Author: Raymond Borde
Publisher: City Lights Books
ISBN: 9780872864122
Category : Performing Arts
Languages : en
Pages : 284
Book Description
This first book published on film noir established the genre--a classic, at last in translation.
A Panorama of American Film Noir (1941-1953)
Author: Raymond Borde
Publisher: City Lights Books
ISBN: 9780872864122
Category : Performing Arts
Languages : en
Pages : 284
Book Description
This first book published on film noir established the genre--a classic, at last in translation.
Publisher: City Lights Books
ISBN: 9780872864122
Category : Performing Arts
Languages : en
Pages : 284
Book Description
This first book published on film noir established the genre--a classic, at last in translation.
Georges Franju
Author: Kate Ince
Publisher: Manchester University Press
ISBN: 9780719068287
Category : Performing Arts
Languages : en
Pages : 198
Book Description
This is the fullest study to date of this little-known French director, the co-founder of the Cinémathèque française, and the first book on Franju in English since 1967. Enjoying his real debut as a director in 1948 with his notorious documentary about Parisian abattoirs Le Sang des bêtes, Franju went on to make thirteen more courts métrages and eight longs métrages, including his horror classic Les Yeux sans visage. A full introduction and conclusion set Franju's directorial career in the context of his lifelong commitment to France's cinema institutions.
Publisher: Manchester University Press
ISBN: 9780719068287
Category : Performing Arts
Languages : en
Pages : 198
Book Description
This is the fullest study to date of this little-known French director, the co-founder of the Cinémathèque française, and the first book on Franju in English since 1967. Enjoying his real debut as a director in 1948 with his notorious documentary about Parisian abattoirs Le Sang des bêtes, Franju went on to make thirteen more courts métrages and eight longs métrages, including his horror classic Les Yeux sans visage. A full introduction and conclusion set Franju's directorial career in the context of his lifelong commitment to France's cinema institutions.
The Cromer Collection of Nineteenth-century French Photography
Author:
Publisher: Yale University Press
ISBN: 0300264275
Category : Photography
Languages : en
Pages : 336
Book Description
A deep dive into the pioneering collection of nineteenth-century French photographs, equipment, and ephemera, which is a cornerstone of the George Eastman Museum In the early twentieth century, Parisian photographer, amateur historian, and collector Gabriel Cromer (1873-1934) amassed a collection that traced photography's prehistory, invention, and development to about 1890. His dream was to found a national museum of the photographic arts in France. Although Cromer's ambition was never realized, his collection was central to establishing the world's first museum dedicated to photography: the George Eastman Museum. The Cromer Collection of Nineteenth‑Century French Photography considers the origin and circulation of the collection as well as the influence it has had on photography as a field of study. The book's six essays, written by French and American scholars, explore the Cromer Collection's complex passage across markets, borders, and functions. For more than half a century, curators and scholars worldwide have drawn extensively on the Gabriel Cromer Collection for exhibitions and publications; this book provides the first focused scholarly study of the foundational resource.
Publisher: Yale University Press
ISBN: 0300264275
Category : Photography
Languages : en
Pages : 336
Book Description
A deep dive into the pioneering collection of nineteenth-century French photographs, equipment, and ephemera, which is a cornerstone of the George Eastman Museum In the early twentieth century, Parisian photographer, amateur historian, and collector Gabriel Cromer (1873-1934) amassed a collection that traced photography's prehistory, invention, and development to about 1890. His dream was to found a national museum of the photographic arts in France. Although Cromer's ambition was never realized, his collection was central to establishing the world's first museum dedicated to photography: the George Eastman Museum. The Cromer Collection of Nineteenth‑Century French Photography considers the origin and circulation of the collection as well as the influence it has had on photography as a field of study. The book's six essays, written by French and American scholars, explore the Cromer Collection's complex passage across markets, borders, and functions. For more than half a century, curators and scholars worldwide have drawn extensively on the Gabriel Cromer Collection for exhibitions and publications; this book provides the first focused scholarly study of the foundational resource.
The New Spirit of Capitalism
Author: Luc Boltanski
Publisher: Verso
ISBN: 9781859845547
Category : Business & Economics
Languages : en
Pages : 664
Book Description
A century after the publication of Max Weber's The Protestant Ethic and the "Spirit" of Capitalism , a major new work examines network-based organization, employee autonomy and post-Fordist horizontal work structures.
Publisher: Verso
ISBN: 9781859845547
Category : Business & Economics
Languages : en
Pages : 664
Book Description
A century after the publication of Max Weber's The Protestant Ethic and the "Spirit" of Capitalism , a major new work examines network-based organization, employee autonomy and post-Fordist horizontal work structures.
Cahiers Du Cinéma, the 1950s
Author: Jim Hillier
Publisher: Harvard University Press
ISBN: 9780674090613
Category : Performing Arts
Languages : en
Pages : 332
Book Description
The Cahiers du Cinéma has played a major role in establishing film theory and criticism as an essential part of the late 20th century culture. This volume contains articles from the 1950s.
Publisher: Harvard University Press
ISBN: 9780674090613
Category : Performing Arts
Languages : en
Pages : 332
Book Description
The Cahiers du Cinéma has played a major role in establishing film theory and criticism as an essential part of the late 20th century culture. This volume contains articles from the 1950s.
A Bag of Marbles
Author: Joseph Joffo
Publisher: University of Chicago Press
ISBN: 9780226400693
Category : Biography & Autobiography
Languages : en
Pages : 334
Book Description
"Two young brothers use ingenuity, spirit and teamwor to elude the Nazis. When Joseph Joffo was ten years old, his father gave him and his brother fifty francs and instructions to flee Nazi-occupied Paris and, somehow, get to the south where France was free"--Publisher's description.
Publisher: University of Chicago Press
ISBN: 9780226400693
Category : Biography & Autobiography
Languages : en
Pages : 334
Book Description
"Two young brothers use ingenuity, spirit and teamwor to elude the Nazis. When Joseph Joffo was ten years old, his father gave him and his brother fifty francs and instructions to flee Nazi-occupied Paris and, somehow, get to the south where France was free"--Publisher's description.
The Continental Shelf
Author: M. W. Mouton
Publisher: Springer
ISBN: 9401759669
Category : Science
Languages : en
Pages : 378
Book Description
Publisher: Springer
ISBN: 9401759669
Category : Science
Languages : en
Pages : 378
Book Description
The History of Tom Jones
Author: Henry Fielding
Publisher:
ISBN:
Category : England
Languages : en
Pages : 458
Book Description
Publisher:
ISBN:
Category : England
Languages : en
Pages : 458
Book Description
Isis
Author: George Sarton
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 774
Book Description
"Brief table of contents of vols. I-XX" in v. 21, p. [502]-618.
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 774
Book Description
"Brief table of contents of vols. I-XX" in v. 21, p. [502]-618.
The Modernist Papers
Author: Fredric Jameson
Publisher: Verso Books
ISBN: 1784783471
Category : Literary Criticism
Languages : en
Pages : 448
Book Description
Cultural critic Fredric Jameson, renowned for his incisive studies of the passage of modernism to postmodernism, returns to the movement that dramatically broke with all tradition in search of progress for the first time since his acclaimed A Singular Modernity . The Modernist Papers is a tour de froce of anlysis and criticism, in which Jameson brings his dynamic and acute thought to bear on the modernist literature of the nineteenth and twentieth centuries. Jameson discusses modernist poetics, including intensive discussions of the work of Baudelaire, Rimbaud, Mallarmé, Wallace Stevens, Joyce, Proust, and Thomas Mann. He explores the peculiarties of the American literary field, taking in William Carlos Williams and the American epic, and examines the language theories of Gertrude Stein. Refusing to see modernism as simply a Western phenomenon he also pays close attention to its Japanese expression; while the complexities of a late modernist representation of twentieth-century politics are articulated in a concluding section on Peter Weiss’s novel The Aesthetics of Resistance. Challenging our previous understanding of the literature of this pperiod, this monumental work will come to be regarded as the classic study of modernism.
Publisher: Verso Books
ISBN: 1784783471
Category : Literary Criticism
Languages : en
Pages : 448
Book Description
Cultural critic Fredric Jameson, renowned for his incisive studies of the passage of modernism to postmodernism, returns to the movement that dramatically broke with all tradition in search of progress for the first time since his acclaimed A Singular Modernity . The Modernist Papers is a tour de froce of anlysis and criticism, in which Jameson brings his dynamic and acute thought to bear on the modernist literature of the nineteenth and twentieth centuries. Jameson discusses modernist poetics, including intensive discussions of the work of Baudelaire, Rimbaud, Mallarmé, Wallace Stevens, Joyce, Proust, and Thomas Mann. He explores the peculiarties of the American literary field, taking in William Carlos Williams and the American epic, and examines the language theories of Gertrude Stein. Refusing to see modernism as simply a Western phenomenon he also pays close attention to its Japanese expression; while the complexities of a late modernist representation of twentieth-century politics are articulated in a concluding section on Peter Weiss’s novel The Aesthetics of Resistance. Challenging our previous understanding of the literature of this pperiod, this monumental work will come to be regarded as the classic study of modernism.