Documentary in the Digital Age PDF Download

Author: Maxine Baker
Publisher: Taylor & Francis
ISBN: 0240516885
Category : Computers
Languages : en
Pages : 319

View

Book Description
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

Author: Ryan Watson
Publisher: Indiana University Press
ISBN: 0253058023
Category : Social Science
Languages : en
Pages : 231

View

Book Description
When independent filmmakers, activists, and amateurs document the struggle for rights, representation, and revolution, they instrumentalize images by advocating for a particular outcome. Ryan Watson calls this "militant evidence." In Radical Documentary and Global Crises, Watson centers the discussion on extreme conflict, such as the Iraq War, the occupation of Palestine, the war in Syria, mass incarceration in the United States, and child soldier conscription in the Congo. Under these conditions, artists and activists aspire to document, archive, witness, and testify. The result is a set of practices that turn documentary media toward a commitment to feature and privilege the media made by the people living through the terror. This footage is then combined with new digitally archived images, stories, and testimonials to impact specific social and political situations. Radical Documentary and Global Crises re-orients definitions of what a documentary is, how it functions, how it circulates, and how its effect is measured, arguing that militant evidence has the power to expose, to amass, and to adjudicate.

Author: Kris Fallon
Publisher: University of California Press
ISBN: 0520300939
Category : Performing Arts
Languages : en
Pages : 246

View

Book Description
A free open access ebook is available upon publication. Learn more at www.luminosoa.org. This boldly original book traces the evolution of documentary film and photography as they migrated onto digital platforms during the first decades of the twenty-first century. Kris Fallon examines the emergence of several key media forms—social networking and crowdsourcing, video games and virtual environments, big data and data visualization—and demonstrates the formative influence of political conflict and the documentary film tradition on their evolution and cultural integration. Focusing on particular moments of political rupture, Fallon argues that the ideological rifts of the period inspired the adoption and adaptation of newly available technologies to encourage social mobilization and political action, a function performed for much of the previous century by independent documentary film. Positioning documentary film and digital media side by side in the political sphere, Fallon asserts that “truth” now lies in a new set of media forms and discursive practices that implicitly shape the documentation of everything from widespread cultural spectacles like wars and presidential elections to more invisible or isolated phenomena like the Abu Ghraib torture scandal or the “fake news” debates of 2016.

Author: Mitsuyo Wada-Marciano
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 200

View

Book Description
This book deliberates on the role of the transnational in bringing to the mainstream what were formerly marginal Japanese B movie genres.

Author: Ronald J. Osgood
Publisher: Wadsworth Publishing Company
ISBN:
Category : Art
Languages : en
Pages : 398

View

Book Description
DVD-ROM contains: Interactive modules that illustrate concepts discussed in the text.

Author: Peter Lee-Wright
Publisher: Routledge
ISBN: 1135270147
Category : Performing Arts
Languages : en
Pages : 610

View

Book Description
'The Documentary Handbook is mandatory reading for those who want a critical understanding of the place of factual formats in today’s exploding television and media industry, as well as expert guidance in complex craft skills in order to fully participate. The practical advice and wisdom here is second to none.' – Tony Steyger, Principal Lecturer, Southampton Solent University, UK The Documentary Handbook is a critical introduction to the documentary film, its theory and changing practices. The book charts the evolution of documentary from screen art to core television genre, its metamorphosis into many different types of factual TV programme and its current emergence in forms of new media. It analyses those pathways and the transformation of means of production through economic, technical and editorial changes. The Documentary Handbook explains the documentary process, skills and job specifications for everyone from industry entrants to senior personnel, and shows how the industrial evolution of television has relocated the powers and principles of decision-making. Through the use of professional Expert Briefings it gives practical pointers about programme-making, from research, developing and pitching programme ideas to their production and delivery through a fast-evolving multi-platform universe.

Author: Lucia Ricciardelli
Publisher: Routledge
ISBN: 1135036136
Category : Performing Arts
Languages : en
Pages : 165

View

Book Description
American Documentary Filmmaking in the Digital Age examines the recent challenges to the conventions of realist documentary through the lens of war documentary films by Ken Burns, Michael Moore, and Errol Morris. During the twentieth century, the invention of new technologies of audiovisual representation such as cinema, television, video, and digital media have transformed the modes of historical narration and with it forced historians to assess the impact of new visual technologies on the construction of history. This book investigates the manner in which this contemporary Western "crisis" in historical narrative is produced by a larger epistemological shift in visual culture. Ricciardelli uses the theme of war as depicted in these directors’ films to focus her study and look at the model(s) of national identity that Burns, Morris, and Moore shape through their depictions of US military actions. She examines how postcolonial critiques of historicism and the advent of digitization have affected the narrative structure of documentary film and the shaping of historical consciousness through cinematic representation.

Author: Vlad Alexandru
Publisher: Vlad Alexandru
ISBN:
Category : Art
Languages : en
Pages : 258

View

Book Description
The work, entitled "The Poetic Documentary: From Joris Ivens to Nonny de la Peña", documented the poetic documentary from the first public film projection made on December 28th, 1895, fighting the dominance of the consumption area fueled by the desire to mature, the maturity of the genre itself, as well as the future trends towards which this kind of documentary film directs itself, as well as the appearance of new technologies such as virtual reality or the concept of cloud filmmaking. The research focuses on the diegetic world of the documentary film, both from the historically point of view and from specialized criticisms, in order to highlight the current theoretical knowledge and a few research perspectives, for the future, in order to test the applicability of the aesthetic elements (as an universal aspect) in the construction of the poetic documentary.

Author: Jason Middleton
Publisher: Routledge
ISBN: 1317952197
Category : Art
Languages : en
Pages : 200

View

Book Description
Despite the prominence of "awkwardness" as cultural buzzword and descriptor of a sub-genre of contemporary film and television comedy, it has yet to be adequately theorized in academic film and media studies. Documentary’s Awkward Turn contributes a new critical paradigm to the field by presenting an analysis of awkward moments in documentary film and other reality-based media formats. It examines difficult and disrupted encounters between social actors on the screen, between filmmaker and subject, and between film and spectator. These encounters are, of course, often inter-connected. Awkward moments occur when an established mode of representation or reception is unexpectedly challenged, stalled, or altered: when an interviewee suddenly confronts the interviewer, when a subject who had been comfortable on camera begins to feel trapped in the frame, when a film perceived as a documentary turns out to be a parodic mockumentary. This book makes visible the ways in which awkwardness connects and subtends a range of transformative textual strategies, political and ethical problematics, and modalities of spectatorship in documentary film and media from the 1970s to the present.

Author: Daniel Marcus
Publisher: Routledge
ISBN: 1317534158
Category : Social Science
Languages : en
Pages : 235

View

Book Description
Contemporary Documentary offers a rich survey of the rapidly expanding landscape of documentary film, television, video, and new media. The collection of original essays addresses the emerging forms, popular genres, and innovative approaches of the digital era. The anthology highlights geographically and thematically diverse examples of documentaries that have expanded the scope and impact of non-fiction cinema and captured the attention of global audiences over the past three decades. It also explores the experience of documentary today, with its changing dynamics of production, collaboration, distribution, and exhibition, and its renewed political and cultural relevance. The twelve chapters - featuring engaging case studies and written from a wide range of perspectives including film theory, social theory, ethics, new media, and experience design - invite students to think critically about documentary as a vibrant field, unrestricted in its imagination and quick in its response to new forms of filmmaking. Offering a methodical exploration of the expansive reach of documentary as a creative force in the media and society of the twenty-first century, Contemporary Documentary is an ideal collection for students of film, media, and communication who are studying documentary film.