to industry juggernauts such as Paramount and MGM. In the years that followed however, guided by executives Darryl F. Zanuck and Spyros Skouras, it soon emerged as one of the most important studios. Though working from separate offices in New York and Los Angeles and often of two different minds, the two men navigated Twentieth Century-Fox through the trials of the World War II boom, the birth of television, the Hollywood Blacklist, and more to an era of exceptional success, which included what was then the highest grossing movie of all time, The Sound of Music. Twentieth Century-Fox is a comprehensive examination of the studio’s transformation during the Zanuck-Skouras era. Instead of limiting his scope to the Hollywood production studio, Lev also delves into the corporate strategies, distribution models, government relations, and technological innovations that were the responsibilities of the New York headquarters. Moving chronologically, he examines the corporate history before analyzing individual films produced by Twentieth Century-Fox during that period. Drawn largely from original archival research, Twentieth Century-Fox offers not only enlightening analyses and new insights into the films and the history of the company, but also affords the reader a unique perspective from which to view the evolution of the entire film industry.
The Westerns and War Films of John Ford
Author: Sue MathesonPublisher: Rowman & Littlefield
ISBN: 1442261064
Category : Performing Arts
Languages : en
Pages : 379
Book Description
Responsible for some of the greatest films of the 20th century—The Grapes of Wrath, How Green Was My Valley, and The Quiet Man among others—John Ford was best known for motion pictures that defined the American West and the face of wartime military. A Hollywood celebrity, Ford lived his life against the background that Twentieth Century-Fox fashioned for him. As he did, the facts of his life merged with—and became inseparable from—his multifaceted legend, fostered by Hollywood’s studio culture and his own imagination. In The Westerns and War Films of John Ford Sue Mathesonoffers an engaging look at one of America’s greatest directors and the two genres of films that solidified his reputation. Drawing on previously unreleased material, this volume explores the man, the filmmaker, the veteran, and the legend—and the ways in which all of those roles shaped Ford’s view of America, national character, and his creative output. Among the films discussed here in depth are Ford’s early productions, such as The Iron Horse and Drums along the Mohawk, his military films, such as Submarine Patrol, The Battle of Midway, and They Were Expendable, and his Westerns, including Fort Apache, She Wore a Yellow Ribbon, The Searchers, and Cheyenne Autumn. Ford imbued many of his creations with a point of view that represented his ideals, and the films discussed here illustrate their director’s distinct vision of American life on the frontier and in service of the country. That vision—Ford’s idealization of the American Character—would, in turn, shape the worldview of several generations. The Westerns and War Films of John Ford will appeal to critics and scholars, but also to any fan of this iconic filmmaker’s work.